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Article: Extended Analysis

Now's the time III: The best in contemporary jazz from France and [tax haven] Luxembourg

Read "Now's the time III: The best in contemporary jazz from France and [tax haven] Luxembourg" reviewed by John Ephland


Every. One. Of. These. Tracks. Is. A. Keeper. To be swept up in a fervor when listening to music (always an unexpected pleasure) and finding it next to impossible not to write about the experience--during as well as after--is the dream all music journalists crave and celebrate every time they find themselves returning to that zone. ...

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Article: Extended Analysis

U2: Songs of Innocence Deluxe Edition

Read "U2: Songs of Innocence Deluxe Edition" reviewed by Doug Collette


Given the controversy that arose around the unilateral download of U2's Songs of Innocence, it's either brave, foolish or greedy to see the issue of the album in various physical forms in such short order. Yet the group confounds even further in the way they can, when playing and singing, leave behind the posing, pomposity and ...

6

Article: Extended Analysis

Garcia Live Volume Five: Keystone Berkeley December 31, 1975

Read "Garcia Live Volume Five: Keystone Berkeley December 31, 1975" reviewed by Doug Collette


Garcia Live Volume Five begins appropriately and propitiously enough as the band slowly, inexorably coalesces around the changes of chuck Berry's “Let It Rock," weaving an insinuating rhythm and melody mix that becomes proportionately more dramatic as the leader of the band begins to sing, seeming off-mike (or perhaps he's just not turned up?), at which ...

9

Article: Extended Analysis

Wayne Horvitz/The Royal Room Collective Music Ensemble: At The Reception, Wayne Horvitz: 55: Music And Dance In Concrete

Read "Wayne Horvitz/The Royal Room Collective Music Ensemble: At The Reception, Wayne Horvitz: 55: Music And Dance In Concrete" reviewed by John Ephland


Wayne Horvitz is a musical universe unto himself. Has been for well over 35 years. And it's not just his stick-to-it-ive-ness that continues to make his music so damn engaging, a contrariness redefined. Consider these two recent releases as prime examples. The composer/bandleader/keyboardist (who turns 60 in 2015) has a musical history that just might grab ...

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Article: Extended Analysis

Keith Jarrett/Charlie Haden/Paul Motian: Hamburg '72

Read "Keith Jarrett/Charlie Haden/Paul Motian: Hamburg '72" reviewed by John Kelman


With Sleeper: Tokyo, April 16, 1979 (2012) and Magico: Carta de Amor (2012), ECM Records began digging into its archives, unearthing two live recordings that revealed even more about a collection of artists whose reputations were already plenty secure as some of the label's most important from its early years--in the first case, pianist Keith Jarrett's ...

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Article: Extended Analysis

Dylan Howe: Subterranean (New Designs on Bowie's Berlin)

Read "Dylan Howe: Subterranean (New Designs on Bowie's Berlin)" reviewed by Phil Barnes


Jazz musicians love the tribute album, perhaps more than the listeners who receive them. That opportunity to suggest affiliation, tapping into an already established audience can be tempting and a useful much needed marketing tool as industry-wide sales collapse. But really there is no reason why a tribute can't work -do it with love, for the ...

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Article: Extended Analysis

Daniel Lanois: Flesh and Machine

Read "Daniel Lanois: Flesh and Machine" reviewed by Nenad Georgievski


Credit should be given where it's due. Producer/musician Daniel Lanois has never been satisfied with just keep churning out the same kind of music for the same kind of audience that swooned over his song based records or the productions he did for other artists. As a true artist he wants to evolve and continuously create ...

8

Article: Extended Analysis

Crosby, Stills, Nash & Young: CSNY 1974

Read "Crosby, Stills, Nash & Young: CSNY 1974" reviewed by Doug Collette


Its multi-foldout package of three CD's, DVD (or Blu-Ray) and a one-hundred eighty-eight page booklet as smartly designed as it is handsome, CSNY 1974 represents a painstaking labor of love on the part of Graham Nash, who supervised the project over a protracted period of time, in collaboration with co-producer Joel Bernstein and engineer Stanley Tajima ...

9

Article: Extended Analysis

Dave's Picks Volume 12 Colgate College 11/4/1977

Read "Dave's Picks Volume 12 Colgate College 11/4/1977" reviewed by Doug Collette


There's much that's distinctive about Dave's Pick's Volume 12, not the least of which are concert notes by the late Dick Latvala on the fold-out insert included in the 3CD digi-pak package. This inclusion in lieu of the customary essay by one esteemed Deadhead or another is particularly appropriate as the latter-day archive series, the followup ...

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Article: Extended Analysis

Pink Floyd: The Endless River

Read "Pink Floyd: The Endless River" reviewed by Nenad Georgievski


In the past several months the world of music has been shaking with sudden announcements and surprising releases by various artists. When Pink Floyd announced that it will be releasing its 15th studio album it seemed like the Earth stopped rotating for a moment. After all, its band members quietly retired this seminal band from active ...


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