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Article: Year in Review

Il meglio del 2018 secondo Vincenzo Roggero

Read "Il meglio del 2018 secondo Vincenzo Roggero" reviewed by Vincenzo Roggero


Anche quest'anno tanti gli ascolti, tante le proposte interessanti, e come al solito, difficile sintetizzare il meglio in dodici dischi. Non necessariamente i migliori ma quelli che, in un modo o nell'altro, hanno lasciato un segno. In testa una conferma, Steve Coleman, eh sì ancora lui, per il disco certo, ma anche per i meravigliosi concerti ...

Album

Radiant Imprints

Label: Off Record Label
Released: 2018
Track listing: Twenty Four; Loved One; With Sorrow Lonnie; Imprints; First Born; Radiance; Improve I.

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Article: Year in Review

Mark Corroto's Top Ten (Ok Fifteen) of 2018

Read "Mark Corroto's Top Ten (Ok Fifteen) of 2018" reviewed by Mark Corroto


Another trip around the sun. In the AllAboutJazz universe, the stars were especially bright this year. Which is a good thing, unless you are like me, trying to pare down a huge list of favorites to just ten. At that task, I've failed once again. So here are my 15 favorite recordings of 2018 in no ...

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Article: In Pictures

Ai Confini tra Sardegna e Jazz 2018

Read "Ai Confini tra Sardegna e Jazz 2018" reviewed by Luciano Rossetti


Photos from the “Ai Confini tra Sardegna e Jazz 2018" Festival held in Sant'Anna Arresi, in the south of Sardinia from the September 1st to 9th, featuring, among others, Eve Risser White Desert Orchestra, Roots Magic, Ingebrigt Haker Flaten and his The Young Mothers, David Murray, Radian, Joe McPhee, James Brandon Lewis and Chad Taylor Duo, ...

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Article: Live Review

Ai Confini tra Sardegna e Jazz - XXXIII Edizione

Read "Ai Confini tra Sardegna e Jazz - XXXIII Edizione" reviewed by Paolo Peviani


Ai Confini tra Sardegna e Jazz Sant'Anna Arresi 1-9.9.2018 Mettendo insieme una buona dose di ironia e di amara verità, il direttore artistico del festival Ai Confini tra Sardegna e Jazz, Basilio Sulis, ama definire Sant'Anna Arresi come Periferia dell'Impero. Da trentatré anni, tuttavia, nella prima settimana di settembre questo lembo di Sardegna ...

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Article: Album Review

Hearts & Minds: Electroradiance

Read "Electroradiance" reviewed by Mark Corroto


It took millions and millions of years of evolution to produce dinosaurs that weighed 40 tons. Who'd have thunk it possible that those creatures are the ancestors of modern birds? Same consideration might be applied to the trio Heart & Minds. That is, if you're not into the whole creationist jazz scene. Some of those dinosaurs ...

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Article: In Pictures

Vision Festival 2018

Read "Vision Festival 2018" reviewed by Luciano Rossetti


Photos from Vision Jazz Festival 2018 held in New York from May 23 to 28. This year's festival was dedicated to Dave Burrell and featured Archie Shepp, Roscoe Mitchell, Andrew Cyrille, William Parker, Patricia Nicholson, Hamid Drake, James Brandon Lewis, Joelle Leandre, Nicole Mitchell, Mary Halvorson, Matthew Shipp, Nasheet Waits, Aruan Ortiz, Ambrose Akinmusire, Jaimie Branch, ...

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Article: Live Review

Vision Festival 2018

Read "Vision Festival 2018" reviewed by John Sharpe


23rd Annual Vision Festival Roulette New York, NY May 23-28, 2018 Introduction The Vision Festival somewhat surprisingly but reassuringly stands proud as the longest-lived annually produced jazz festival in New York. While the central plank remains what the Festival terms avant jazz, it's interspersed with poetry, dance, art, and ...

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Article: Interview

Chad Taylor: Myths and Music Education

Read "Chad Taylor: Myths and Music Education" reviewed by Jakob Baekgaard


Few drummers know how to use rhythms like Chad Taylor. He makes the drum set sing melodies and paints different hues and shades on the cymbals and skins. He can play inside and outside and has performed with musicians like saxophonists Fred Anderson, Pharoah Sanders and James Brandon Lewis, pianists Cooper-Moore and Angelica Sanchez, guitarists Jeff ...

Article: Album Review

James Brandon Lewis: Radiant Imprints

Read "Radiant Imprints" reviewed by Vincenzo Roggero


Da quando è ritornato sulla scena musicale nel 2014 con Divine Travels -dopo l'esordio piuttosto convenzionale di Moments nel 2010 -facendo capire di non essere il solito fenomeno del sax tenore destinato a ballare il tempo di un estate, James Brandon Lewis non ha più sbagliato un colpo, sia sul versante discografico che nelle numerose esibizioni ...


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