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Article: Album Review

Marcos Varela: San Ygnacio

Read "San Ygnacio" reviewed by Luigi Sforza


Possente il suono, profonda e incisiva la cavata, decisa e vistosamente virtuosa la tecnica del giovane contrabbassista, compositore, arrangiatore e produttore Marcos Varela che in San Ygnacio mette in mostra le sue spiccate qualità strumentali scegliendo di declinare il suo talento all'interno di una langue esplicitamente post bop. In assoluta coincidenza con il credo estetico del ...

Article: Album Review

Steve Lehman: Sélébéyone

Read "Sélébéyone" reviewed by Luca Canini


Due sarebbero i modi più appropriati e coscienziosi di iniziare questa recensione. Il primo: una rapida carrellata sui precedenti tentativi di contaminazione tra jazz e hip hop (entrambi i generi intesi nel senso più ampio e inclusivo possibile). Da Steve Coleman e Greg Osby alle lucide visioni di Mike Ladd e Vijay Iyer, dal Miles Davis ...

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Article: Album Review

Massimo Discepoli/Daniel Barbiero: An Eclipse Of Images

Read "An Eclipse Of Images" reviewed by Mark Corroto


For the jazz listener, operating outside the canon can be a daunting experience. Once you dig 4/4 time, syncopation, swing, cool jazz and hard bop, it is difficult to appreciate other genres. Pop is formulaic and overproduced, and classical, too rigid. Electronics, fahgettaboudit. Machines cannot replace the human capability for improvisation. True, but what if there ...

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Article: Album Review

Yuhan Su: A Room of One's Own

Read "A Room of One's Own" reviewed by Ian Patterson


Continuity and progress are the watchwords for A Room of One's Own (Inner Circle Music, 2015), Yuhan Su's follow-up to Flying Alone (Inner Circle Music, 2013), her impressive debut for Greg Osby's label. New York-based Taiwanese vibraphonist Su's debut announced a melodic composer of nuance and sensitivity and a soloist of some style. A Room of ...

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Article: Album Review

Eric Revis Trio: Crowded Solitudes

Read "Crowded Solitudes" reviewed by John Sharpe


In following his own star, bassist Eric Revis continues to explore terrain further off the charts than erstwhile employers Branford Marsalis, Steve Coleman and Kurt Rosenwinkel. For the sequel to the acclaimed City of Asylum (Clean Feed, 2013), Revis retains Kris Davis on piano but replaces Andrew Cyrille with Gerald Cleaver in the drum chair. Revis ...

Article: Album Review

Michele Polga: Little Magic

Read "Little Magic" reviewed by Luigi Sforza


In quest'ultima fatica discografica Michele Polga insieme alle sue pronunciate qualità di tenor sassofonista conferma ampiamente il suo appassionato orientamento estetico -già dichiarato nei precedenti lavori a suo nome. Dotato di notevole tecnica strumentale, di senso instancabile per la melodia e di un'ampia capacità di sintetizzare in forma organica e unica un ampio patrimonio storico legato ...

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Article: Album Review

Megumi Yonezawa Trio: A Result of the Colors

Read "A Result of the Colors" reviewed by Tyran Grillo


Those outside of New York City, where Megumi Yonezawa currently resides, may only recognize the Japanese pianist, if anywhere, as sidewoman for Greg Osby (see 2004's Public on Blue Note), who brought her onboard following an enthusiastic endorsement from none other than Jason Moran. It was in Osby's band that she developed a rapport with drummer ...

Article: Album Review

Kyoko Oyobe: Happy Silence

Read "Happy Silence" reviewed by Angelo Leonardi


Molto attiva nei club di New York, la pianista giapponese guida da un paio d'anni un quartetto che in questo CD è nella formazione originaria, con Steve Wilson, Michael O'Brien e Matt Wilson. Dal 2014 a oggi ha avuto modo di compiere un tour in Giappone con Chris Speed ospite e il suo attuale organico è ...

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Article: Interview

Greg Osby: Saxophone “Griot”

Read "Greg Osby: Saxophone “Griot”" reviewed by Victor L. Schermer


The griot is a West African historian, storyteller, praise singer, poet and/or musician, a repository of oral tradition who is often seen as a societal leader. Saxophonist Greg Osby recently was excited to meet some griots on his travels. While he is originally from St. Louis, he himself is a griot in many senses of the ...

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Article: Live Review

Abullah Ibrahim at SFJAZZ

Read "Abullah Ibrahim at SFJAZZ" reviewed by Harry S. Pariser


Abdullah Ibrahim SFJAZZ San Francisco, CA April 29-30, 2016 At 81, pianist Abdullah Ibrahim, is still going strong, something he proved during a remarkable tour-de-force performance which spanned four nights at SFJAZZ in San Francisco. For the first two evenings (Thursday and Friday), Ibrahim appeared in the company of ...


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