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Peter Brotzmann: Mental Shake
by John Sharpe
German saxophone powerhouse Peter Brotzmann favors the trio format to deliver the optimum combination of energy and directness. Over the years he's sought inspiration from many illustrious rhythm teams, from the South African Harry Miller / Louis Moholo axis, through the American Die Like A Dog coupling of William Parker and Hamid Drake, to the Swiss ...
Bob Downes: Deep Down Heavy
by Vic Albani
Quando AAJ mi ha spedito questo CD, non volevo credere che sarebbe stato possibile arrivare alla ristampa di uno dei CD più particolari, curiosi e per certi versi assurdi pubblicati nell'ormai lontano 1970. Fu un anno davvero particolare per la musica europea che, sin dai primi mesi, dimostrò di credere seriamente a una sorta di “cambio ...
Harry Miller to Play Saturday, November 17 at Robbie's House of Jazz
Pianist and St. Louis expat Harry Miller, who grew up in University City and now lives in NYC, is coming back home this month to perform at 8:30 p.m. Saturday, November 17 at Robbie's House of Jazz. Miller's credits include a couple of years of road work with trumpeter Maynard Ferguson's last touring group, Big Bop ...
Larks' Tongues in Aspic (40th Anniversary Series Box)
by John Kelman
The idea of a 15-disc box set to commemorate the release of what was, in 1973, a single vinyl LP clocking in at a mere 46 minutes might seem a tad excessive, but when you're talking King Crimson and the seminal Larks' Tongues in Aspic, it's a whole other story. Beyond being an important addition to ...
Cuneiform Records: Growing Progressive Music for 27 Years
by Mark Redlefsen
Twenty seven years is a long time for a niche progressive music label such as Cuneiform Records not just to survive, but to remain inventive and, in the best sense, ambitious. Steve Feigenbaum founded Cuneiform back in 1984, and with his wife, Joyce, runs it from Silver Springs, Maryland. Hosting bands such as Universe Zero, digging ...
Mike Westbrook: Art Wolf at 75
by Duncan Heining
Close your eyes for a moment. Imagine a jazz composer who began with Ellington and then moved on through Mingus. He soon encompassed rock music, Kurt Weill, Rossini, the traditions of English church music and the pastoralism of Vaughan Williams and Holst, but still found a place in his music for The Beatles, European political cabaret ...
John Surman: Flashpoint: NDR Jazz Workshop - April '69
by Nic Jones
In the necessarily modestly expansive booklet note which accompanies this CD and DVD set, Brian Morton sets out the development of jazz in Britain, from its point of origin in the early decades of the twentieth century. He also rightly identifies the musical generation that came of age in the 1960s as having no sense of ...
John Surman: Flashpoint: NDR Jazz Workshop - April '69
by Troy Collins
Flashpoint: NDR Jazz Workshop--April '69 is a stunning discovery. Featuring unreleased material executed by a unique ten-piece line-up of European jazz luminaries, it provides a fascinating window into the development of British saxophonist John Surman at the very beginning of his career. Capturing an international all-star ensemble working through Surman's formative concepts, this informal studio session ...
Dreamtime: Double Trouble
by Nic Jones
Reel Recordings has excelled in the business of audio restoration, as this 2CD/DVD set goes to show. On one level, Dreamtime is no more than a footnote in British jazz, but not only did the band feature some potent soloists, it was one of the few to bridge the divide between composed and free music with ...
