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ARTICLE: INTERVIEW

Charles Tolliver: Blowing Down The Walls Of Trump’s Jericho

Read "Charles Tolliver: Blowing Down The Walls Of Trump’s Jericho" reviewed by Chris May

Charles Tolliver has played with practically every major African American jazz stylist of his generation, and composed for some of them, too. In addition, he is the co-founder of Strata-East, the most influential label at the intersection of hard bop and spiritual jazz during the 1970s. Tolliver's long and distinguished career continues to flourish, with a ...

ARTICLE: ALBUM REVIEW

Charles Tolliver: Connect

Read "Connect" reviewed by Chris May

Put out more flags. Connect, the first release from trumpeter Charles Tolliver in over a decade, is a monster. From the Saturday-night goodtime opener “Blue Soul" through to the intense, Spanish tinged, serpentine closer “Suspicion," the album finds Tolliver still at the top of his game in a recording career which began in the mid 1960s. ...

Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums

Read "Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums" reviewed by Chris May

There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...

Prestige Records: An Alternative Top 20 Albums

Read "Prestige Records: An Alternative Top 20 Albums" reviewed by Chris May

Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...

Hard Bop: An Alternative Top Ten

Read "Hard Bop: An Alternative Top Ten" reviewed by Chris May

Hard bop was the jazz centre of the world from the mid 1950s to the mid 1960s, producing many hundreds of immortal albums. Trying to whittle these down to a definitive Top Ten is fun—but it is a subjective and ultimately impossible exercise. In an attempt to dodge those hurdles, the list which ...

ARTICLE: LIVE REVIEW

2019 Pittsburgh International Jazz Festival

Read "2019 Pittsburgh International Jazz Festival" reviewed by Mackenzie Horne

Gary Bartz Liberty Avenue Stage Pittsburgh International Jazz Festival Pittsburgh, PA June 23, 2010 The 2019 Pittsburgh International Jazz Festival featured a heavyweight lineup of world-renowned saxophone players, including Charles Lloyd, Nubya Garcia, and Gary Bartz. Bartz was scheduled to perform selections from Bitches Brew and In a Silent Way ...

ARTICLE: INTERVIEW

Denny Zeitlin: Balancing Act

Read "Denny Zeitlin:  Balancing Act" reviewed by Ken Dryden

Denny Zeitlin is a true Renaissance man with many interests, in addition to balancing his careers in medicine and music. Although his medical practice and teaching have limited his abilities to tour beyond brief trips east or playing near his home in California, he has recorded regularly in recent years, releasing a variety of projects for ...

ARTICLE: GENERAL ARTICLES

Arancio, nero e nostalgia: tempo di ristampe in casa Impulse!

Read "Arancio, nero e nostalgia: tempo di ristampe in casa Impulse!" reviewed by Luca Canini

Piovono ristampe in casa Impulse!. Un diluvio benedetto a tinte arancionere che riporta sugli scaffali dei negozi classicissimi e rarità a prezzi stracciati. Non il massimo l'operazione dal punto di vista filologico: grafica discutibile, copertine originali incrociate grossolanamente, rimasterizzazione discreta ma non eccelsa, note riprodotte in miniatura e in alcuni casi praticamente illeggibili; ma il rapporto ...

ARTICLE: INTERVIEW

Steve Swell: Unlimited Musical Possibilities

Read "Steve Swell: Unlimited Musical Possibilities" reviewed by Victor L. Schermer

"Free Jazz" and “Avant-Garde Jazz" are catch phrases often associated with musical pioneers such as Ornette Coleman and Cecil Taylor but more broadly refer to music that goes outside of the mainstream of melody, harmony, rhythm, and structure. When that happens, opinions and emotions abound. Reactions vary from disgust to excitement and enthusiasm, and it is ...


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