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Kirk Knuffke, Ingrid Laubrock and Jerry Bergonzi
by Bob Osborne
This week we look at the variety that can be found in the World of Jazz as exemplified by the amazing new collaboration with operatic baritone Steven Herring on the new album from Kirk Knuffke, which we contrasted with the ground breaking avant-garde work of featured artist Ingrid Laubrock and with the traditional stylings of another ...
Wayne Horvitz, Kamil Piotrowicz and More
by Maurice Hogue
This week we focus on a number of intriguing 'firsts.' The playlist includes acclaimed saxophonist Ingrid Laubrock's first foray into composing orchestral works, Wayne Horvitz' first traditional piano trio format recorded in the mountains of Montana, as well as Polish rising star pianist Kamil Piotrowicz and his sextet, Krzysztof Komeda's compositions interpreted by a top Australian ...
Troy Dostert's Best Releases of 2018
by Troy Dostert
2018 was a terrific year for imaginative, well-executed recordings that cover the spectrum of instrumental configurations in creative jazz and freely improvised music. From Susana Santos Silva's mesmerizing solo trumpet to Ingrid Laubrock's formidable orchestra (and everything in between), the following choices are a cross-section of some of the best the year had to offer. Something ...
Francisco Mela: Ancestros
by Karl Ackermann
One of the many fine musicians coming out of Cuba, Francisco Mela is an accomplished drummer/percussionist and composer. On Ancestros, his debut on the vinyl-only subscription label Newvelle, he has contributed seven original compositions to a collection that includes covers from Andrew Hill and Paul Motian. The album name--and its title track--are appropriated from Mela's prior ...
Ingrid Laubrock: Contemporary Chaos Practices
by Don Phipps
From the first startling attack of Contemporary Chaos Practices, Ingrid Laubrock lets the listener know she wants your attention. And the music is certainly attention-grabbing. Or would startling, fascinating, and incredible be better words? For nothing quite sets the table for what the listener will experience on this album. It is as if heaven and earth ...
Kyoko Kitamura's Tidepool Fauna: Protean Labyrinth
by John Sharpe
For her second leadership outing following Armadillo In Sunset Park (self produced, 2012), vocalist Kyoko Kitamura assembles a group which she calls Tidepool Fauna. And giving the group an identity seems entirely appropriate as what they create is very much an ensemble music. That's made all the easier by having such accomplished talents as saxophonist Ingrid ...
Sara Serpa: Close Up
by Alberto Bazzurro
Finalmente un album pienamente convincente della cantante portoghese (qui anche autrice di tutto il materiale tematico), spesso preziosa, nella sua produzione, ma altrove (anche all'interno di uno stesso lavoro, suo o altrui) un po' disarticolata, quasi schizoide, magari solo curiosa, e comunque alterna nella resa in concreto. Sarà senz'altro anche merito dei due musicisti che l'affiancano, ...
Anthony Braxton Quartet: (Willisau) 1991 Studio
by Mark Corroto
Picture Miles Davis finishing a solo and stepping off the bandstand to smoke, while John Coltrane steps up to the microphone to play. I'll bet that never happened with the legendary Anthony Braxton Quartet (1985-1994). His quartet with pianist Marilyn Crispell, bassist Mark Dresser, and drummer Gerry Hemingway may be the best vehicle to appreciate Braxton's ...
Kristo Rodzevski: The Rabbit and the Fallen Sycamore
by C. Michael Bailey
A glancing blow from Kristo Rodzevski's trilogy-concluding The Rabbit and the Fallen Sycamore will bring to mind a Matthew Sweet on mushrooms crossed with Morrissey in a good, if silly, mood. Preceded by Batania (Self Produced, 2015) and Bitter Almonds (Self Produced, 2017), The Rabbit completes Rodzevski's evolution into a musician capable of drawing consonance out ...
Vision Festival 2018
by John Sharpe
23rd Annual Vision Festival Roulette New York, NY May 23-28, 2018 Introduction The Vision Festival somewhat surprisingly but reassuringly stands proud as the longest-lived annually produced jazz festival in New York. While the central plank remains what the Festival terms avant jazz, it's interspersed with poetry, dance, art, and ...
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