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3

Article: Album Review

Jason Roebke Octet: High/Red/Center

Read "High/Red/Center" reviewed by Giuseppe Segala


È un momento di fervida creazione per il contrabbassista Jason Roebke, quarantenne stabilito a Chicago da ormai una quindicina di anni, che in quella città condivide il proprio operato con un ventaglio di musicisti molto interessanti, tra cui elenchiamo gli stessi che prendono parte a questo splendido ottetto: il sassofonista alto Greg Ward, il tenorista Keefe ...

5

Article: Album Review

Jason Roebke: Combination

Read "Combination" reviewed by Eyal Hareuveni


Chicagoan double bassist Jason Roebke has developed a distinct sound of his own, intensely physical, audacious and highly rhythmical. He leads and plays in bands on both sides of the Atlantic, including the trans-Atlantic The Whammies dedicated to the music of Steve Lacy, and drummer Mike Reed's People, Places and Things. Roebke's ...

6

Article: Album Review

Adasiewicz - Erb - Roebke: Yuria's Dream

Read "Yuria's Dream" reviewed by Glenn Astarita


Experimental saxophonist Christoph Erb recorded this lone 43-minute track in Chicago with prominent improvisers and composers, vibraphonist Jason Adasiewicz and bassist Jason Roebke amid a tour of the US. Here, the trio articulates an immense plane of perceptions, and if charted, may appear as a histogram that contains various deviations from the mean, when considering dips ...

2

Article: Album Review

Jason Roebke & Tobias Delius: Panoramic

Read "Panoramic" reviewed by Vincenzo Roggero


Il disco viene registrato nell'aprile 2011 presso gli studi BelAir quando la ICP Orchestra fa tappa a Chicago durante il tour per gli States. Tobias Delius, una delle colonne del portentoso ensemble olandese, incontra Jason Roebke, contrabbassista tra i più rappresentativi della scena jazz della Windy City, e prende forma Panoramic. Album nel quale l'inesauribile tensione ...

4

Article: Lyrics

Save the Date - Marzo

Read "Save the Date - Marzo" reviewed by Luca Canini


Sito nuovo, nuova rubrica. Inauguriamo oggi uno spazio segnalazioni che diventerà un appuntamento mensile. Una sorta di breve guida al meglio del meglio di quel che offrono i palchi italiani e non, i concerti e i festival che a nostro giudizio (a nostro insindacabile e inoppugnabile giudizio) meritano di essere raccomandati. Nulla di ragionato o di ...

Album

Panoramic

Label: Sound Aspects Records
Released: 2013

2

Article: Album Review

Frank Rosaly: Cicada Music

Read "Cicada Music" reviewed by Mark Corroto


What to expect, when you are expecting a drummer-led recording? Certainly, the mix should include the drums more upfront, or perhaps longer solos? If so, then you might be taken aback by Frank Rosaly's first official release as a band leader. The cornerstone of many innovative bands like Jason Stein Quartet, Valentine Trio, Rolldown, Scorch Trio, ...

4

Article: We Travel the Spaceways

Art Strike!

Read "Art Strike!" reviewed by Mark Corroto


"Would you support an art strike?" That's the question I've been asking musicians for the past few months. “Will you agree to stop writing and performing music for one year?" In 1990 the London artists Stewart Home and Mark Pawson proposed that all artists cease to “make, exhibit, distribute, sell, or discuss their work" for three ...

35

Article: Album Review

Mike Reed's People, Places & Things: Clean on the Corner

Read "Clean on the Corner" reviewed by Troy Collins


Originally founded in 2008 to commemorate the lesser known “people, places & things" that have historically supported Chicago's progressive jazz scene, Mike Reed's ensemble of the same name continues to ply its bold interpretations of lesser known covers and swinging originals on Clean on the Corner, their fourth recording for 482 Music. Although this session breaks ...

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Article: Album Review

Mike Reed: People Places and Things: Clean On The Corner

Read "People Places and Things: Clean On The Corner" reviewed by Mark Corroto


The fourth installment of drummer Mike Reed's People, Place & Things project departs from his original modus operandi of paying tribute to the Chicago jazz and improvised scene circa 1954-1960. Despite this, Reed could not divorce himself of his heritage; Clean On the Corner bristles with the legacy of Chicago's broad sounds and the inspiration of ...


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