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Chet Baker: She Was Too Good To Me
by C. Michael Bailey
Chet BakerShe Was Too Good To MeCTI Records1974 The modern image of trumpeter/vocalist Chet Baker is a hopelessly fractious one. Baker is, at once, a brilliant musical autodidact with a superb ear while, at the same time, a musician with a nonexistent grounding in musical theory. Like ...
The Sheryl Bailey 4: For All Those Living
by Edward Blanco
Wes Montgomery may be gone, but the great jazz guitarist's crisp, rich-toned sound lives on in Sheryl Bailey, whose style is so reminiscent of the icon, but whose technique has also been compared to that of Pat Martino. It is quite clear that Bailey is a gifted guitarist as well as a veteran musician, with several ...
Eric Alexander: Don't Follow the Crowd
by Jack Bowers
Tenor saxophonist Eric Alexander, now well into his forties and no longer the precocious young lion who burst on the New York scene some two decades ago, nevertheless remains the relentless hunter, avidly pursuing--and easily wrestling to the ground--obscure melodies that are beyond the pale of his contemporaries. Such diligence pays dividends again on Don't Follow ...
Ferdinand Povel & Pete Christlieb: Live at the Amsterdam Bimhuis
by Jack Bowers
Ferdinand Povel & Pete Christlieb with the Rein de Graaff TrioLive at the Amsterdam BimhuisTimeless Records2011 Put two of the world's outstanding tenor saxophonists together on the same stage, add a marvelously supple and supportive rhythm section, and what you have is a night to remember and ...
July Issue of Scooby-Sax Newsletter Published
The July, 2011 issue of the Scooby-Sax Newsletter has been published. The latest issue of this educational resource focuses on the analysis of transcribed solos by Al Cohn, Hank Mobley, Zoot Sims, and John Coltrane on the tune, “Tenor Conclave." The four solos make a fascinating study in the similarities and differences among the tenor saxophone ...
Ornette Coleman: Tomorrow is the Question!
by C. Michael Bailey
Ornette ColemanTomorrow is the QuestionContemporary1959Shaking out of the contractual obligation forcing him to employ a pianist on his debut, Something Else!!!! (Contemporary, 1958), alto saxophonist Ornette Coleman dispensed with the instrument altogether on 1959's Tomorrow is the Question!, causing a bit of consternation on the part of the ...
Take Five With Iman Spaargaren
by AAJ Staff
Meet Iman Spaargaren: Iman is a multi-reed player, arranger and composer. He has a distinctive way of playing and a very personal tone on his horn. During the past few years Iman has been busy with a wide variety of music groups such as Iman Spaargaren Quartet & Septet, Captain Hook, European Union Quartet ...
Jazz Bridge Celebrates Philly Joe Jones' Birthday at Chris' Jazz Cafe
Jazz Bridge will celebrate the life of the late Philadelphia drummer Philly Joe Jones with an all-star concert on his birthday, Friday July 15 from 8-12 pm at Chris' Jazz Cafe, 1421 Sansom Street, Phila, PA. The celebration begins at 8 p.m with the Sticks & Tones Percussion Ensemble, featuring Randy Sutin, Harold Smith, Doc Gibbs, ...
Chet Baker: She Was Too Good To Me
by Chris M. Slawecki
Newly reminted in 2010's CTI Masterworks series, She Was Too Good To Me was originally Chet Baker's 1974 “comeback album," his first recording since a well-publicized mugging by junkie acquaintances (hardly “friends") that relieved the singer and trumpet player of his money, dope and most of his teeth. “Believe me," Baker once observed, “when a trumpet ...
Voices Instrumental in Jazz
by Chris M. Slawecki
Natacha AtlasMounqalibaSix Degrees Records2010 Vocalist Natacha Atlas seems to embody the modern musical millennia: She was born in Brussels and raised in one of its Moroccan suburbs; her compositions and singing reach into and crisscross storied European and Arabic musical traditions. Primarily co-written ...
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