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Four Forty One
by Friedrich Kunzmann
2020 marks the beginning of Will Vinson's third decade of working and living in New York. Over the years the British-American saxophonist has gained wide recognition as a sideman as well as a leader, with six albums to his name in the bank. Beyond recording highly acclaimed albums for late Gerry Teekens' Criss Cross label, Vinson ...
Kendrick Scott: Making Walls into Bridges
by Rob Garratt
Kendrick Scott authored one of the most compelling jazz releases of last year with A Wall Becomes a Bridge (Blue Note, 2019), a nuanced meditation on identity, history and prejudice, shepherded under the direction of producer and former band mate Derrick Hodge. Pairing gorgeous, searching improvisatory canvases with break beat interludes and samples from guest DJ ...
Various Artists: Newvelle Muri
by Karl Ackermann
Swiss drummer/percussionist and composer, Stephan Diethelm lived in Zimbabwe for several years and was musically influenced by the African rhythms he heard. He had appeared on four albums when he launched the Muri Series, an ongoing succession of concerts that began in 2002, sometimes called Musig im Pflegidach. Pflegidach is a monastery that dates to the ...
Belgrade Jazz Festival 2019
by Martin Longley
Belgrade Jazz Festival Dom Omladine / Kombank Dvorana Belgrade Serbia October 22-28, 2019 Reaching its 35th edition, the Belgrade Jazz Festival added extra shows at the beginning and end of its run, making up a full week, or eight days, if the opening dj night is ...
AkBank Jazz Festival 2019
by Francesco Martinelli
AkBank Jazz Festival Istanbul, Turkey October 18-25 2019 I arrived in Istanbul during the world-wide outrage that followed the United States pull-out from Syria and the consequent military intervention by Turkey. The new humongous airport looked rather empty compared to the crowded spaces of the old one; the trip to ...
Michael Leonhart: Suite Extracts Vol. 1
by Angelo Leonardi
Credo proprio di non esagerare ma è dall'uscita di There Comes a Time di Gil Evans che non ascoltavo un album orchestrale così eclettico nella sintesi di materiali diversi. Il nuovo disco di Michael Leonhart segue il debutto di The Painted Lady Suite (Sunnyside 2018), il maestoso affresco musicale che evocava l'impressionismo del primo Evans, con ...
Monterey Jazz Festival 2019
by Josef Woodard
Monterey Jazz Festival Monterey County Fairgrounds Monterey, CA September 27-19, 2019 It sometimes happens at the historic Monterey Jazz festival that the “main" and most memorable takeaways of a program occur away from the main arena stage. And so it went at the 62nd annual festival in September--at least to these ...
Chris Potter: What Influences the Influencer?
by Leo Sidran
Chris Potter is a supremely influential saxophonist. Downbeat Magazine has called him “one of the most studied (and copied) saxophonists on the planet." In this introspective and philosophical podcast conversation he talks about art, the search for something new, what motivates him today, what he sees as his role, responsibility and contribution to the history of ...
Johnathan Blake: Trion
by Angelo Leonardi
L'edizione di questo splendido saxophone trio con Chris Potter, Linda May Han Oh e Johnathan Blake (due ore di musica riprese il 21 e 22 gennaio 2018 alla Jazz Gallery di New York) la dobbiamo al fotografo Jimmy Katz, fondatore con la moglie Dena dell'etichetta discografica no-profit Giant Step Arts. L'organico nasce dall'esperienza ...
Umbria Jazz 2019 - Seconda parte
by Libero Farnè
Umbria Jazz 2019 Perugia, varie sedi 12-21.7.2019 Dopo aver affrontato nella prima parte della recensione un sintetico resoconto dei concerti svoltisi all'Arena Santa Giuliana e alla Sala Podiani della Galleria Nazionale dell'Umbria, prendiamo ora in considerazione alcuni degli appuntamenti tenutisi al Teatro Morlacchi, tutti di sicura valenza jazzistica; a cominciare dalla prova ...
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