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Ivo Perelman, Matthew Shipp, and the Buddha walk in to a bar...
by Mark Corroto
Ivo Perelman / Matthew Shipp The Art Of Perelman-Shipp Leo Records 2017 If you are looking for reviews of the seven new discs Ivo Perelman and Matthew Shipp released on Leo Records, you won't find them here. You probably won't find a proper review of the music elsewhere either, but ...
Hanging Hearts: Into A Myth
by Roger Farbey
Hanging Hearts pack quite a punch for a trio, a bass-less trio at that. Saxophonist Chris Weller takes the lead on “Return Of Saturn" with guttural tenor, after which an anthemic ensemble melody is established. There's a real sense of jazz rock here, but undoubtedly erring on the side of jazz. Cole DeGenova establishes a keyboard ...
The Politics of Dancing: Jazz and Protest, Part 2
by Karl Ackermann
Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...
The Black Butterflies: Luisa
by Matt Marshall
On their two previous releases, 1 de Mayo (2010) and Rainbows for Ramon (2012), The Black Butterflies built soulful, searching jazz with dense, kinetic layers of Latin and African rhythms. Using both group improvisation and individual statements, they freely, yet unhurriedly, explored the boundaries of their music, often lingering in spots to let the tonal palette ...
Jazz Education: The Next Generation, Part 2
by Karl Ackermann
Part 1 of Jazz Education: The Next Generation explored how the early days of music and--specifically--jazz music was approached through various channels of formal education. The long, arduous process of creating an accepting environment for jazz education necessitated moving the art form from a vaudevillian status through a firewall of academic elitism and prejudice to a ...
Howard Johnson Celebrates His 75th With New CD And Concert At The Jazz Museum In Harlem on Sunday, January 29th at 2:30pm
Sun, January 29, 2017 2:30 PM- 5:00 PM EST The National Jazz Museum in Harlem 58 West 129th Street New York, NY 10027 Featuring: Howard Johnson: baritone saxophone, tuba, penny whistle; Yayoi Ikawa: piano; Melissa Slocum: bass; Newman Taylor Baker: drums. Testimony includes eight tunes ranging from soulful to funky ...
Meet Luis Torregrosa
by Tessa Souter and Andrea Wolper
Dr. Luis Torregrosa has been a Super Fan for as long as he can remember; you could even say his love of music is no less than a calling. Based in Trenton, MI (our first Super Fan outside of New York!), Luis has spent the last 45 years of his life not only enjoying the music ...
Charlie Haden Liberation Music Orchestra: Time / Life
by Giuseppe Segala
Due anni dopo la scomparsa di Charlie Haden si pubblica questo ultimo documento della sua Liberation Music Orchestra, un lavoro che il compianto contrabbassista progettò ma che non ebbe modo di portare a compiuta realizzazione. Vessillo del suo impegno civile e umano, l'orchestra era nata nel 1969 raccogliendo una pletora di musicisti straordinari, molti dei quali ...
Randy Kaye Quintet: Brooklyn 1967, May 24th
by Alberto Bazzurro
Ha abbastanza dell'incredibile il destino di queste matrici: registrate, verosimilmente per finire su un doppio LP, nella primavera 1967, in studio, con materiale di sicuro interesse e adeguata resa fonica, sono rimaste invece nel fatidico cassetto (o scaffale che dir si voglia) per quasi mezzo secolo, uscendo a otto anni (nessun anniversario particolare, quindi) dalla morte ...
Words and Music: Why Liner Notes Matter
by Jakob Baekgaard
It is said that we live in The Information Age, but perhaps, it would be more correct to say that we live in the Age of Too Much Information. If there is something you are looking for, you can often find it on the Internet, but the question is whether it is quantity rather than quality. ...
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