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Results for "George Lewis"
Do the Jazz Shuffle
by Ludovico Granvassu
This week we have have decided to do the jazz shuffle, and by shuffle we don't mean the jazz rhythm, but the feature that allows to play anything on a hard-drive in a randomized order. A perfect approach to revel through unexpected pairings, daring juxtapositions and accidental non sequiturs. After all if one ...
Sensaround: Heart/Noise
by Karl Ackermann
Sensaround is an electro-acoustic trio of Australian and Scottish lineage, co-led by the familiar names of Alister Spence and Raymond MacDonald and the less recognized Shoeb Ahmed. Heart/Noise is the group's third release following the 2014 Isotropes (hellosQuare recordings). The music defies categorization, combining--as the musicians describe it--"jazz ambience, ghostly dub, and post-punk experiments...." It is ...
The Creative Musicians Improvisers Forum: New Haven's AACM
by Daniel Barbiero
The late 1960s through the 1970s and '80s were difficult years for jazz and jazz-derived improvised music, but they were also years that saw musicians—by necessity—respond to these difficulties with creative solutions. With first the rise and then the commercial dominance during those years of rock music and the corresponding eclipse of jazz, creative musicians in ...
Dixieland Revival – A Sense of History (1939 - 1955)
by Russell Perry
In the 1940's, some twenty-five to thirty years into the history of recorded jazz, the sometimes violent reaction against the bebop revolution caused a hard look into the rear view and the jazz world focused on its own history. Many of the players who led the first jazz revolution were still alive, ready for prime time, ...
AACM Great Black Music Ensemble: Live at The Currency Exchange, Volume 1
by Mark Corroto
A Power Stronger Than Itself (The University of Chicago press) is the title of George Lewis' history of the AACM (Association for the Advancement of Creative Musicians). Published in 2008, its 676 pages tell the story of the first 43 years of the Chicago South Side collective that gave birth to musicians like Henry Threadgill, Wadada ...
Henry Threadgill: la sintesi e gli specchi
by Giuseppe Segala
Il settembre 2017 è stato per Henry Threadgill un mese di intensa vendemmia discografica: nel giro di pochi giorni, dal 24 al 27, il compositore e polistrumentista è entrato nello studio Water Music, New Jersey, con due formazioni diverse ma per molti versi complementari, e una bella mole di materiale. Uno dei due organici, denominato Double ...
Tyshawn Sorey: Pillars
by Giuseppe Segala
Inizia con una rullata. Fitta, uniforme ma chiara, ricca di risonanze. Lunga: solo verso la fine, dopo quasi quattro minuti, accenna un aumento dell'intensità e si ferma sul silenzio. Chiave o forziere ermeticamente chiuso? Così l'esordio del primo dei tre CD che compongono Pillars, lavoro impegnativo sia per chi ascolta che per chi lo ha prodotto, ...
Gerry Mulligan, Adam Price & More
by Joe Dimino
This week we begin with a profile of a the fresh jazz sounds out of the United Kingdom with The Beats and Pieces Big Band featuring the group's leader Ben Cottrell off their latest commemorative CD simply entitled Ten. It celebrates a full decade of their groundbreaking jazz groove. The hour continues with a mincing of ...
(Not So) Standards
by Ludovico Granvassu
For decades jazz standards have provided improvisers with both a vehicle and a testing ground for their creativity. In some cases they have taken more liberties than others. This week we focus on not-so-standard renditions of jazz standards, from “Take Five" to “My Favorite Things," from “Mood Indigo" to “'Round Midnight," two hours of jazz played ...
Poetry and Jazz: A Chronology
by Duncan Heining
My intention here is to offer a detailed but inevitably incomplete chronology of poetry and jazz. The focus is solely on the combination of the two art forms in performance, not on poetry about jazz or jazz musicians or poetry inspired by jazz but not performed to music. My definition of 'poetry' is fairly broad and ...
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