Home » Search Center » Results: Fresh Sound New Talent
Results for "Fresh Sound New Talent"
Francisco Pais Quintet: Not Afraid Of Color
by Mark F. Turner
Instead of going for the typical chops-laden style that marks most releases, Portuguese guitarist Francisco Pais takes a more relaxed approach with Not Afraid of Color. Backed by a sure-fire quartet featuring saxophonist Chris Cheek and pianist Leo Genovese, his music is easy on the ears but also provides cerebral enjoyment. Pais' compositional skills combine elements ...
Samo Salamon Quartet: Two Hours
by Paul Olson
Next time you find yourself underwhelmed by a jazz recording on an indie jazz label, it might be entirely the fault of the artist--some people make bad records, after all. That said, the whole system might be the culprit: small labels offer musicians opportunities to do sessions, but don't (and usually can't) give them what they ...
Samo Salamon Quartet: Two Hours
by David Miller
Samo Salamon is a master guitarist. His chops go unchallenged; at any moment he could play any note or chord on the instrument. That said, Two Hours is a disappointment. Salamon and his bandmates (Tony Malaby, tenor sax; Mark Helias, bass; Tom Rainey, drums) fall victim to two of the biggest traps in jazz: sub-par songwriting ...
Sam Bardfeld: Periodic Trespasses
by Robert R. Calder
Vibes, bass and drums make an interestingly different rhythm section, one that Bobby Hutcherson long ago used to help jazz musicians reach new places without exiling them from their origins. One musician the master vibraphonist helped was Eric Dolphy, who is mentioned in this set's notes. Quite right, there is some Dolphy in Sam Bardfeld, who ...
Samo Salamon Quartet: Two Hours
by John Kelman
Sometimes two hours is enough. Groups like Oregon and the Dave Holland Quintet have shown the value of developing long-term chemistry, but sometimes the energy of the unexpected can be equally motivating. With the one rehearsal for Two Hours sideswiped by an unexpected grab of the New York rehearsal space for a movie shoot, Slovenian guitarist ...
Ron Horton: Everything In A Dream
by Troy Collins
Like many of his peers, trumpeter/composer Ron Horton is conservatory-trained, with an equitable view of both the classic jazz tradition and the structural innovations of post-war free jazz. Epitomizing the new face of the creative mainstream, Horton is equal parts swinging hard bop stylist, modern classicist and exploratory avant gardist. All these facets appear on Everything ...
Walter Smith III: Casually Introducing Walter Smith III
by Mark F. Turner
Walter Smith III, a striking saxophonist, has entered the arena with this promising debut. A rising horn player, he has performed and shared the stage with a variety of musicians, including jazz veterans (Roy Haynes, Ralph Peterson), pop stars (Destiny's Child, Lauren Hill), and contemporary jazz luminaries (Terence Blanchard, Jason Moran). Like recordings ...
Samo Salamon: Two Hours
by Chris May
Slovenian guitarist Samo Salamon has generated a good degree of heat over the last couple of years, first with his self-published '03 album Ornethology, then with last year's Ela's Dream. Both discs suggested the emergence of a young guitarist well on the way to finding a distinctive personal voice. The early promise is fulfilled on Two ...
Sam Bardfeld: Periodic Trespasses (The Saul Cycle)
by John Kelman
Ask most artists and they'll tell you their albums tell a story. The idea of musical narrative is nothing new--listen to any ECM disc, where emotional arcs often transcend any collection of discrete pieces. Rare, however, are the recordings where there's an all-encompassing theme. Rarer still are those that tell a specific and self-contained story. Percussionist ...
Sam Bardfeld: Periodic Trespasses (The Saul Cycle)
by A. Henkin
With his second release as a leader (and first for Fresh Sound), violinist Sam Bardfeld presents an album full of modern Jewish intellectual reflection, as practiced by such diverse artists as Saul Bellow and Woody Allen, but couched in terms owing more of a debt to Frank Zappa's Joe's Garage. But given those ...
