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11

Article: Album Review

Tina Brooks Quintet: The Complete Recordings

Read "The Complete Recordings" reviewed by Chris May


Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own ...

6

Article: Radio & Podcasts

Two Different Fates - Jackie McLean & Tina Brooks (1960 - 1963)

Read "Two Different Fates - Jackie McLean & Tina Brooks (1960 - 1963)" reviewed by Russell Perry


Fate could not have treated Blue Note saxophonists Tina Brooks and Jackie McLean more differently. While McLean released nine LPs for Prestige and two dozen for Blue Note between 1956 and 1967, only one of Tina Brooks' four Blue Note sessions was released in his lifetime. Yet their collaborations on McLean's Jackie's Bag and the unreleased ...

1

Article: Radio & Podcasts

Tomas Janzon, Charlie Parker, Art Tatum and More

Read "Tomas Janzon, Charlie Parker, Art Tatum and More" reviewed by Joe Dimino


The focus of this hour is on three musicians that have new music charting well, along with the musicians that inspired them. First, we have guitarist Tomas Janzen followed by music from Charlie Parker. Secondly, we have pianist Jen Allen and music from her mentor Jackie McLean. Finally, we profile Indianapolis-based saxophonist Amanda Gardier followed by ...

18

Article: Interview

Camilla George: Warrior Charge

Read "Camilla George: Warrior Charge" reviewed by Chris May


In 2017, alto saxophonist and composer Camilla George's band was the support act for a Dee Dee Bridgewater gig at the London Jazz Festival. After George had finished her set, Bridgewater, who had been listening in the wings, came onstage, took the mike, and announced: “The world is safe because we have Camilla." Others in Cadogan ...

Results for pages tagged "Jackie McLean"...

Musician

Jackie McLean

Born:

John Lenwood (Jackie) McLean was an alto saxophonist, composer, bandleader and educator, born in New York City. His father, John Sr., who died in 1939, played guitar in Tiny Bradshaw's orchestra. After his father's death, his musical education was continued by his godfather, by his stepfather, who owned a record store, and by several noted teachers. He also received informal tutoring from neighbours Thelonious Monk, Bud Powell, and Charlie Parker. During high school he played in a band with Kenny Drew, Sonny Rollins, and Andy Kirk Jr. (the tenor saxophonist son of Andy Kirk). He recorded with Miles Davis, on Davis' Dig album, when he was 19 years old

33

Article: Under the Radar

Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II

Read "Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II" reviewed by Karl Ackermann


Part 1 | Part 2 Jazz Societies, Part 1 briefly traced the preservation and interpretation of jazz from the oral history of its West African roots through academic and cultural institutions. The article included an overview of jazz societies and foundations that further the fostering of jazz education. The organizations vary in scope, size ...

Article: Album Review

Steve Lehman Trio, Craig Taborn: The People I Love

Read "The People I Love" reviewed by Alberto Bazzurro


Il timbro asprigno, acidulo, e l'incedere di preferenza incalzante, spigoloso, dell'alto di Steve Lehman (i cui principali modelli, dichiarati, sono com'è noto Jackie McLean e Anthony Braxton) attraversa pressoché a senso unico questo nuovo lavoro del quarantunenne sassofonista newyorchese, determinandone climi e disegno complessivo, il tutto confezionato con la complicità del suo trio abituale (nonché ormai ...

1

Article: Album Review

Michael Dease: Never More Here

Read "Never More Here" reviewed by David A. Orthmann


Perhaps the most significant thing about Never More Here, trombonist Michael Dease's seventh outing for the Posi-Tone imprint, is the striking polarity of two of the disc's four outstanding tracks, “Mirror Image" and “Blue Jay." In a recording filled with compositions by J.J. Johnson, John Lewis, Jackie McLean and Jimmy Heath, pianist Renee Rosnes' ...

17

Article: Album Review

Tim Stine Quartet: Knots

Read "Knots" reviewed by Mark Corroto


What is apparent straight away with Knots by the Tim Stine Quartet is the intense physicality of the performance. I'll posit Stine, a North Dakota native who grew up with classical music, was drawn to the creative music scene of Chicago because of its tradition of a robust and muscular sound. From Gene Ammons to Roscoe ...

18

Article: Album Review

Mal Waldron: Free At Last

Read "Free At Last" reviewed by Karl Ackermann


The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...


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