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Symbiosis
By Jeff Coffin
Label: Ear Up Records
Released: 2020
Track listing: Chunk; The Belly Craw; Up Jump; Roundabout; The Mirage; The Mess Around; Somewhere I Can't
Recall.
Jazz Education Nonprofit Partners With World-Renowned Jazz Musicians
Jazz Empowers, a national nonprofit bringing jazz programs to students in underserved schools, announced the founding of their advisory board. The advisory board is comprised of some of the top jazz musicians in the world and will provide expert advice to Jazz Empowers staff as they continue to develop best practices in teaching students jazz. The ...
Take Five with Jeff Reed
by AAJ Staff
Meet Jeff Reed Jeff Reed is an acoustic bassist, electric bassist, composer, and educator residing in Baltimore, MD. One of the most in-demand sidemen in the area, Jeff has performed extensively throughout the United States and throughout the world. As a sideman, Reed frequently works with bass vibraphonist Warren Wolf, trumpeter Sean Jones, and bass clarinetist ...
Results for pages tagged "Jeff Coffin"...
Jeff Coffin
Born:
Jeff Coffin is a globally recognized saxophonist, composer, educator, and is a member of the legendary U.S. rock group, Dave Matthews Band. You may also know him from his 14 years, and 3 Grammy Awards, with the genre-defying Bela Fleck & the Flecktones. Jeff fronts numerous groups when not touring with DMB and has released 15+ solo CD's on Ear Up Records. Coffin is known for his musical passion, his melodically driven compositions, his deep involvement with music education, and his continued dedication to the improvisational musical art form some call Jazz. He is one of the top, in demand, saxophonists in the world as well as a first call studio musician in Nashville, Tennessee, where he has lived since 1991
OGJB Quartet & The Last Poets
by Maurice Hogue
There's no way to use geographical borders to define this music called jazz. For instance, the Freequestra from Slovenia: led by acclaimed guitarist Samo Salamon— the ensemble wends its way with power and emotion through Salamon's new Free Sessions Vol.2, a rollicking excursion through the avant-garde. Or in the case of OGJB, a quartet of four ...
Bob Dorough: NEA Jazz Master & More
by Marc Cohn
We salute the late Bob Dorough, play a game, celebrate Newk with Miles from 1954, and have Tatum and Bud face off on “Yesterdays." There's recent music and a few gems from the vault, too. Enjoy the show. Playlist Carl Allen, Rodney Whitaker “What's Going On" from Work To Do (Mack Avenue) 00:00 Jeff ...
Dave Liebman: On the Corner Live!
by Mike Jurkovic
Saxophonist/flautist and 2011 NEA Jazz Master David Liebman knows of what he speaks when he speaks of Miles Davis. He was part of the pack stirring the rock/jazz/electronic/funk fusion cauldron, first working with Elvin Jones and then running with Davis in the studio--first appearing on the original On The Corner, (Columbia, 1972)--and on tour from 1972 ...
David Liebman & Jeff Coffin, Acamar Trio & More
by Maurice Hogue
Danish percussionist and drummer Marilyn Mazur has worked with some of the greats--Miles Davis, Wayne Shorter, Gil Evans, Jan Garbarek--but her latest project is unlike anything previously. She's assembled an ensemble of top women musicians from Scandinavia for her new Shamania release. It's a highlight of this episode of One Man's Jazz, and so is the ...
Dave Liebman: On the Corner Live!
by Geno Thackara
The idea is easy to dismiss at first glance. This is roughly the 127th Miles Davis homage to come along since tribute recordings became a widespread thing. It took a long time for the original On the Corner (Columbia, 1972) to gain acceptance with its thick relentless jungle-funk and lack of conventional melody, but it gradually ...
Dave Liebman: On the Corner Live!
by Victor L. Schermer
When the Miles Davis album On the Corner (Columbia, 1972) was released, Davis had already begun to engage in electronic instrumentation and jazz fusion with soon to be revered recordings: In A Silent Way (Columbia, 1969), Bitch's Brew (Columbia, 1970) and Jack Johnson (Columbia, 1971). On the Corner, however, was so experimental and funky that it ...
