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Lou Donaldson: Jazz Paths
by Josep Pedro
One of the few remaining musicians that defined the sound of jazz after the bebop musical revolution, alto saxophonist Lou Donaldson illustrates the richness and ambiguities of jazz evolution during the crucial period between the late forties and early seventies. During these intense and fascinating times of contemporary United States history, jazz exploded into a variety ...
Ron Miles: Jazz Gentleman, Part 3
by Florence Wetzel
Part 1 | Part 2 | Part 3[Editor's Note: In Florence Wetzel's in-depth interview with Ron Miles, the Colorado-based trumpeter covers the rest of his releases, including an exclusive first look at his forthcoming album, Quiver (Enja, 2012), due out later this year.]Laughing Barrel AAJ: So next you have another Sterling Circle ...
Kuala Lumpur International Jazz Festival: 19-20 May, 2012
by Ian Patterson
KL International Jazz Festival Kuala Lumpur Convention CenterKuala Lumpur, MalaysiaMay 19-20, 2012The 19th and 20th of May, 2012 will long be remembered by jazz lovers in Kuala Lumpur as the day jazz came to town. The 13 acts that performed on the stage of the KL Convention Center made history by ...
Vangthanousone Bouaphanh: Lao Jazznova
by Ian Patterson
Cradling his Epiphone Emperor Regent as he stands against the backdrop of a Buddhist temple, guitarist Vangthanousone Bouaphanh cuts a dashing figure. Vangthanousone comes from the “Land of a Million Elephants," better known these days as Laos--a small, Buddhist/animist country sandwiched between Vietnam, China, Burma, Thailand and Cambodia. Vangthanousone may look like a star, but he's ...
March-April 2012: Dan Hanrahan, Matthew Shipp, Danilo Perez, Aerial Photograph
by RJ Johnson
Dan Hanrahan TrioMoonstone Arts CenterFebruary 22, 2012The Moonstone Arts Center, one of Philadelphia's more successful outlets for jazz music, has been growing in popularity amongst local musicians as a venue geared towards supporting original music. Dan Hanrahan, a guitarist well versed in jazz tradition, led his organ trio through a ...
Bobby Broom: Building a Legacy
by R.J. DeLuke
Guitarist Bobby Broom had a feel for music at a very young age. He was exposed first to clarinet and violin as a child, but they didn't have an impact on him. Eventually, an old guitar came through the household. It had four strings across an instrument with a small neck.“I didn't know it ...
Take Five With Jonathan Smith
by AAJ Staff
Meet Jonathan Smith: Portland, Oregon jazz guitarist, playing in the stylistic tradition of Grant Green. Instrument(s): Guitar.Teachers and/or influences? Dan Balmer, Bruce Forman, and many other great musicians I've had the good fortune to spend time with. A few special influences are: Ingrid Jensen, Benny Green, ...
Nick Moran: No Time Like Now
by Dan McClenaghan
Part of the appeal of the traditional organ trio--Hammond B3 organ, guitar and drums--is the juxtaposition of the guitar's succinct phrasing slicing through the blurry winter breeze of the B3. Another part is the music's straight-up funkiness. This is music of the city, pioneered by organist Jimmy Smith and guitarists Wes Montgomery and Grant Green. The ...
Ron Cole Trio: Vientiane, Laos, January 21, 2012
by Ian Patterson
Ron Cole TrioMarkTwo Pub and RestaurantVientiane, LaosJanuary 21, 2012 The fact that a jazz trio came from Bangkok to play a swish new venue in the Laotian capital--one that wouldn't look out of place in the City of Angels--says something about the rapid pace of change in Laos. This was ...
STLJN Audio Archive: Grant Green - Visions
Fortunately for fans of jazz guitar, much of Grant Green's output for the Blue Note label in the 1960s and 1970s remains in print today. One exception, though, seems to be Visions, a 1971 session that featured the St. Louis native's versions of some then-current pop hits along with a couple of originals and one classical ...
