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Article: Album Review

Olga Konkova & Jens Thoresen: Old Songs

Read "Old Songs" reviewed by Geno Thackara


Olga Konkova and Jens Thoresen seemingly can't sit down for a chat without something beautiful coming out. Each has a mellifluous touch on their instrument, but their eloquent back-and-forth chemistry is the bigger part of what makes their duo recordings special. Following on from the holiday collection December Songs (Losen, 2016), the pair sticks to the ...

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Article: Album Review

Security Project: Contact

Read "Contact" reviewed by Geno Thackara


It's impossible to describe an outfit like the Security Project without that troublesome (if not entirely inaccurate) phrase “tribute band" popping up, complete with the inevitable baggage that term implies. It's usually reserved for countless local-level acts that entertain bar crowds with predictable staples on any given weekend, sure, but this group shoots for something much ...

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Article: Album Review

Tim Armacost: Time Being

Read "Time Being" reviewed by Geno Thackara


From the initial trotting bass solo smoothly segueing into a toe-tapping slice of timeless bop, Time Being's opening jaunt makes an introduction fascinatingly tricky and inviting. Those familiar with the wide-ranging saxophonist Tim Armacost, however, know he's got much more still up his sleeve--and that no matter how complicated things get, they'll stay listenable and accessible ...

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Article: Multiple Reviews

Two Sides of John Wetton

Read "Two Sides of John Wetton" reviewed by Geno Thackara


If there's one thing listeners and fans associate most with John Wetton, it's that voice. That's not to dismiss his roles as bassist and songwriter, however, which were also reasons his presence in U.K., Asia and early-1970s King Crimson had such an impact in the world of rock, progressive and otherwise. Since his passing in January ...

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Article: Multiple Reviews

A Sense of Place

Read "A Sense of Place" reviewed by Geno Thackara


Music itself may be universal, but the circumstances of its birthplace (or places) so often aren't. Overt or otherwise, it can be fascinating how those factors don't just shape a recording, but become vital elements in themselves. Yukari Synchronic QFTF 2017 There's no place like home ...

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Article: Album Review

Anat Cohen Tentet: Happy Song

Read "Happy Song" reviewed by Geno Thackara


In his fascinating autobiography, Miles Davis once said that Gil Evans would call him on the phone now and then just to share a quick thought--you know, the kind of thing some people used to do before these random impulses were relegated to texts or Tweets. His classic example was a 3AM call where his longtime ...

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Article: Album Review

Luca Aquino: Aqustico vol 2

Read "Aqustico vol 2" reviewed by Geno Thackara


Luca Aquino is the kind of player who doesn't just look at or study an instrument, but at some point has to ask “and what else can it do?" His innate feel for the sound of the trumpet gives him a warm natural tone, though his career has included plenty of experimentation in processing its sound ...

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Article: Album Review

Nika Project: Elusive

Read "Elusive" reviewed by Geno Thackara


When Veronika Griesslehner opens her mouth, you can hear an impressive weight of experience to go with such a young voice. She doesn't try or claim to approach the worldly depths of an Ella Fitzgerald or a Nina Simone and doesn't have to--the similarities in sound here are impressionistic rather than imitative, but those classic divas ...

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Article: Album Review

Mark Guiliana: Jersey

Read "Jersey" reviewed by Geno Thackara


With an all-encompassing style that keeps him in high demand throughout the jazz world and beyond, perhaps it's unsurprising (if unfortunate) that Mark Guiliana boasts only a handful of titles to his own name. The middle of the 2010s saw him drumming in sessions with Dave Douglas or Avishai Cohen (among others) to briefly subbing with ...

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Article: Album Review

Tubis Trio: The Truth

Read "The Truth" reviewed by Geno Thackara


A title such as The Truth may seem like some kind of commentary or bold statement in what's strangely referred to as the post-truth era, though Maciej Tubis and his cohorts thankfully don't bring any such weighty baggage to their first studio date (following two live releases with slightly different lineups). “In the end, you need ...


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