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Art Blakey And His Jazz Messengers: Art Blakey And The Jazz Messengers Strasbourg 82
by Jack Kenny
This album captures a special concert and a pivotal moment in the history of Art Blakey and the Jazz Messengers. It documents the re--formation of the band following the departure of trumpet player Wynton Marsalisand saxophonist Branford Marsalis. The new recruits--trumpeter Terence Blanchard and alto saxophonist Donald Harrison--were eager to prove their abilities, injecting the band ...
David Sneider: Introducing David Sneider
by Jack Bowers
What better way to introduce young trumpeter David Sneider than with one of his half-dozen buoyant new compositions, “Marvelous-Lee," the opening number on Sneider's congenial debut recording. That delightful salute to fellow trumpeter Lee Morgan also introduces one of Sneider's two front-line partners, tenor saxophonist Jacob Chung, and the ensemble's able rhythm section: pianist Tyler Henderson, ...
Music from the Branford Marsalis Quartet, Belgian trombonist Nabou Claerhout, Omar Sosa's latest
by Hobart Taylor
A Solstice Meditation with the Branford Marsalis Quartet Plus New Tunes from Nabou, Omar Sosa, the Kate Wyatt Trio and a Resurrected Live Performance from Freddie Hubbard. Playlist Host Speaks 00:00 Nabou “Flux Bloom" from Indigo (Edition) 00:20 Jakob Bro /Wadada Leo Smith/Marcus Gilmore “Imagine the Fire and Flames that Lights Up the Light ...
Jack Kenny's Best Jazz Albums Of 2025
by Jack Kenny
A year is an arbitrary time. The list is chronological by how they came to me. The albums that still stand out are Bone Bells (Pyroclastic Records) by Sylvie Courvoisier and Mary Halvorson and the sheer professional expertise of Jed Levy Faces and Places (Self Produced). Both albums, in their different ways, exude creativity and joy. ...
Remembering Jack DeJohnette: His Musicianship and Legacy
by David W. Daniels
A show in tribute to the contributions to jazz of the late drummer/keyboardist/composer Jack DeJohnette. Music by Mr. DeJohnette with other musicians including Geri Allen, Keith Jarrett, John Abercrombie, Jan Hammer, and more. Music from the groups Gateway, Compost, and the Charles Lloyd Quartet, with whom he performed.Playlist Charles Lloyd “Sombrero Sam" from Dream ...
Carlos Garnett: Cosmos Nucleus
by Pierre Giroux
When Cosmos Nucleus first appeared in 1976 on Muse Records, it was the kind of album that seemed to evoke various idioms. It was a bold statement that drew strength from jazz's spiritual core while speaking in the electrified dialect of funk and fusion. Tenor saxophonist Carlos Garnett, a Panamanian-born firebrand who had sharpened his skills ...
Todd Herbert: Captain Hubs
by Jack Bowers
After listening closely to Captain Hubs, Illinois-bred, New York-based tenor saxophonist Todd Herbert's fourth album as leader of his own groups, one question immediately springs to mind: why is this man not scoring high in any polls? Herbert is quite clearly the equal of those who are. Winning polls, that is. Technically, he is a monster; ...
The "Jazz Detective" Finds A New Muse, Reissues Lost Classics
by Joshua Weiner
Joe Fields (1929-2017) was a jazz producer and record executive who worked for Columbia, MGM, Verve, and, most impactfully, at Prestige in the 1950s and 1960s. Shortly after Prestige was sold to Fantasy in 1971, ending a classic era for the storied label, Fields founded Muse Records to document the next phase in jazz. Muse brought ...
The Cookers At Miner Auditorium
by Steven Roby
The Cookers Miner Auditorium San Francisco, California October 16, 2025 Some bands chase heat; The Cookers shape it--transforming velocity into design and treating their repertoire as a living lab for risk. On this night at Miner Auditorium, the seven-piece did not rely on memory. They played in the present tense, with ...
Kenny Barron: Sunset To Dawn
by Pierre Giroux
The reissue of Kenny Barron's debut album Sunset To Dawn by Time Traveler Recordings invites listeners to revisit the moment when one of jazz's most lyrical and refined stylists first stepped into the spotlight as a leader. Initially recorded in 1973 for Muse Records, this session now appears as a limited-edition 180-gram LP, delivering a warm, ...
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