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5

Article: Album Review

Dialeto: The Last Tribe

Read "The Last Tribe" reviewed by Glenn Astarita


The Last Tribe is the Brazilian prog rock power trio's first release on an international scale, issued by New York City-based Moonjune Records, intimating yet another significant offshore discovery produced by this record label to complement its roster of well-established performers and time-honored bands. Nonetheless, Dialeto is a trio that possesses the goods to make a ...

8

Article: Album Review

Satoko Fujii Ma-Do: Time Stands Still

Read "Time Stands Still" reviewed by Glenn Astarita


Several months after this recording, bassist Norikatsu Koeyasu died of a heart-attack in-between tours. Pianist Satoko Fujii decided that the band could not continue without his presence, citing his vital role and “telepathic connection." Hence, Ma-Do's third album will be its last. It's an unfortunate occurrence but a testament to the musicians' realization that a replacement ...

7

Article: Album Review

Bystrov/Bledsoe/Lapin: Triologue

Read "Triologue" reviewed by Glenn Astarita


American flautist and educator Helen Bledsoe resides in Cologne, Germany, and is a prominent improviser on the global circuit. She aligns with Russians, pianist Alexey Lapin and clarinetist Vlady Bystrov, for a soundscape that defies stringent categorizations but touches on avant-Chamber, free-jazz, and is embedded in dense montages, as they explore numerous possibilities and outcomes. Recorded ...

4

Article: Album Review

Bruno Heinen Sextet: Tierkreis

Read "Tierkreis" reviewed by Glenn Astarita


British pianist Bruno Heinen studied classical music at the Royal College of Music, and jazz with fellow countryman and renowned jazz pianist John Taylor. He comes from both sides of the fence so to speak, which is an aspect that translates rather well on these pieces composed by pioneering and influential classical composer Karlheinz Stockhausen. Heinen's ...

5

Article: Album Review

Steven Lugerner: For We Have Heard

Read "For We Have Heard" reviewed by Glenn Astarita


Multi-woodwind expert Steve Lugerner's solo outing for this Lithuania-based progressive/avant-jazz record label enters the market as a limited edition of only 500 LPs. Get them while they last, as some would say. And it's a very distinctive performance, duly capturing the earthy attributes of this all-star lineup's contrasting song forms and extraordinary synergy, clocking in at ...

4

Article: Album Review

Chris Potter: The Sirens

Read "The Sirens" reviewed by Glenn Astarita


There is little doubt that saxophonist Chris Potter is one of the most important jazz artists of the modern era. Comfortable in a variety of jazz settings, the artist has contributed to several ECM Records-produced albums, yet The Sirens marks his leadership debut for the Germany-based label. Intense, passionate and a dazzling soloist who is a ...

5

Article: Album Review

Sao Paulo Underground: Beija Flors Velho E Sujo

Read "Beija Flors Velho E Sujo" reviewed by Glenn Astarita


Once again this trio sounds like a larger unit and its capricious implementations remain a constant. The band's makeup contains an assortment of keys, percussion, electronics effects and other tools of the trade. Yet Chicago progressive jazz trumpeter Rob Mazurek is the primary soloist, sporting a big brassy tone and imposing presence. The musicians unify the ...

5

Article: Album Review

E. Normus Trio: Love and Barbiturates

Read "Love and Barbiturates" reviewed by Glenn Astarita


These Asheville, NC musicians started collaborating in 2007, leading to this debut release that skirts the boundaries of jazz-rock, free-jazz and progressive metal-jazz. The jazz and improvisational elements accentuate most of these works, fueled by adrenaline rushes amid the trio's broad arsenal.Excitable but largely cohesive, lead soloist and clarinetist Steve Alsford bridges torrid breakdowns ...

7

Article: Album Review

Mark Dresser Quintet: Nourishments

Read "Nourishments" reviewed by Glenn Astarita


Influential master bassist Mark Dresser leads his first quintet outing in nearly two decades. His complex compositions span an abundance of odd-metered time signatures, whether the song forms are buoyant, temperate or soul-searching. It's a very involved storyline that yields fruitful rewards. Indeed, the program is a kaleidoscopic ride that includes brash or probing solos by ...

5

Article: Album Review

Arborea: Fortress of the Sun

Read "Fortress of the Sun" reviewed by Glenn Astarita


This duo from Maine casts a post-psychedelic, homespun folk vibe with a few subtle twists, signaling a nouveau spin on bands such as '70s British folk denizen Pentangle, and a classic Haight-Ashbury trippy street fair. Featuring sustainable and impressive compositions, Shanti Curran's virtuous vocals impart a spell of transcendental wonderment, sprinkled with dreamy atmospherics.


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