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Remembrance: Paying Tribute Through The Art Of Jazz Composition
by Dan Bilawsky
Paying tribute to the dearly departed is simply a part of life. We honor them with words and we pay our respects through our actions as we help to keep their memory alive. In music, we pay tribute to the dead through the medium that we know best...sound. Whether we use “requiem," “threnody," “ode," “elegy," or ...
Curtis Clark, Marilyn Lerner and Chad Taylor: Chasing the Piano
by Clifford Allen
November 15, 2010 will mark the 75th anniversary of the first recorded jazz piano-trio session, with pianist Jess Stacy, bassist Israel Crosby and drummer Gene Krupa recording for UK Parlophone ("Barrelhouse" and “The World Is Waiting for the Sunrise"). Certainly much has happened in jazz and improvised music since that date, but the piano ...
Antonio Ciacca: Lagos Blues (with Steve Grossman)
by George Kanzler
There's a good reason most “real" jazz radio stations tend to favor the modern mainstream jazz of the post-bop era codified by such record labels from the mid-20th Century as Blue Note, Columbia's jazz division, Prestige, Riverside and Impulse. It's creative jazz with a comfortingly substantial physicality, clean lines and rhythmic heft still anchored to a ...
Bill Ware: Played Right
by Gordon Marshall
Never one to swoop into the limelight or blithely steal the show, vibraphonist Bill Ware has built a model résumé that weaves silently and inscrutably through the best of most modern genres. Ware's Played Right accordingly shows the touch of a resilient, serpentine stylist, a master of quiet spectacle. Titles alone offer a ...
Take Five With Gini Wilson: The Duchess
by AAJ Staff
Meet Gini Wilson: The Duchess: Gini Wilson, known as The Duchess, is legendary in the Bay area as a brilliant jazz pianist, entertainer, and composer. Gini performs regularly at Jazz Festivals, well-known jazz clubs such as Jazz at Pearls, and Shanghai 1930 in San Francisco and Kuumbwa in Santa Cruz; in solo and with ...
Antonio Ciacca: Lagos Blues
by J Hunter
Four decades ago, Miles Davis called then-burgeoning saxophonist Steve Grossman “an important voice in this music." One of the people who heard that voice was pianist Antonio Ciacca. Lagos Blues, Ciacca's second disc for Motema, not only shows Grossman's influence as Ciacca's former teacher; it also includes the now-legendary tenor player's direct influence, as he joins ...
Peter Nero: The Laughter and The Challenges
by Victor L. Schermer
Part 1 | Part 2 In July 2009, All About Jazz published an interview with legendary pianist and Philly Pops maestro Peter Nero. That interview jumped between his early musical development and his current 30-year tenure as founder and music director of the Philly Pops. There wasn't time then to ask him about what ...
Fire In My Bones: Raw, Rare & Otherworldly African-American Gospel 1944-2007
by C. Michael Bailey
Various Artists Fire In My Bones: Raw, Rare & Otherworldly African-American Gospel 1944-2007 Tompkins Square Records 2009 “Then I said, I will not make mention of him, nor speak any more in his name. But his word was in mine heart as a burning fire ...
John Zorn: O'o
by Stuart Broomer
When John Zorn released The Dreamers (Tzadik) in 2008, it might have seemed like a temporary aberration: Zorn the master of the arbitrary (Cobra), the cutting edge (Torture Garden) and the anarchic (too many projects to mention) had embraced the genres of lounge and 1950s exotica to produce music that, perhaps ironically, approached easy listening, building ...
Buenos Aires Jazz Festival 2009: Growing Into a Tradition
by R.J. DeLuke
Buenos Aires International Jazz Festival '09, Part 1 December 3-8, 2009In the land of the tango, Argentina--specifically the stylish city of Buenos Aires--there is a movement afoot to bring great jazz to the land, expand the audience for the music, and increase public exposure for the growing number of outstanding jazz musicians in ...
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