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Article: Album Review

Kurtis Adams: Collage

Read "Collage" reviewed by Victor Verney


Saxophonist Kurtis Adams could scarcely have chosen a more apt title for this release, an eclectic-minded assemblage drawn from a wide variety of musical genres, including classical.The opening “Blue Fox," has a distinctly West Coast “Cool School" feel, a style to which Adams has rendered homage elsewhere. Here, Adams gives a sense of what ...

10

Article: Live Review

Sligo Jazz Project 2013: Days 1-3

Read "Sligo Jazz Project 2013: Days 1-3" reviewed by Ian Patterson


Sligo Jazz ProjectVarious VenuesSligo, IrelandJuly 16-21, 2013 For such a small country, perched on the Western extreme of Europe, Ireland has created a disproportionate amount of history, and had more than its fair share thrust upon it. Everywhere, history informs the landscape and the collective memory. Sligo, home to the Sligo ...

8

Article: Interview

Etienne Charles: Trumpet's First Chantwell

Read "Etienne Charles: Trumpet's First Chantwell" reviewed by DanMichael Reyes


Trinidadian-born trumpeter Etienne Charles has made it a point to share the culture of his native homeland with the world through music, whether it is writing songs on cuatro or steel pan, incorporating Kweyol chants on the opening track to his latest album Creole Soul (Culture Shock, 2013), or playing with an undeniable Caribbean bounce that ...

5

Article: Album Review

Mark Masters: Everything You Did

Read "Everything You Did" reviewed by Jeff Dayton-Johnson


Bandleader/arranger Mark Masters has recorded a set of Steely Dan tunes with a big band, which can be set on the shelf next to his celebrated albums dedicated to the music of George Gershwin, Duke Ellington and Dewey Redman. A Dan jazz album makes sense. It's clear from the rock band's '70s albums that Donald Fagen ...

2

Article: Album Review

Howard University Jazz Ensemble: Journey of a Friend

Read "Journey of a Friend" reviewed by Jack Bowers


Although the Howard University Jazz Ensemble isn't quite as dependable as a morning sunrise, it has been present and accounted for in a recording studio once each year since it was formed in 1976 by Fred Irby III, who not only directed that first session but has supervised every one since, right up to No. 37, ...

2

Article: Live Review

Fieldstone Jazz Festival: Great Neck, NY, June 29, 2013

Read "Fieldstone Jazz Festival: Great Neck, NY, June 29, 2013" reviewed by Dan Bilawsky


Fieldstone Jazz FestivalGreat Neck, NYJune 29, 2013 While jazz is often performed in spaces befitting its stature--like theaters, auditoriums and swanky supper clubs--it also has a very long history as an alternative venue-housed art form. Over the past century, it's gone from the brothels of New Orleans to the rent parties of ...

5

Article: Album Review

Doug Webb: Swing Shift

Read "Swing Shift" reviewed by Jack Bowers


Doug Webb is one of a large number of accomplished saxophonists on the West Coast who have largely flown under the radar because... well, basically because they are on the West Coast. That's not to imply that Webb or his cohorts are penniless or not working steadily; that is not the case at all. Besides fronting ...

3

Article: Album Review

Tribute Trio: Dedications, Vol. II

Read "Dedications, Vol. II" reviewed by Jack Bowers


The Tribute Trio--John Rangel, piano; Michael Glynn, bass; Cal Haines, drums--was formed in 2010 to do exactly that: pay tribute to some of the legendary pianists who have helped create and enrich the history of jazz. The trio's two albums to date, Dedications, Vols 1 and 2 (Self Produced) have earned “Best Jazz CD" honors (2012, ...

3

Article: Album Review

Hush Point: Hush Point

Read "Hush Point" reviewed by Mark Corroto


The quartet Hush Point conjures the possibilities of small group hipness. One that quips instead of guffaws, and prefers covertness to the obvious. Led by John McNeil, this quartet of saxophonist Jeremy Udden, bassist Aryeh Kobrinksy, and drummer Vinnie Sperrazza may be new, but McNeil's sage coolness isn't. The sixty-something trumpeter has been delivering ...

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Article: Film Review

A Great Day in Harlem: The Spirit Lives - 50 Years On

Read "A Great Day in Harlem: The Spirit Lives - 50 Years On" reviewed by Ian Patterson


This encore presentation from January 2009 celebrates Jean Bach, director of A Great Day in Harlem. Ms. Bach died on May 27th at her home in Manhattan. She was 94.It is probably the most celebrated ensemble jazz portrait of all time. Fifty-seven of the greatest jazz musicians gathered together on the steps of a ...


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