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Tom Lawton: Not Less Than Everything
by Victor L. Schermer
Not known, because not looked for But heard, half-heard, in the stillness Between two waves of the sea. Quick now, here, now, always-- A condition of complete simplicity (Costing not less than everything) --T.S. Eliot, Four Quartets; “Little Gidding" This poetic quotation ...
Eddie Daniels: 'Sings' Ivan Lins
by R.J. DeLuke
Eddie Daniels, one of the finest of clarinetists during his decades in jazz, is still an active, curious, exploring musician. He welcomes new things. His latest album, Night Kisses: A Tribute to Ivan Lins (Resonance Records), set to be released at the end of July, represents something new for him. Music is an art ...
Catalina Jazz Club: Landmark Jazz Haven Forges Onward
by Jim Worsley
While west-coasters long to go to the Blue Note in New York City, east-coasters have their sights set on the Catalina Jazz Club in Hollywood. The family-owned and operated jazz hot spot has seen and heard from all the jazz legends over the past thirty-four years. The supper club has fine dining and even finer up ...
Prestige Records: An Alternative Top 20 Albums
by Chris May
Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...
Etuk Ubong: Africa Today
by Chris May
Lagos-based Etuk Ubong is part of a long line of fiery, Afrobeat-rooted, hard bop-influenced trumpeters which stretches back to Tunde Williams, who was in the 1960s a founder member of Fela Kuti's seminal band, Africa 70. Kuti's legacy figures large in Ubong's music, which he styles “earth music" and which is characterised by urgent tempos, powerful ...
Kayle Brecher: Kayleidoscope
by Geannine Reid
Vocalist, composer, and stylist Kaylé Brecher has long been a part of the jazz fabric. A Summa Cum Laude graduate of Temple University with a double major in performance and composition/arranging, Brecher has long been a member of the BMI Jazz Composers' Workshop in New York City. Her private studies include tutelage by Jim McNeely and ...
Riverside Records: An Alternative Top Ten
by Chris May
From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...
Jimmy Cobb: We're Remembering U
by Scott H. Thompson
Drummer Jimmy Cobb was a 91-year old NEA Jazz Master who was (until recently) still playing hard and keeping the groove with his trio consisting of Tadataka Unno on piano and Paolo Benedettini on drums. Remembering U (his 12th album as a leader and first release on his own Jimmy Cobb World label) was released in ...
John Swana: Philly Gumbo
by Victor L. Schermer
From the 1995-2003 archive: This article first appeared at All About Jazz in June 2000. In addition to being one of the finest contemporary jazz trumpet players, John Swana is a human being who is spontaneously authentic and refuses to play a false role. Having reached the ripe old age of 38, John has ...
Take Five with Markus Rutz
by AAJ Staff
Meet Markus Rutz Markus Rutz plays trumpet with bluesy, soulful style and a tone that has been called gorgeous. He composes music from his home base in Chicago, Illinois where he also performs modern jazz. As described by Downbeat's J.D. Considine, with his “big, dark tone and a fluid ease to his phrasing," trumpet player, composer ...
