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34

Article: Album Review

Marbin: The Third Set

Read "The Third Set" reviewed by Glenn Astarita


Marbin is known for its extensive touring schedules, coupled with the instrumentalists' exhilarating interactions. But in the studio, the musicians present a variegated jamboree of acoustic-electric pieces, often layered with memorable hooks and textural soundscapes amid the frontline's invigorating solo jaunts. However, The Third Set captures the unit's explosive progressive rock and jazz rock nomenclature at ...

32

Article: Album Review

Gebhard Ullmann/Basement Research: Hat And Shoes

Read "Hat And Shoes" reviewed by Glenn Astarita


Without a doubt, German multi-woodwind ace Gebhard Ullmann is one of the busiest artists within the global jazz network. Hat & Shoes celebrates his Basement Research band's 20th anniversary and the artist's 50th CD as a co-leader and leader, including his other ensembles --Conference Call and the Clarinet Trio. The all-star quintet ups the ...

30

Article: Album Review

De Beren Gieren & Susana Santos Silva: The Detour Fish - Live In Ljubljana

Read "The Detour Fish - Live In Ljubljana" reviewed by Glenn Astarita


Youthful concepts and treatments are highlighted on this live set, where the award-winning Belgian piano trio De Beren Gieren invites burgeoning Portuguese trumpeter, improviser Susana Santos Silva to join the band for this largely captivating performance at the Ljubljana Jazz Festival in Slovenia. The musicians' collective synergy becomes apparent rather quickly. Their inventive faculties are propagated ...

37

Article: Album Review

Blood Sweat & Tears: Child Is Father To The Man

Read "Child Is Father To The Man" reviewed by Glenn Astarita


Back in the 1960s, keyboardist, vocalist Al Kooper played a prominent role as a coordinator and innovator in the flourishing blues, pop and rock idioms. He played the Hammond organ part on Bob Dylan's “ perennial classic “Like a Rolling Stone," and recorded with wunderkind guitarist Mike Bloomfield, leading to the highly revered Super Session (Columbia, ...

32

Article: Album Review

Antoine Fafard: Ad Perpetuum

Read "Ad Perpetuum" reviewed by Glenn Astarita


Canadian bassist Antoine Fafard possesses awe-inspiring chops and can seemingly do anything he darn well pleases. Following suit with his previous solo outing Occultus Tramitis (Unicorn, 2013) he aligns his significant wares with highly revered artists, providing the level of support required, not only to pull off the tricky time signatures, but to also add various ...

29

Article: Album Review

Schnauser: Protein for Everyone

Read "Protein for Everyone" reviewed by Glenn Astarita


Here's a persuasively inventive British progressive band that recycles protein into music, or so it seems. In fact, vocalist Holly McIntosh is also one of the greatest emulsifier (see Personnel listing) performers I've ever heard. Okay, besides the unconventional album motif, this band successfully transmigrate classic styles into its modish repertoire. With nods to early Soft ...

23

Article: Album Review

Dave Burrell / Steve Swell: Turning Point

Read "Turning Point" reviewed by Glenn Astarita


Distinguished jazz and improvisation artists, pianist Dave Burrell and trombonist Steve Swell have crafted one of the most exciting and unique duo presentations I've heard in quite some time. The album moniker Turning Point is the third in a series of five suites honoring the individuals and events of the American Civil War. Here, Burrell ruminates ...

36

Article: Film Review

Rockin' The Wall: How Music Ripped The Iron Curtain

Read "Rockin' The Wall: How Music Ripped The Iron Curtain" reviewed by Glenn Astarita


Various Aritsts Rockin' The Wall: How Music Ripped The Iron Curtain The Video Project 2014 This documentary focuses on the connotations of freedom and innate power of rock music, and its role in bringing down the Iron Curtain. Nonetheless, it's an intriguing history lesson for baby boomers and more importantly, Generation ...

24

Article: Album Review

Giovanni di Domenico - Alexandra Grimal: Chergui

Read "Chergui" reviewed by Glenn Astarita


These duets by like-minded improvisers, Giovanni di Domenico (piano) and Alexandra Grimal (saxophones) were recorded over two-nights at a Paris theater, radiating classical recital hall-like sonic characteristics. Overall, these two-discs spotlight the artists' symmetrical encounters and intuitive dialogues, spanning core improvisational aspects, nouveau classical applications and jazzy choruses. Nonetheless, the musicians dig deep while interrogating each ...

26

Article: Album Review

Mihaly Borbely Quartet: Hungarian Jazz Rhapsody

Read "Hungarian Jazz Rhapsody" reviewed by Glenn Astarita


Hungarian jazz doesn't receive same the level of attention as Western Europe and Scandinavia. Other than acclaimed jazz guitar legends, Gabor Szabo and Attila Zoller, there haven't been many household names within this idiom. Yet the BMC Records label has been a catalyst by producing gifted progressive jazz artists, such as the Dresch Quartet, and here, ...


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