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Mighty Joe Young
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Blues guitarist Mighty Joe Young had an identifiable soul drenched edge to his blues, which served him well as a premier back up guitarist, session man, and band leader in Chicago's North Side. Born in 1927 near Shreveport, Louisiana, Young began playing in the early 1950s, working clubs in Milwaukee and then back in his native Louisiana where in 1955 he first recorded for the Jiffy label. He was already well known for his work with the harmonica-player Billy Boy Arnold, the guitarist Jimmy Rogers, and his brilliant contemporary Otis Rush, when in 1961 a manager added the "Mighty" sobriquet to his name for his solo albums for the little Fire label
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Jimmy Wyble
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Jimmy Wyble is one of the few guitarists who made a mark in both country & western and jazz, his discography naturally crashing through a few supposedly fenced-in genre boundaries to get him from Benny Goodman to Bob Wills. The latter artist's so-called radical style of Western swing was no surprise to Wyble, since he was playing his own style of Western swing music in 1942 with guitarist Cameron Hill when Wills got a chance to hear the guitarists playing live. Up until this time, Wyble was a staff musician on a Houston radio station, but he had been steadily toiling at bringing a jazz element into country music, sometimes against great pressure
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Johnny Winter
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For over 40 years, Johnny Winter has been a guitar hero without equal. Signing to Columbia records in 1969, Johnny immediately laid out the blueprint for his fresh take on classic blues a prime combination for the legions of fans just discovering the blues via the likes of Jimmy Page and Eric Clapton. Throughout the '70s and '80s, Johnny was the unofficial torch-bearer for the blues, championing and aiding the careers of his idols like Muddy Waters and John Lee Hooker. Though now residing in New England, Winter remains a native Texan, born and bred in Beaumont, the town where the famous Spindletop gusher came in to kick off the "black gold" rush in 1901. Growing up in rough-and-tumble town populated by oilfield wildcatters and shipyard workers, he spent long hours listening to a local deejay named J.P
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Chuck Wayne
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Had Charlie Christian not died of tuberculosis at age 25 in 1942, he certainly would have been the first guitarist to record bebop. His single-string attack on Up on Teddy's Hill with Dizzy Gillespie, captured live at Minton's in 1941, was clearly ahead of its time. But the solo was more blues than bop, a jazz form that hadn't been fully formed yet. The first bebop guitar solo recorded in a studio would come three years later, on February 9, 1945 when Dizzy Gillespie led a sextet on two tracks for Guild Records. The guitarist on the date was Chuck Wayne, who today is more closely associated with the George Shearing Quintet and Tony Bennett's early records
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Johnny "Guitar" Watson
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Johnny ‘Guitar’ Watson - guitarist, vocalist A working bluesman since his teenage years in the early 1950s, Johnny "Guitar" Watson scored numerous chart successes in the 1970s with a unique guitar-based sound that mixed the feel and instrumental technique of the blues with the bass-heavy sound of funk. Watson also excelled as a vocalist. His singing was by turns sexy, humorous, and political; his guitar playing exploited the full range of the instrument's powers. He was also a prolific songwriter. When Watson died in 1996 at the age of 61, he was receiving the most modern form of musical homage: rappers and hip-hop musicians quoting or "sampling" his recordings. Watson was born in Houston on February 3, 1935
About Walter Washington
Instrument: Guitar, electric
Results for pages tagged "guitar, electric"...
Walter Washington
Born:
Walter “Wolfman” Washington has been an icon on the New Orleans music scene for decades. His searing guitar work and soulful vocals have defined the Crescent City’s unique musical hybrid of R&B, funk and the blues since he formed his first band in the 1970s. Washington began his career during the fertile heyday of the 1950s Rhythm and Blues period that spawned dozens of Number 1 songs and made New Orleans the recording destination of choice for hit makers like Ray Charles and Little Richard. Born in 1943, Washington was on the road by his late teens spending over two years backing the great vocalist Lee Dorsey who was touring in support of his smash hits, “Ride Your Pony” and “Working in a Coalmine.” His tenure with Dorsey took him to all of the great music halls in America including appearances at the famed Apollo Theater in Harlem
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T-Bone Walker
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Aaron Thibeaux Walker was born in Linden, Texas on Amy 28. 1910, his parents were both musicians and he was an only child. His nickname T-Bone came from a twist on his middle name, as his mother used to call him Tebow. He was raised in Dallas, exposed to music as a youngster by his stepfather, who taught him guitar, as well as ukulele, banjo, violin, mandolin, and piano. The house was a constant source of music and inspiration, and he played locally with his stepfather as street musicians. He spent a lot of time listening to the radio and records of blues artists like Leroy Carr and his guitarist Scrapper Blackwell, and would go see bluesman Lonnie Johnson live in the Dallas area
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Phillip Walker
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Around the age of sixteen, Phillip Walker became the lead guitarist of Clifton Chenier's Red Hot Louisiana Band in the 1950's. He radically changed Clifton's zydeco sound--one that had a fiddle as the instrument working with the accordion--to a sound where the accordion worked with a guitar. Phillip is widely credited with making this transition in the Clifton Chenier sound. He was born in Louisiana but grew up in the Port Arthur, Texas area when he joined Clifton Chenier's Red Hot Louisiana band. His guitar picking style was an influence on people like Johnny Winter. He also played with Fats Domino and then replaced the late Jimi Hendrix in the lead guitar chair of the Little Richard Band
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Joe Louis Walker
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Merging the electric, urban sounds of West Coast and Chicago blues with the down-home acoustic traditions of the Delta, guitarist Joe Louis Walker never strayed far from what he calls "the real blues." In a career that spans more than 35 years, he’s balanced tradition with innovation and made a significant mark on the evolution of the genre. Born on Christmas Day in 1949 to parents whose migrant work took them from Arkansas to San Francisco, Walker first discovered the blues via their collection of 78 recordings"a treasure trove of artists like Amos Milburn, B.B. King and Howlin’ Wolf. He picked up the guitar at age 14, and left home two years later to pursue his creative muse in San Francisco’s fabled Haight-Ashbury district
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Al Viola
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Viola studied guitar and followed jazz guitarists Charlie Christian and Oscar Moore before he was drafted in 1941. The Army placed him in a trio with a pianist and bassist, billed as "The Three Sergeants." Page Cavanaugh replaced the original pianist and after discharge, the trio won a recording contract with RCA under his name. In 1946, the Page Cavanaugh Trio accompanied Frank Sinatra to New York where they played nightly behind Sinatra at the Waldorf Astoria Hotel. During this same period the Cavanaugh Trio made a couple of recordings with Sinatra That's How Much I Love You and You Can Take My Word For It Baby, both of which enjoyed broad distribution due to Sinatra's popularity
