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Musician

Harry Carney

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Harry Carney was a long tenured featured soloist in Duke Ellington's band and the first baritone saxophone soloist in jazz. Carney joined Duke Ellington's Orchestra when he was 17 in 1927 and remained for over 46 years, passing away in 1974 a few months after Ellington. . Born April 1910, Boston, Massachusetts, Carney began his professional musical career at the age of 13, playing clarinet and later the alto and baritone saxophone in Boston bands. Among his childhood friends were Johnny Hodges and Charlie Holmes, with whom he visited New York in 1927. Carney played at the Savoy Ballroom with Fess Williams before joining Duke Ellington, who was about to play in the young musician's home town, when this engagement was over Carney left for a tour with Ellington, who had taken on the role of guardian. The job with Ellington lasted until Duke's death 47 years later

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Article: Radio & Podcasts

Final Recordings of Swing Era Masters: Mary Lou Williams, Artie Shaw, Django Reinhardt and more

Read "Final Recordings of Swing Era Masters: Mary Lou Williams, Artie Shaw, Django Reinhardt and more" reviewed by Larry Slater


There are many facets to great artists' careers, from their earliest musical adventures to their final recordings. Some lose their remarkable musical facilities as age, illness or drug abuse takes its toll, while others maintain their mastery until their final performance.The swing era was particularly tough on musicians, with the demands of constant travel ...

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Article: Album Review

Julian Shore: Sub Rosa

Read "Sub Rosa" reviewed by Jack Kenny


Sub Rosa demonstrates that Julian Shore now plays a key role in the evolution of the jazz piano trio. The jazz piano trio can be seen as the genre's answer to the classical string quartet. Both demand exceptional playing skills, intense listening, and a delicate balance among musicians. However, achieving this quality in a ...

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Article: Extended Analysis

Duke Ellington's Concert of Sacred Music

Read "Duke Ellington's Concert of Sacred Music" reviewed by Chuck Lenatti


In 1964, Dean D.J. Bartlett and the Reverend John S. Yaryan invited Duke Ellington and his orchestra to present a concert to consecrate the renovated Grace Cathedral on Nob Hill in San Francisco during a year-long festival of Grace. At first, Duke demurred. In his autobiography, Music Is My Mistress (Da Capo, 1976), Ellington ...

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Article: Album Review

Gerry Mulligan: Nocturne

Read "Nocturne" reviewed by Jack Kenny


This album might go a small way to setting a record straight. Gerry Mulligan has often been underrated. Despite the critical acclaim and historical significance later attributed to Miles Davis for his groundbreaking work on the Birth of the Cool sessions, a closer examination of the repertoire reveals the profound influence of Mulligan's writing. It was ...

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Article: Interview

Jack Chambers: Rethinking Duke Ellington

Read "Jack Chambers: Rethinking Duke Ellington" reviewed by Jack Kenny


Jack Chambers is professor at the University of Toronto and teacher of music and language. His jazz writings include the prize winning biography Milestones: The Music and Times of Miles Davis (Da Capo Press, 1998) and Bouncin' with Bartok: The Incomplete Works of Richard Twardzik (Mercury PR, 2008). Sweet Thunder: Duke Ellington's Music In Nine Themes ...

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Article: Book Review

A Tone Parallel to Duke Ellington: The Man In The Music

Read "A Tone Parallel to Duke Ellington: The Man In The Music" reviewed by Jack Kenny


A Tone Parallel to Duke Ellington: The Man In The Music Jack Chambers 259 Pages ISBN: # 9781496855756 University Press Of Mississippi2025 There are rare insights into Duke Ellington in this book from Jack Chambers, his second on Duke Ellington. Chambers has also written important books on Miles Davis ...

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Article: Album Review

Charles Mingus: Mingus in Argentina

Read "Mingus in Argentina" reviewed by Jack Kenny


This latter-day Charles Mingus group is ripe for reassessment. The new guys, Ricky Ford, Robert Neloms and Jack Walrath carried a heavy burden as they toured South America. The two-CD collection is a great feast of Mingus played by a band that, as yet, has never had real recognition. Much of the music was written for ...

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Article: Building a Jazz Library

Ten Terrific Sax Plus Organ Combinations

Read "Ten Terrific Sax Plus Organ Combinations" reviewed by Artur Moral


OK, maybe the electric guitar was its first and most celebrated love affair, but the organ's alliances with the saxophone's family members are undoubtedly among the richest musical combinations, both in terms of sound and the intense interrelationships that typically develop in such encounters. Whether it be a tenor with a Hammond, a soprano with an ...

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Article: Interview

Kenny Garrett Speaks Through The Soul of His Jazz

Read "Kenny Garrett Speaks Through The Soul of His Jazz" reviewed by Dean Nardi


Mental bungee-jumping may not be their sport of choice, but a cerebral ledge exists that sooner or later every jazz musician must leap off. One day, ready or not, tuning up or shaking down their instrument, they will glance in a mirror, hug a pregnant mother-to-be, second-line a funeral, walk in the deepest, dark woods, chance ...


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