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12

Article: Year in Review

Jakob Baekgaard’s Best Releases of 2013

Read "Jakob Baekgaard’s Best Releases of 2013" reviewed by Jakob Baekgaard


So much good music and so much to choose from. Every day provides the opportunity to hear something new or rediscover the magic in old tunes. The records on this list don't have much in common, except they all sound completely fresh and open and have their own take on what it means to create jazz ...

3

Article: Album Review

Jesper Bodilsen: Scenografie

Read "Scenografie" reviewed by Jakob Baekgaard


When Danish bassist Jesper Bodilsen stepped out as a leader with the album Short Stories for Dreamers (Stunt, 2009), he proved himself not only as a superbly skilled instrumentalist, but also as a master of subdued poetic moods. Together with trumpeter Peter Asplund, guitarist Ulf Wakenius and vibraphonist Severi Pyysalo, he created an entire universe of ...

4

Article: Album Review

Hristo Vitchev / Liubomia Krastev: Rhodopa

Read "Rhodopa" reviewed by Jakob Baekgaard


While jazz as an art form always moves forward, it is also tied to tradition and the music of the past. Many jazz musicians with European ties have found inspiration in the folk music of their country: Jan Johansson's Jazz på svenska, Dag Arnesen's Norwegian Song 1-3 and Sunna Gunnlaugs Songs from Iceland are some of ...

5

Article: Album Review

Svein Gjermundrød: Kitten on the Funkies

Read "Kitten on the Funkies" reviewed by Jakob Baekgaard


The famous folk singer Pete Seeger has once stated that he doesn't listen to recorded music. This underlines the fact that it is actually possible to live a life in music without recording. However, the ghost of recording will often come back to haunt a musician and it is no secret that Seeger has recorded plenty ...

2

Article: Album Review

Brass Mask: Spy Boy

Read "Spy Boy" reviewed by Jakob Baekgaard


It is somewhat rare to encounter a brass band in modern jazz these days, but saxophonist and composer Tom Challenger's octet, Brass Mask, is an intriguing example of a brass driven band. The eclectic nature of the band is underlined by the cover of the album: Spy Boy, which suggests the contours of a man holding ...

1

Article: Album Review

Samo Salamon: Stretching Out

Read "Stretching Out" reviewed by Jakob Baekgaard


Cosmopolitan is a term that is often used to describe musicians, but in the case of Slovenian guitarist Samo Salamon, it is certainly a description that fits. Salamon has turned the restless nature of the travelling musician into an aesthetic strategy and has worked with two different quartets that represent his different musical ...

2

Article: Album Review

Paula Shocron: See See Rider

Read "See See Rider" reviewed by Jakob Baekgaard


Argentinian pianist Paula Shocron is one of the most prominent artists on Justo Lo Prete's Rivorecords and has previously shown her worth on two superb trio albums: Our Delight (Rivorecords, 2011) and Serenade in Blue (Rivorecords, 2012). See See Rider offers a welcome chance to hear Shocron in a solo setting. From the ...

3

Article: Album Review

Sergio Wagner / Alan Zimmerman: Backstage Sally

Read "Backstage Sally" reviewed by Jakob Baekgaard


Those listeners enamored with the classic sound of hard bop modernism that Blue Note propelled in the '50s and early '60s will be well served by Argentinian label Rivorecords whose catalog basks in the swinging sounds of the past, but adds a contemporary touch of urgency. Label boss Justo Lo Prete has found ...

5

Article: Album Review

Mariano Loiacono Noneto: Hot House

Read "Hot House" reviewed by Jakob Baekgaard


Bigger isn't necessarily better, but there's no denying that the expanded line-up of the nonet is a format that adds new nuances to the Argentinian trumpeter Mariano Loiacono. Loiacono is one of the mainstays on Justo Lo Prete's Rivorecords and has previously released the excellent What's New? (Rivorecords, 2011) and Warm Valley (Rivorecords, ...

14

Article: Album Review

Sunna Gunnlaugs: Distilled

Read "Distilled" reviewed by Jakob Baekgaard


It is tempting to connect a musical aesthetic with a particular place. In fact, the whole idea of national music relies on the concept of an intrinsic national spirit, which creates an original musical expression. The only problem with a concept like national music is that it tends to pigeonhole musicians and create prejudice rather than ...


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