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Jovino Santos Neto: The Music Leads Itself
by Katchie Cartwright
Following a years-long recording hiatus, Brazilian-born Seattle-based Grammy-nominated pianist and composer Jovino Santos Neto released three albums in 2025, all captured live. Two are digital-only releases, both recorded in 2024: Retratos: Brazilian Portraits (Audiophile Society), a duo performance with Estonian bassoonist Martin Kuuskmann in a program of great Brazilian composers, and A Onça e o Pajé ...
Vadim Neselovskyi: The Beauty Of Music And The Scourge Of War
by Frank Housh
Ukrainian-born, Brooklyn-based pianist and composer Vadim Neselovskyi's art emerged from a fairly traditional path. He was classically trained at conservatories in his native Odessa and Germany, then received a scholarship to Berklee School of Music where he developed a distinct, sophisticated style that bridges jazz and classical music. His compositions have been performed by Randy Brecker, Antonio ...
Luca Bragalini: gli inediti di Duke Ellington e Gerry Mulligan
by Angelo Leonardi
Musicologo e docente di Storia del Jazz al conservatorio Verdi di Milano Luca Bragalini è da anni un appassionato studioso a cui dobbiamo preziosi saggi e importanti scoperte sulla musica afroamericana e i suoi protagonisti. Ricordiamo la monografia Storie poco standard. Le avventure di 12 grandi canzoni tra Broadway e jazz (EDT 2013) e il saggio ...
Mark Lettieri: Expanding Boundaries
by Mike Jacobs
In the years since Mark Lettieri first sat down with All About Jazz, much has changed--and, in a sense, much has not. At the time of that (2020 interview), Lettieri had a budding solo career, but was still primarily known as being part of Snarky Puppy's (SP) formidable six-string triumvirate (along with fellow guitarists Bob Lanzetti ...
Ralph Towner: Unconcerned With What Genre His Music Is Labeled
by Jim Trageser
This interview was originally published in San Diego Troubadour magazine in the March, 2017 edition. You'll excuse Ralph Towner if he's not particularly interested in debates over genres and how to define them. The guitarist grew up playing swing jazz on trumpet, then studied classical piano in college, discovered guitar at age ...
Marilyn Mazur: The Song in the Woods
by Adriana Carcu
This interview was first published on All About Jazz on August 17, 2015. Danish drummer, percussionist and composer Marilyn Mazur reached iconic status on the contemporary jazz scene in the early years of her career. Playing in the eighties with titans Miles Davis, Wayne Shorter and Gil Evans, she later joined Jan Garbarek's group ...
Ralph Towner: The Accidental Guitarist
by Mario Calvitti
This article was first published on All About Jazz on May 16, 2017. Ralph Towner is a rather atypical figure in the vast world of jazz guitar. His instruments of choice are the classical guitar, which when he started, in the '60s, was played almost exclusively by guitarists related to Brazilian music like Charlie ...
Dave McMurray Hears Himself In All Of Detroit's Music
by John Chacona
Saxophonist and composer Dave McMurray has much of the celebrated history of Detroit music in his memory and under his fingers. Now 70, and with four acclaimed releases on the storied Blue Note label, he is arguably at the pinnacle of a long and remarkably varied career. All the strands of that career are ...
Johnathan Blake: “My life Matters” la genesi di un piccolo capolavoro
by Marco Iacoboni
Johnathan Blake è tra i batteristi più autorevoli della scena jazz internazionale. Il suo suono incarna l'energia e la raffinatezza del jazz newyorkese contemporaneo --forte delle collaborazioni con musicisti come Kenny Barron, Bill Frisell, Dr. Lonnie Smith e Tom Harrell --Blake guida un quintetto di straordinario livello, in cui tecnica, sensibilità e interplay si fondono con ...
Roger Glenn: A Lifelong Latin Heart
by Mark Sampson
The photograph shows the hero of this tale, Roger Glenn, sometime in the late 1940s when he was five or six, learning to play the marimba with his father, Tyree. An alumnus of the Swing Era, Tyree Glenn played trombone with Cab Calloway during the orchestra's “Hi-De-Ho" prime between 1939 and 1946 and with the small-group-within-a-group, ...
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