Home » Search Center » Results: Jim McNeely
Results for "Jim McNeely"
Christian Hymns Set To Jazz Impacts Lives
“Energized Music Transcends Worship and Ethnicity" Pennington, NJ – Critically acclaimed recording artist, composer / arranger, and jazz saxophonist Jack Furlong will release Charity—his fourth album and first project of jazz improvisation over Christian hymns—on Tuesday, November 19, 2013 in mid New Jersey near Pennsylvania. Coincidentally — not unlike John Coltrane 50 years ago—the songs are ...
Christine Jensen: Impressionism
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I was first exposed to alto saxophonist Christine Jensen through working with her trumpet playing sister Ingrid Jensen. We played some of her music, which really struck me as direct, mature, grounded and highly creative. Later on I got to meet ...
Idan Santhaus: There You Are
by Dan Bilawsky
This debut release from composer/multi-reedist Idan Santhaus was a long time coming. There You Are actually started to take shape in April of 2008, when four of these tracks were recorded with a solid sixteen piece band, but that was just the beginning. It took three more years for Santhaus to get back into the studio ...
Steve Lindeman with BYU Synthesis: The Day After Yesterday
by Jack Bowers
There are times when making music requires sacrifice. Few people should be more aware of this than composer / arranger Steve Lindeman who studied from 2008-11 at the BMI Jazz Composers Workshop in New York City--while he was living in Utah! The Workshop held meetings one to three times a month, and Lindeman simply commuted to ...
Bill Mays: Inventions, Conventions and Dimensions
by Dr. Judith Schlesinger
This title is more than a rhyme: it's an attempt to capture some of the legendary versatility of pianist Bill Mays. “Inventions" refers to his unprecedented, working jazz trio of piano, trumpet, and cello. “Conventions" is a nod to his invaluable contribution to the annual meeting of the International Society of Bassists (in 2013, he played ...
Rufus Reid: Stanford University, February 27, 2013
by Bill Leikam
Stanford Jazz Orchestra, directed by Fredrick BerryGuest Artist: Rufus ReidBing Concert HallStanford, CAFebruary 27, 2013 Walking into Stanford University's new Bing Concert Hall can be a stunning experience. Listening to the magnificent acoustic qualities of the hall, it is nothing short of an aural experience that brings a ...
In Tune or Not in Tune... That Is the Question
by Jack Bowers
Suppose a month goes by, you have a column to publish, but nothing has happened that's worth writing about. What do you do then? Read on, as the question is about to be answered. A while back there was a discussion at a Stan Kenton web site (Kentonia) about musicians or groups of ...
The Beginners: Two Years Later
by Chris Mosey
The band's name is a typical piece of shy Swedish understatement. Its two leaders, guitarist Erik Söderlind and saxophonist Andreas Gidlund, are anything but beginners; they have a great deal of experience on the local jazz scene. Söderlind has attracted attention for his collaborations with veteran keyboards player Kjell Öhman and his studio ...
Jukkis Uotila / Stockholm Jazz Orchestra: The Music of Jukkis Uotila
by Florence Wetzel
The Music of Jukkis Uotila presents an exciting array of modern big band arrangements performed by The Stockholm Jazz Orchestra (SJO), with compositions provided by SJO's drummer and occasional pianist, Jukkis Uotila. For over twenty-five years, the SJO has been at the forefront of big band music, proving that it's possible to explore innovation while remaining ...
Conrad Herwig: There's Nothing Else
by Bob Kenselaar
Talking about some of his great influences in jazz, Conrad Herwig points out that it's important to look beyond their achievements on their instruments. “Sometimes during a musician's lifetime, people put so much emphasis on their virtuosity as a player that they don't really think about the vehicle of their expression—their compositions." Herwig was speaking of ...
