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Ricardo Villalobos / Max Loderbauer: Re: ECM
by John Kelman
The concept of remix-- using studio technology to deconstruct, reshape and reconstruct extant recordings--is far from new, but the past decade has seen a considerable expansion of purview. Once more closely aligned with the club scene, remixes are no longer solely about relentless beats for dancing; instead, as Norway's Punkt Festival has been demonstrating for seven ...
Jimmie Lunceford: The Complete Jimmie Lunceford Decca Sessions
by David Rickert
When saxophonist Jimmie Lunceford signed to the Decca label in 1934 he was running one of the best orchestras in the US. He had signed a deal to appear at the Cotton Club (where bandleaders Duke Ellington and Cab Calloway had recently launched into stardom) and was frequently beating others in battles of the bands, all ...
Jackie Cain & Roy Kral: A Wilder Alias
by Chris May
Jackie Cain & Roy KralA Wilder AliasCTI Masterworks2011 (1974) Producer Creed Taylor's 1970s' label, CTI, has had a controversial history. Some of its detractors, averse to the lush sound and embrace of fusion, have been reluctant even to recognize CTI as a jazz label. The New Grove ...
Randy Weston: Blue Moses
by Chris May
Randy WestonBlue MosesCTI Masterworks2011 (1972) Sony's program of reissues from CTI--the label set up by producer Creed Taylor in the late 1960s, post Impulse!, which he also founded, and post Verve, where he had moved on leaving Impulse!--continues with one of the brightest jewels in the CTI ...
Howard Riley: The Complete Short Stories 1998-2010
by John Sharpe
Howard RileyThe Complete Short Stories 1998-2010No Business Records2011 Veteran British pianist Howard Riley has found a champion from an unexpected source in the adventurous Lithuanian label, No Business. After issuing a double CD of the pianist's one man concert in the capital, Live In Vilnius (2010), it ...
Splashgirl: Pressure
by Chris May
Splashgirl Pressure Hubro 2011 This radiant album from Norwegian piano trio Splashgirl is unlike anything that came before it, except, in some measure, its immediate predecessor, Arbor (Hubro, 2009), whose trajectory it develops. Certainly, nothing quite like it has come out of central Europe or the US. An approximate comparative ...
Miguel Zenon: Alma Adentro - The Puerto Rican Songbook
by Dan Bilawsky
Miguel ZenonAlma Adentro: The Puerto Rican SongbookMarsalis Music2011 When so-called “Latin jazz" comes up in conversation, music or musicians connected to Cuba or Brazil are usually the topic of conversation. While it's true that Afro-Cuban stylings, bossa nova beats and sizzling samba numbers seem to dominate in ...
Django Bates: Like Life
by Chris May
Django BatesLike LifeStoryville2011 (1998) If you had to choose one artifact which is emblematic of the work of the British composer, bandleader and keyboards and e-flat horn player Django Bates, then his notorious “derangement" of John Kander and Fred Ebb's “New York, New York" would be a ...
In the Country: Sounds and Sights
by John Kelman
In the Country Sounds and Sights Rune Grammofon 2011 Since releasing its 2005 debut, This Was the Pace of My Heartbeat, Rune Grammofon's In the Country has, in the softest, gentlest way possible, evolved its purview and sound world, establishing itself as a piano trio like no other. Through two ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by Eugene Holley, Jr.
The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 They were diverse in talent and temperament. John Lewis, the quiet and determined westerner, who told sound stories with his linear and logical blues-based pianisms; Milt “Bags" Jackson, the baggy eyed, Motor ...
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