Joe Henderson: In Pursuit of Blackness / Black is the Color

Those assessments may be true, but it's also true that on the Milestone albums, including and perhaps particularly the two gathered on this disc, Joe's playing has lost none of its forthrightness and strength. The tracks have considerable bite: on "Invitation" Henderson dives into a walloping, charging solo such as he has always been capable of delivering, and that's not the only one. "A Shade of Jade," reprised from the Blue Note years, has if anything more insistent energy here.

Woody Shaw, who joins Joe on two live tracks of the first album here, In Pursuit of Blackness, is in tremendous form as well, as is Curtis Fuller, the great trombonist whose mercurial energy graces the other three selections. This album is a great jazz recording, with electric piano, sure - otherwise it could have come out on Blue Note in 1964.

The second album, Black is the Color, was recorded a year later and is more given over to the electric jazz fusion sound of the day. It, however, lacks the dynamic soloing partners Joe has on the first album, and is rather more percussion-heavy, with Jack DeJohnette joined by Airto Moreira and Ralph McDonald. The standout tracks here are the title track and the opening "Terra Firma," which establishes a heavy Milesian electric groove over which Henderson solos with as much imagination and sheer power as ever, and a surprising tendency to multiphonic extremes.

All in all, great playing by Joe Henderson, on two unjustly overlooked albums. Thanks to Fantasy for filling out the program by putting them together.

Track listing: No Me Esqueca / Invitation / A Shade of Jade / Gazelle / Mind Over Matter / Terra Firma / Vis-à-vis / Foregone Conclusion / Black is the Color (of My True Love's Mind) / Current Events

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