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Verve Originals: Gato Barbieri / Paul Desmond / Gerry Mulligan / Wes Montgomery

by Chris May
Verve's admirable, no frills, reissue series, Originals," includes a mixture of masterpieces and also-rans from its own and its associated labels' archives. This trio of albums from the September 2009 batch includes one near masterpiece, saxophonist Gato Barbieri's Chapter Three: Viva Emiliano Zapata; an outstanding blowing session, saxophonists Gerry Mulligan and Paul Desmond's Blues In Time; ...
"Birth of the Cool:" Bob Perkins Lectures and the Don Wilson Trio Performs

by Victor L. Schermer
Birth of the CoolPerformed by The Don Wilson TrioLecture by Bob PerkinsOctober 25, 2009The Pennsylvania Academy of the Fine ArtsPhiladelphia, PA This writer could think of no better way to spend an autumn Sunday afternoon than to stroll over to the fabled Pennsylvania Academy of Fine Arts ...
Salute to Stan Kenton: Artistry in Contrast

by Jack Bowers
Artistry in Rhythm, the Ken Poston / Los Angeles Jazz Institute's 2009 homage to the renowned bandleader Stan Kenton, was held October 8-11 at the Sheraton LAX Four Points Hotel. As always, there was much to see, hear and admire: films, panel discussions, special presentations and, last but not least, no fewer than nineteen concerts by ...
Bobby Bradford: Self-Determination in the Great Basin

by Clifford Allen
Born in Cleveland, Mississippi in 1934 and raised between Dallas and Los Angeles, trumpeter Bobby Bradford began playing with Ornette Coleman in Los Angeles in the 1950s, and replaced Don Cherry in an unrecorded Coleman quartet during the early 1960s. However, the most significant partnership in Bradford's musical life was with the clarinetist and composer John ...
Claudio Roditi: A Brazilian in Iowa

by Victor Verney
Watching trumpeter Claudio Roditi lead some unfamiliar sidemen through an afternoon rehearsal prior to an evening performance provided a good look at something not readily apparent at concerts. While the audience at that night's show in Ottumwa, Iowa saw Roditi's talents as a player and improviser (and even singer) displayed, most concertgoers could only have a ...
The Story Of Jazz Saxophone

by AAJ Staff
For some, the saxophone is the sound of jazz. The unique fusion of brass and woodwind that is the sax found an electrifying vibrato in the hands of jazzmen that truly changed the world. The pale pure" tone of the instrument, as first used in classical compositions, vanished in a musical blast of slurs ( Coleman ...
Deck the Halls with Big Band Carols
by Jack Bowers
With the holiday season on track and hastening toward us like a runaway locomotive, it's time once again to hunker down and prepare for the annual onslaught of Rudolph," Frosty the Snowman," I Saw Mommy Kissing Santa Claus," Sleigh Ride," Silver Bells," chestnuts roasting on an open fire and everyone's perennial favorite, White Christmas." Not to ...
Chuck Owen & the Jazz Surge / Swiss Jazz Orchestra / The Aggregation

by Jack Bowers
Chuck Owen & the Jazz Surge The Comet's Tail MAMA Records 2009 On The Comet's Tail, Chuck Owen's superb Florida-based Jazz Surge performs the compositions--yes, compositions--of the late great tenor saxophonist Michael Brecker. As Owen writes in the liner notes, [Michael's] blinding brilliance as a performer / improviser...may ...
The Matt Wilson Quartet: That's Gonna Leave A Mark

by George Kanzler
A drummer whose creativity, drive, dedication and infectious joy have garnered him high honors from fellow musicians and critics alike, Matt Wilson is also a perspicacious and activist bandleader. The Matt Wilson Quartet--alto and tenor saxophones doubling clarinets, bass and drums--is raucous, rambunctious and high energy. Among piano-less quartets, it's more in the tradition of Ornette ...
Gary Smulyan: Low Man Aims High

by Edward Bride
A baritone saxophonist who plays like Bird? And harvests more than a half-dozen Grammy awards in the process? That seeming contradiction characterizes the great successes of Gary Smulyan, one of today's most in-demand jazz performers, educators, and recording artists. To be fair, Smulyan has his own voice, but he cites Charlie Parker ...