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Hard Bop: Ten Essential Live Albums
by Chris May
"Fire! That's what people want. Music is supposed to wash away the dust of everyday life. You're supposed to make them turn around, pat their feet. That's what jazz is about. Play with fire. Play from the heart, not from your brain. You got to know how to make the two meet." So ...
Joe La Barbera: Experiencing Bill Evans
by Victor L. Schermer
In his own unassuming way, Bill Evans changed the face of jazz piano trio forever. He made the piano a lyrical, expressive voice for the most subtle and deep emotions, and he transformed the rhythm section from a time-beating, swing-maintaining outfit into an intimate, conversational musical unit. He loved tradition. It was just his grasp of ...
Jon Hendricks: An Essential Top Ten Albums
by Peter Jones
Considering he reached the ripe old age of 37 before recording an album, Jon Hendricks' jazz legacy is remarkable. Although a singer, in his head he was more of an instrumentalist. When he improvised, he would imitate the tenor saxophone, the flute, the trombone, or the double-bass. His professional singing career lasted from 1932, when he ...
Bobby West: 30 years performing abroad, but Leimert Park still home
by Doug Hall
Bobby West, jazz pianist, international performer, and composer, has split his professional career between Los Angeles, California and since 1993, living and performing abroad. He has successfully managed a transition to have residence and perform in Asia, the Middle East and Europe over the last 30 years. He is currently residing in Taiwan and playing in ...
Horizons Quartet: Horizons Quartet
by Mike Jurkovic
Quite often it's not so much the music itself that compels you to sit and listen but the feeling the music stirs within. You begin to recall moments from the past that have made you feel of a certain place and time when things were just a bit more either out there or, as in the ...
Ulysses Owens: Big Band, Big Sound
by R.J. DeLuke
Some jazz drummers, as remarkable as they may be and as successful as their careers are, just aren't suited to drive a big band. It's not for every percussionist. But every big band needs a good one or the effort will fall short. A ship needs a rudder. Ulysses Owens Jr., who started beating out rhythms ...
Jeremy Monteiro: No Black Tie Required
by Ian Patterson
Jeremy Monteiro has been Singapore's unofficial jazz ambassador since the late 1970s, carving out a pioneering path around the world. The first South East Asian to perform at the Montreux Jazz Festival and the first S.E. Asian to record for the Verve label, Monteiro has made a habit of playing with the very best, from James ...
Jazz vs. Classical Funding
by Nicholas Krolak
Throughout jazz history there has been a desire among the jazz community to see the music respected on the same level as western classical music. It is after all, jazz is America's classical music. As Dr. Billy Taylor explains, Classical music must be time-tested; it must serve as a standard or model; it must have established ...
Emmet Cohen: Hail the Piano Player
by Zachary Weg
In a plain, gray building off Edgecombe Avenue in Harlem, pianist, Emmet Cohen, gently hammers on his instrument, head bopping to the drum hits and bass thuds that reverberate along the plant-lined walls of his apartment. Thirty years old and one of the finest piano players to emerge in decades, the Miami-born and Montclair, New Jersey-raised ...
Franklin Kiermyer, Fats Waller & Jimmy Cobb
by Joe Dimino
The 690th Episode of Neon Jazz begins with power drummer Franklin Kiermyer. From there, we examine the music and voices of a host of musicians surviving the COVID world without live music. This includes Guy Mintus, Amber Underwood, the 3D Jazz Trio and Jeff Coffin. Finally, we say good-bye to huge figure in Kansas City jazz ...



