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Jimmy Reed
																	
								Born:
Blues music has had its individualist performers with powerful, poetic feeling, tremendous instrumental virtuosity, or a unique sound. But if the tradition ever had its Everyman, it would be Jimmy Reed, the most popular Chicago blues performer of the 1950s and early 1960s. Jimmy Reed had a guitar technique that rarely varied, and his vocals were relaxed to the point where hearers couldn't always understand the words he sang. Yet Reed found a groove and stuck to it, creating a sound that any blues fan could identify after hearing only a few seconds of his music. That sound, moreover, influenced nearly every rock music ensemble that had a blues element in its style
A Blues Spectacular
								
									by Jerome Wilson
									
										
																			
								
In a change from this show's usual format, this episode investigates the blues in many different forms. There are jump blues, British blues, acoustic blues, female blues singers, and much more. Artists featured on the show include Jimmy Rushing, Josh White, James Blood Ulmer, Ernie Andrews, Lil Green, and Jeff Beck. Playlist Henry Threadgill ...
Zeno De Rossi: Tradire la Tradizione
								
									by Neri Pollastri
									
										
																			
								
Da anni personalità artistica centrale del jazz e della musica improvvisata del nostro Paese, Zeno De Rossi è solito alternare alla realizzazione di progetti a proprio nome sia produzioni collettive, sia collaborazioni con artisti di caratura assoluta--basti pensare alle lunghe esperienze con Franco D'Andrea, Francesco Bearzatti o Roberto Ottaviano. Nell'ultimo anno e mezzo, quando la progressiva ...
Winter 2022
								
									by Doug Collette
									
										
																			
								
Blues Deluxe is a regular column comprised of pithy takes on recent blues and roots-music releases of note, spotlighting titles in those genres that might otherwise go unnoticed under the cultural radar. The Ronnie Wood Band Mr. Luck: A Tribute to Jimmy Reed Live at the Royal Albert Hall BMG
Voices of Mississippi at Jazz at Lincoln Center
								
									by Nick Catalano
									
										
																			
								
The research into music programming for concerts at Jazz at Lincoln Center has always been top-notch, providing important informational fodder for reviewers. Perhaps none has been as significant and revelatory as the material used for the February 25-26 concerts with a truly seminal group--Voices of Mississippi. The origin and nature of the blues and ...
Bob Dylan: Springtime in New York 1980-1985: The Bootleg Series, Volume 16 (5CD)
								
									by Doug Collette
									
										
																			
								
Generally speaking, revelations abound within the various installments of The Bootleg Series, Bob Dylan's ongoing archive initiative, and Volume 16 is no exception. But in listening to Springtime in New York, 1980- 1985, the epiphanies come in slow bursts, flashing over the course of the five CDs to generate a cumulative momentum that reaches a flash-point ...
Grateful Dead: Grateful Dead (Skull & Roses)
								
									by Doug Collette
									
										
																			
								
Grateful Dead, the second album of concert recordings released by the iconic band for Warner Brothers Records, resides squarely in the sweet spot between the expansive likes of its corollary, Live Dead (Warner Bros., 1969) and the economical studio recordings this group issued in between, Workingman's Dead (Warner Bros., 1970) and American Beauty (Warner Bros., 1970). ...
New Moon Jelly Roll Freedom Rockers: Vol. 2
								
									by Doug Collette
									
										
																			
								
The New Moon Jelly Roll Freedom Rockers Volume 2 is replete with the same instinctual camaraderie and musicianly savvy as its predecessor. Likewise culled from sessions recorded in 2007, this sequel is decidedly not comprised of mere leftovers or otherwise sub-par tracks originally left unreleased. On the contrary, the alternately upbeat and reflective atmosphere reaffirms the ...
Ramsey Lewis & Urban Knights: VII
								
									by Phillip Woolever
									
										
																			
								
Back in 1995, an executive named Carl Griffin at Ramsey Lewis' record label reportedly conceived the idea of forming a jazz super group" around the well-established Chicago pianist. The resulting all-star project, deemed Urban Knights, featured Grover Washington Jr. and a rhythm section with Omar Hakim and bassist Victor Bailey, who'd worked together in the early ...
Betty Davis: They Say I’m Different
								
									by Walter Atkins
									
										
																			
								
Betty Davis Betty Davis: They Say I'm Different Native Voice Films 2018 The incisive documentary BettyThey Say I'm Different chronicled the humble beginnings and explosive career of the '70s trail blazer, composer and vocalist Betty Davis. Her bold music and incendiary stage persona was light-years ahead of the existing social ...

					
					
				
				
				
			
							
							
							
							
							
							
							
			
			