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Alan Chan: Shrimp Tale
by Jack Bowers
Big bands these days are being taken in many directions, one of which is eastward. Alan Chan, born and raised in Hong Kong and educated in part in the U.S. (at the universities of Miami and Southern California), has deftly blended Asian tradition with American jazz on Shrimp Tale, the splendid debut recording by his three-year-old ...
Scottish National Jazz Orchestra: American Adventure
by John Kelman
Sometimes an idea seems great on paper, but in execution doesn't exactly work out as planned. Other times, that same idea doesn't just look great, it actually exceeds already high expectations. When saxophonist Tommy Smith--almost single-handedly responsible for rebuilding a modern jazz scene in his home country of Scotland, where he returned after studying at Boston's ...
John Hollenbeck: profilo di artista
by Angelo Leonardi
Lo scorso mese di agosto il 61° critics poll di Down Beat ha votato John Hollenbeck al primo posto tra gli arrangiatori emergenti, riproponendo valutazioni già espresse in passato (Rising Star Arranger nel 2012 e Rising Star Big Band nel 2011). È il doveroso riconoscimento a uno degli artisti più originali del jazz statunitense ma non ...
Maria Baptist: Music for Jazz Orchestra
by Jack Bowers
Like it or not, a new wave of young composer / arrangers has surfaced, scrupulously guiding big bands into heretofore uncharted waters, now and then smooth, at other times choppy, but always intriguing and inspired. Maria Schneider, George Gruntz, Jim McNeely and Carla Bley were among the pacesetters, followed in short order by such (relative) newcomers ...
Christian Hymns Set To Jazz Impacts Lives
“Energized Music Transcends Worship and Ethnicity" Pennington, NJ – Critically acclaimed recording artist, composer / arranger, and jazz saxophonist Jack Furlong will release Charity—his fourth album and first project of jazz improvisation over Christian hymns—on Tuesday, November 19, 2013 in mid New Jersey near Pennsylvania. Coincidentally — not unlike John Coltrane 50 years ago—the songs are ...
Christine Jensen: Impressionism
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I was first exposed to alto saxophonist Christine Jensen through working with her trumpet playing sister Ingrid Jensen. We played some of her music, which really struck me as direct, mature, grounded and highly creative. Later on I got to meet ...
Idan Santhaus: There You Are
by Dan Bilawsky
This debut release from composer/multi-reedist Idan Santhaus was a long time coming. There You Are actually started to take shape in April of 2008, when four of these tracks were recorded with a solid sixteen piece band, but that was just the beginning. It took three more years for Santhaus to get back into the studio ...
Steve Lindeman with BYU Synthesis: The Day After Yesterday
by Jack Bowers
There are times when making music requires sacrifice. Few people should be more aware of this than composer / arranger Steve Lindeman who studied from 2008-11 at the BMI Jazz Composers Workshop in New York City--while he was living in Utah! The Workshop held meetings one to three times a month, and Lindeman simply commuted to ...
Bill Mays: Inventions, Conventions and Dimensions
by Dr. Judith Schlesinger
This title is more than a rhyme: it's an attempt to capture some of the legendary versatility of pianist Bill Mays. “Inventions" refers to his unprecedented, working jazz trio of piano, trumpet, and cello. “Conventions" is a nod to his invaluable contribution to the annual meeting of the International Society of Bassists (in 2013, he played ...
Rufus Reid: Stanford University, February 27, 2013
by Bill Leikam
Stanford Jazz Orchestra, directed by Fredrick BerryGuest Artist: Rufus ReidBing Concert HallStanford, CAFebruary 27, 2013 Walking into Stanford University's new Bing Concert Hall can be a stunning experience. Listening to the magnificent acoustic qualities of the hall, it is nothing short of an aural experience that brings a ...
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