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35

Article: Extended Analysis

Woodstock—Back to the Garden: 50th Anniversary Experience

Read "Woodstock—Back to the Garden: 50th Anniversary Experience" reviewed by John Kelman


First things first. For all but the most committed of fans, knowledge of what transpired, how it transpired and when it transpired at the now-legendary 1969 Woodstock Music & Arts Fair has, despite a variety of initial, 25th and 40th Anniversary audio and video releases, been severely limited. As engaging, entertaining and well-constructed as these various ...

47

Article: Radio & Podcasts

Listeners' Favorites

Read "Listeners' Favorites" reviewed by Marc Cohn


The number of the day is 5 (as in Show 385), which means it's time for listeners' favorites—the tunes that moved you from Gifts & Messages (Shows 371-380). Some old, some more recent. Enjoy the ride (it's granulated), and thanks for your comments and your ears.Thanks to our most active listeners of the week ...

News: Interview

Gary Burton on Larry Bunker

Gary Burton on Larry Bunker

As one of Hollywood's most in-demand percussionists, Larry Bunker recorded hundreds of jazz and soundtrack albums. But always as a sideman. Remarkably, Bunker recorded just one album as a leader: Larry Bunker Quartette: Live at Shelly's Manne-Hole, in December 1963. Recorded first and then picked up by the Vault label in Los Angeles in 1965, the ...

11

Article: Album Review

Adam Berenson / Scott Barnum: Stringent and Sempiternal

Read "Stringent and Sempiternal" reviewed by Karl Ackermann


Pianist and composer Adam Berenson and bassist Scott Barnum have been working as a duo for more than a decade. Two years ago, on Introverted Cultures (Dream Play Records, 2017), they were joined by guitarist Eric Hofbauer on a double-CD set of improvised pieces. Back as a duo formation on Stringent and Sempiternal, the pair offer ...

25

Article: Live Review

Festival International de Jazz de Montréal 2019

Read "Festival International de Jazz de Montréal 2019" reviewed by John Kelman


Festival International de Jazz de Montréal Various Venues Montréal, Canada June 27 -July 1, 2019 Forty years. Not a lifetime, perhaps, but a remarkably long time for any festival to not only continue to exist but, despite increasing challenges, to thrive. An even greater achievement when it's the Festival International de ...

16

Article: Live Review

2019 Pittsburgh International Jazz Festival

Read "2019 Pittsburgh International Jazz Festival" reviewed by C. Andrew Hovan


2019 Pittsburgh International Jazz Festival Pittsburgh, PA June 20-23, 2019 Now in its ninth year, the Pittsburgh International Jazz Festival continues to grow and prosper as one of the country's best jazz festivals. Tied to the efforts of the city's August Wilson African American Cultural Center, the festival continues to prosper under ...

31

Article: Under the Radar

Experimentalists: Talking with Adam Berenson, Dana Jessen, and Abdul Moimême

Read "Experimentalists: Talking with Adam Berenson, Dana Jessen, and Abdul Moimême" reviewed by Karl Ackermann


The newly opened Théatre des Champs-Elysées was sold out on the night of May 29, 1913. The well-heeled Parisian audience had come to enjoy the much-anticipated premiere of Igor Stravinsky's “Rite of Spring" which featured the choreography of the acclaimed Russian ballet dancer Vaslav Nijinsky. Some accounts of what transpired that night appear to be exaggerated. ...

51

Article: Radio & Podcasts

Bob Dorough: NEA Jazz Master & More

Read "Bob Dorough: NEA Jazz Master & More" reviewed by Marc Cohn


We salute the late Bob Dorough, play a game, celebrate Newk with Miles from 1954, and have Tatum and Bud face off on “Yesterdays." There's recent music and a few gems from the vault, too. Enjoy the show. Playlist Carl Allen, Rodney Whitaker “What's Going On" from Work To Do (Mack Avenue) 00:00 Jeff ...

12

Article: Album Review

Martin Fabricius Trio: Under The Same Sky

Read "Under The Same Sky" reviewed by Chris May


The vibraphone has come a long way—technically and aesthetically—since Lionel Hampton used it in a short, improvised introduction to Louis Armstrong's “Confessin,'" recorded with Les Hite's band in 1930. Back then, it was regarded primarily as a percussion instrument, and it is still categorized as tuned-percussion in the classical music world. Hampton was the first musician ...

2

Article: Album Review

Miguel Gorodi: Apophenia

Read "Apophenia" reviewed by Roger Farbey


As a youngster, Miguel Gorodi led something of a nomadic existence. He was born in Spain in 1990 but was then raised in Saudi Arabia and Thailand before moving to England in 2006. In his mid-teens he won a scholarship to study music at Wells Cathedral School and two years later received a place at London's ...


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