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I Hear a Rhapsody
by David Caudill
We put out a call to visitors to AAJ to tell us their stories about how jazz has impacted, indeed shaped their lives. David Caudill heard the call. David has lived in Cincinnati for three decades and spent a long career writing, both in journalism and for a short while in corporate communications. He ...
Idit Shner: Live at the Jazz Station
by Jack Bowers
Alto saxophonist Idit Shner is a professor of saxophone and jazz studies at the University of Oregon. On Live at the Jazz Station, she offers her students (and others) a master class in how to translate academic theory into performance art—and she does it live, without a net, at Portland's Jazz Station. The ...
Tommaso Cappellato: Spiritual Jazz, Club Culture, Harry Whitaker e molte cose ancora
by Angelo Leonardi
Batterista, produttore e compositore, Tommaso Cappellato è tra i pochi musicisti italiani in piena sintonia con le ultime tendenze del jazz, dove contenuti e spirito di questa musica si legano ad afrobeat, soul, hip-hop, house, elettronica e vari generi della Club Culture. Una scena musicale che ha il suo fulcro a Londra e pubblica le sue ...
A Vintage Year For Jessica Felix And The Healdsburg Jazz Festival
by Arthur R George
It's a 20th anniversary vintage year for the Healdsburg Jazz Festival, pouring over the first ten days of this coming June, in the Sonoma County “wine country" 70 miles north of jny:San Francisco. That there is a festival at all is due to the tenacity of its artistic director Jessica Felix, who planted jazz in Healdsburg ...
Alexander McCabe / Paul Odeh: This Is Not A Pipe
by Dan McClenaghan
Are we having fun yet? Saxophonist Alexander McCabe and pianist Paul Odeh are, on a rollicking duo outing, This Is Not A Pipe. The frequent collaborators delve into a loose-jointed, roll and tumble examination of some jazz standards and McCabe originals. The word “seamless" is an often used--some would say over-used--as a description of ...
Miles Davis, Volume 1 and 2 -- Blue Note 1501 and 1502
by Marc Davis
Miles Davis didn't record much for Blue Note Records, just three sessions in three years. So it's odd that the very first two CDs in Blue Note's classic 1500 series--the 100 albums from the 1950s that made Blue Note the top label in hard bop--are from Miles Davis. They're not bad records, but they're ...
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