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Mike Melito: The Right Time

by Dan Bilawsky
When the word predictable" shows up in music reviews, it's often wrongly viewed as the kiss of death. Somewhere along the way, defying expectations" or charting new territory" have become the quickest way to gain recognition, but the tried-and-true shouldn't be sold short. On The Right Time, veteran drummer Mike Melito and his band deliver a ...
Enter the "Gigi Gryce - Doin' the Gigi" Giveaway at All About Jazz!

All About Jazz members are invited to enter the Uptown Gigi GryceDoin' the Gigi giveaway contest starting today. We'll select FIVE winners at the conclusion of the contest on October 11th. Click here to enter the contest (Following Gigi Gryce at AAJ automatically enters you in the contest.) Good luck! Your Friends at Uptown ...
Gold Medalists Abound at Big Band Olympics
by Jack Bowers
As this is being written, Betty and I are just back from a ten-day visit to California, the first six days of which would be of absolutely no interest to readers of this column. The last four, however, were spent at the Los Angeles Airport Marriott Hotel attending the L.A. Jazz Institute's Big Band Olympics," which ...
Thelonious Monk: Monk's Music

by Chris May
Many albums in the Original Jazz Classics reissue series include alternate takes or tracks recorded for, but ultimately not included on, the original vinyl LP. The label's 2011 Remasters edition of pianist Thelonious Monk's Monk's Music (Riverside, 1957) is no exception--but is something of a first, in that Blues For Tomorrow," the 13:33 minute bonus track, ...
Marc Copland: Crosstalk

by Troy Collins
Pianist Marc Copland is widely admired for his harmonically astute writing, imaginative interpretations of standards, and sensitivity as a sophisticated soloist. The aesthetic foundation of Copland's expressionistic style can be traced to the poetic lyricism of Bill Evans and Keith Jarrett, and though the same could be said of many contemporary pianists, Copland's singular approach to ...
Marc Copland: Crosstalk

by Dan McClenaghan
Rather than form a longstanding band that can soak up his musical vision over a period of years, pianist Marc Copland thrives in a universe of rotating players that keeps things fresh and spontaneous. On his three outstanding New York Trio Recordings, Copland switched bassists (Gary Peacock, Drew Gress) and drummers (Paul Motian, Bill Stewart), versatile ...
12th Annual Central Brooklyn Jazz Festival
12th Annual Central Brooklyn Jazz FestivalIt's All Jazz, April 1- 30, 2011 presented by the Central Brooklyn Jazz Consortium/CBJC at venues from Coney Island to Williamsburg in Brooklyn. This celebration is New York City's longest continually running grass roots festival dedicated to Jazz. The presentation offers more than 30 events on 23 days with over 100 ...
Marc Copland: Crosstalk

by John Kelman
After spending the early part of the 2000s in a recording spree that found him releasing as many as four albums each year on a variety of labels, Marc Copland has, since 2006, parked his piano with Germany's upstart Pirouet label. It's clearly been a fruitful pairing, with Copland releasing a variety of albums, in 2009 ...
Dmitry Baevsky: Down With It

by David A. Orthmann
As jazz moves in many different directions and breaks free from the all too familiar and readily categorized sounds of its first century, how does an artist make bebop sound like something other than an exercise in nostalgia or an academic pursuit? In the hands of the thirty-four year-old alto saxophonist Dmitry Baevsky, bop is still ...
Robert Levin: The War is Over - A Conversation About Jazz

by AAJ Staff
[Editor's Note: Interview conducted by Eleanor Brietel, New York Editor of The Drill Press. Most of this interview, originally published on the Buzzle website, was conducted via email.] Eleanor Brietel: You've published fiction and you also write essays on a variety of subjects. I want, however, to confine this discussion to your ...