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Cannonball Adderley: Phenix
by Douglas Payne
Consider how fate portions what it takes and what it gives. Cannonball Adderley's death by stroke in August 1975 robbed music of one of the most distinctive, dynamic and delightful sounds ever known to jazz. But the big man built a considerable and hugely popular musical catalog over three decades and, on the very precipice of ...
Eric Alexander: Man With A Horn
by Douglas Payne
Think of the stunning array of tenor greats buoyed at one time or another by pianist Cedar Walton: John Coltrane, Dexter Gordon, Gene Ammons, Clifford Jordan, Wayne Shorter, Hank Mobley, Joe Henderson, Lucky Thompson, Junior Cook, George Coleman and Stanley Turrentine to name only a few. And these associations take into account neither the considerable number ...
Charles Earland: Intensity
by Douglas Payne
For 1972's Intensity, Charles Earland's fifth of ten Prestige discs, the Mighty Burner seemed to be aiming toward something a little different than his usual collection of soulful tenor-organ jams. The presence of two songs from the rock group Chicago and a small trumpet-dominated horn section indicate that jazz-rock was the goal. The result, the LP's ...
Sonny Rollins: The Complete Prestige Recordings
by Robert Spencer
1999 AFIM Indie Awards (Association for Independent Music) nominee for best Mainstream Jazz recording: Sonny Rollins's Global Warming. Lifetime Achievement Award winner at the Second Annual Jazz Awards, held in New York in mid-June: tenor saxophonist Sonny Rollins. Top tenor saxophonist in Down Beat's 47th annual International Critics Poll: Sonny Rollins. Subject of two forthcoming books: ...
Eric Alexander: Man With A Horn
by Glenn Astarita
A best seller in Japan in 1997, Man With A Horn has recently been released Stateside by the folks at Milestone records. Thirty-year-old tenor saxophonist Eric Alexander shows quite a bit of verve and panache on this release. Alexander’s funk-swing based “Unsung Hero” glowingly demonstrates his sure-fired, well-pronounced phrasing and cleverly stated lyricism through his huge ...
Ella Fitzgerald: Ella Fitzgerald in Budapest
by AAJ Staff
The year is 1970, and Ella is changing. The girlish voice is beginning to fray, and at times a faint rasp sneaks in. It becomes another weapon, giving some words urgency and other words charm. Her repertoire is mostly “modern”, with three tunes from Burt Bacharach. Her brief stay at Reprise Records had stressed such material, ...
Joe Henderson: In Pursuit of Blackness / Black is the Color
by Robert Spencer
Rather famously, Joe Henderson released a series of albums for Milestone in the early Seventies that courted popular acceptance in a variety of ways: most notably, he played modal proto-world music with Alice Coltrane and added an electric piano and other frou-frou to his ensembles in order to catch the fusion crowd. Nothing worked, and these ...
McCoy Tyner (OJC: Focal Point
by Douglas Payne
Although McCoy Tyner recorded with consistent excellence beyond his brilliant and definitive work with John Coltrane, the pianist's Milestone legacy (1972-81) cemented his individual place in the jazz pantheon. Focal Point is a 1976 Milestone date now reissued on OJC that enhances Tyner's then working trio of Charles Fambrough on bass and Eric Gravatt ...
Barney Kessel (OJC: Let's Cook!
by Douglas Payne
A lively, swinging date from 1957 that certainly lives up to its name. Guitarist Barney Kessel fits his perfect trio featuring bassist Leroy Vinnegar and drummer Shelly Manne into one quintet with pianist Hampton Hawes and vibesman Victor Feldman and a sextet with tenor man Ben Webster, pianist Jimmy Rowles and trombonist Frank Rosolino. Over the ...
Red Norvo: Music to Listen to Red Norvo By
by AAJ Staff
In many ways it was the perfect match. Contemporary Records loved the soft sound of “chamber jazz”, and recorded it often. Woodwinds were used for a lush blanket, and many albums had an unlikely feature: a four-movement suite (Bob Cooper recorded one; Shelly Manne had two!) Red Norvo was born elsewhere, but his gentle interplay with ...
