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Smokin' at The Nash
by Dave Kaufman
Jazz cognoscenti may not think of Phoenix as a hotbed of great jazz. However, a confluence of factors contributes to a remarkably vibrant jazz scene. The city boasts a wealth of excellent jazz education programs spread across universities and community colleges. This has attracted great musicians and educators from around the country who play the local ...
Hank Mobley: Roll Call
Starting with Soul Station, tenor saxophonist Hank Mobley embarked on a powerful series of recordings for Blue Note in the 1960s. His sixteen releases recorded during the decade tapped into virtually every musical trend, including bossa nova, boogaloo, funk and soul. All featured Mobley at his peak, exhibiting a bossy muscularity with a smooth, slippery articulation ...
Mats Gustafsson
by Vincenzo Roggero
If Mats Gustafsson's approach to music were to be described with a single adjective, it would have to be “intense." This applies to him both as a musician, as illustrated by over three decades of playing with stalwarts of the free and creative jazz scenes on both sides of the Ocean (Ken Vandermark, Peter Brötzmann, Joe ...
Mats Gustafsson
by Vincenzo Roggero
1. Hank Mobley, Hank Mobley (Blue Note, 1957). Il disco jazz definitivo?! È tutto perfettamente bilanciato in questa supersession. Il sax tenore è poetico e la tromba di Art Farmer non è mai stata così lirica ed emozionante. Art Blakey è un genio dello swing e la foto di copertina è una delle mie ...
NYSQ: Sleight Of Hand
by Roger Farbey
Acronymically if not quite stylistically taking its cue from the Modern Jazz Quartet, the New York Standards Quartet delivers the goods in a respectful and often driving manner as evidenced by the opener, Mal Waldron's ballad “Soul Eyes" which is given an allegro makeover.Instantly recognisable as a Monk tune, “Ask Me Now" bears the ...
Cory Weeds & the Jeff Hamilton Trio: Dreamsville
by Jack Bowers
Even though the substance and framework of jazz are constantly changing and evolving, the music's bedrock--marked by spontaneity and free-wheeling swing--remains essentially unimpaired and secure. And when it comes to swinging, it's hard to eclipse the irrepressible pulse of the tenor saxophone, an instrument whose long and enduring ties to jazz and swing have been epitomized ...
Take Five with Mike Casey
by AAJ Staff
About Mike Casey Saxophonist, songwriter, and teaching artist Mike Casey has been a fixture on the Hartford jazz scene and beyond since 2011, when he began attending the acclaimed Jackie McLean Institute of Jazz at the University of Hartford's Hartt School. In 2015, Mike was one of 24 young jazz composers worldwide chosen by ...
Lee Morgan On Music Matters
by Greg Simmons
Somewhere up in the sky there's a pantheon of jazz legends. Lee Morgan rightfully has a seat in the top tier, and the jam must be extraordinary. Morgan hit the scene in 1956, an obvious prodigy who'd scored two triumphs at the tender age of eighteen: a standing gig in Dizzy Gillespie's big band ...
Howard Johnson Celebrates His 75th With New CD And Concert At The Jazz Museum In Harlem on Sunday, January 29th at 2:30pm
Sun, January 29, 2017 2:30 PM- 5:00 PM EST The National Jazz Museum in Harlem 58 West 129th Street New York, NY 10027 Featuring: Howard Johnson: baritone saxophone, tuba, penny whistle; Yayoi Ikawa: piano; Melissa Slocum: bass; Newman Taylor Baker: drums. Testimony includes eight tunes ranging from soulful to funky ...
Sabu Martinez: Palo Congo – 1957
by Marc Davis
1957 was a banner year for hard bop and Blue Note. In one year, the label released 40 albums, including classics from John Coltrane, Sonny Rollins, Horace Silver, Bud Powell, Lou Donaldson, Hank Mobley, Johnny Griffin and eight by Jimmy Smith alone. In the midst of all that hard bop, Blue Note released two percussion-based albums ...
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