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Crouching Pop, Hidden Jazz: A Conversation with Johnny Manchild from Johnny Manchild and the Poor Bastards
by Kurt Ellenberger
Preamble: In my previous articles, I have highlighted how important jazz and jazz musicians have been in the background of the development of pop music, and how the influence of jazz is sometimes in the foreground as well. My interview with Johnny Manchild is part of this broader discussion of how jazz aesthetics find their way ...
Fred Hersch: The Touch of Genius
by Ken Dryden
The sound of Fred Hersch at the piano is so distinctive, a couple of bars is usually enough to identify him. The mainly self-taught Cincinnati native excelled early, playing jazz in his home town before leaving to study with pianist Jaki Byard at the New England Conservatory of Music. From there, Fred moved to New York ...
Joonas Haavisto e il Questionario di Proust
by Paolo Peviani
Il tratto principale della mia musica L'equilibrio tra composizione e improvvisazione. Metto anche molta attenzione sul suono e la melodia. La qualità che desidero nei musicisti che suonano con me Ascoltare è la cosa più importante. Poi vengono altre abilità, come il prendere dei rischi, il ...
Philipp Zoubek: Outside
by Alberto Bazzurro
Inciso a Colonia nel dicembre 2017, questo album vede il quarantenne pianista austriaco Philip Zoubek, collaboratore fra gli altri di Paul Lytton, Frank Gratkowski, Ernst Glerum ed Herb Robertson, misurarsi con la prediletta formula del trio, nello specifico affiancato dal bassista tedesco David Helm e dal batterista elvetico Dominik Mahnig. Come principali punti di ...
Ai Confini tra Sardegna e Jazz - XXXIII Edizione
by Paolo Peviani
Ai Confini tra Sardegna e Jazz Sant'Anna Arresi 1-9.9.2018 Mettendo insieme una buona dose di ironia e di amara verità, il direttore artistico del festival Ai Confini tra Sardegna e Jazz, Basilio Sulis, ama definire Sant'Anna Arresi come Periferia dell'Impero. Da trentatré anni, tuttavia, nella prima settimana di settembre questo lembo di Sardegna ...
Glenn Gould in Russia: Bach, Beethoven, Berg, Webern, Krenek
By Glenn Gould
Label: Urania Arts
Released: 2017
Track listing: Bach: Three Part Inventions; Berg: Allegro form Piano Sonata No. 1; Webern: Piano Variations, Op. 27; Krekek: Allegretto piaceovole & Adagio for Piano Sonata No. 3; Bach: selections from The Art of Fugue, BWV 1080, selections from The Goldberg Variations, Piano Concerto No.1; Beethoven: Piano Concerto No. 2., Op. 19.
Glenn Gould: Glenn Gould in Russia: Bach, Beethoven, Berg, Webern, Krenek
by C. Michael Bailey
Examples of Johann Sebastian Bach played on piano are a dime-a-dozen today, but it was not always this way. Before Glenn Gould's seismic debut with the Goldberg Variations (Columbia) in 1955, Bach's masthead keyboard composition was considered beyond the capabilities of the modern piano. While Gould was not the first to record the Goldbergs on piano ...
Dominic Duval: Follow Your Melody
by Maxim Micheliov
In memory of Dominic Duval: 1945-2016. This article was first published in October 2010. Bassist Dominic Duval is a mystery to manyeven to those interested in free music. Seemingly emerging out of nowhere in the mid-1990s, over the course of 15 years he has built a formidable discography, firmly establishing him as one of ...
Profound Pianistic Presentations: Jazz Heaven DVDs from Jean-Michel Pilc and Enrico Pieranunzi
by Dan Bilawsky
There's more to music than the simple absorption and understanding of notes, rhythm, melody, and harmony; there's more to jazz than what naturally meets the eyes and ears; and, most daunting of all, there's more to learn than we can ever possibly imagine. But fear not, for there are resources out there to help aspiring musicians ...


