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Now's the time III: The best in contemporary jazz from France and [tax haven] Luxembourg
by John Ephland
Every. One. Of. These. Tracks. Is. A. Keeper. To be swept up in a fervor when listening to music (always an unexpected pleasure) and finding it next to impossible not to write about the experience--during as well as after--is the dream all music journalists crave and celebrate every time they find themselves returning to that zone. ...
U2: Songs of Innocence Deluxe Edition
by Doug Collette
Given the controversy that arose around the unilateral download of U2's Songs of Innocence, it's either brave, foolish or greedy to see the issue of the album in various physical forms in such short order. Yet the group confounds even further in the way they can, when playing and singing, leave behind the posing, pomposity and ...
Garcia Live Volume Five: Keystone Berkeley December 31, 1975
by Doug Collette
Garcia Live Volume Five begins appropriately and propitiously enough as the band slowly, inexorably coalesces around the changes of chuck Berry's Let It Rock," weaving an insinuating rhythm and melody mix that becomes proportionately more dramatic as the leader of the band begins to sing, seeming off-mike (or perhaps he's just not turned up?), at which ...
Wayne Horvitz/The Royal Room Collective Music Ensemble: At The Reception, Wayne Horvitz: 55: Music And Dance In Concrete
by John Ephland
Wayne Horvitz is a musical universe unto himself. Has been for well over 35 years. And it's not just his stick-to-it-ive-ness that continues to make his music so damn engaging, a contrariness redefined. Consider these two recent releases as prime examples. The composer/bandleader/keyboardist (who turns 60 in 2015) has a musical history that just might grab ...
Keith Jarrett/Charlie Haden/Paul Motian: Hamburg '72
by John Kelman
With Sleeper: Tokyo, April 16, 1979 (2012) and Magico: Carta de Amor (2012), ECM Records began digging into its archives, unearthing two live recordings that revealed even more about a collection of artists whose reputations were already plenty secure as some of the label's most important from its early years--in the first case, pianist Keith Jarrett's ...
Dylan Howe: Subterranean (New Designs on Bowie's Berlin)
by Phil Barnes
Jazz musicians love the tribute album, perhaps more than the listeners who receive them. That opportunity to suggest affiliation, tapping into an already established audience can be tempting and a useful much needed marketing tool as industry-wide sales collapse. But really there is no reason why a tribute can't work -do it with love, for the ...
Daniel Lanois: Flesh and Machine
by Nenad Georgievski
Credit should be given where it's due. Producer/musician Daniel Lanois has never been satisfied with just keep churning out the same kind of music for the same kind of audience that swooned over his song based records or the productions he did for other artists. As a true artist he wants to evolve and continuously create ...
Crosby, Stills, Nash & Young: CSNY 1974
by Doug Collette
Its multi-foldout package of three CD's, DVD (or Blu-Ray) and a one-hundred eighty-eight page booklet as smartly designed as it is handsome, CSNY 1974 represents a painstaking labor of love on the part of Graham Nash, who supervised the project over a protracted period of time, in collaboration with co-producer Joel Bernstein and engineer Stanley Tajima ...
Dave's Picks Volume 12 Colgate College 11/4/1977
by Doug Collette
There's much that's distinctive about Dave's Pick's Volume 12, not the least of which are concert notes by the late Dick Latvala on the fold-out insert included in the 3CD digi-pak package. This inclusion in lieu of the customary essay by one esteemed Deadhead or another is particularly appropriate as the latter-day archive series, the followup ...
Pink Floyd: The Endless River
by Nenad Georgievski
In the past several months the world of music has been shaking with sudden announcements and surprising releases by various artists. When Pink Floyd announced that it will be releasing its 15th studio album it seemed like the Earth stopped rotating for a moment. After all, its band members quietly retired this seminal band from active ...


