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4

Article: Album Review

Larry Stabbins & Mark Sanders: Cup & Ring

Read "Cup & Ring" reviewed by John Sharpe


Inspired by the 5000 year old Neolithic rock carvings pictured on the sleeve, Cup & Ring opens and closes with brooding, ritualistic pieces in which Larry Stabbins' breathy flute drifts like mist over Mark Sanders' deliberate, processional percussion. These atmospheric bookends, along with similarly spare interludes throughout, frame a set grounded more deeply in the language ...

25

Article: In the Artist's Own Words

Why Is Japan a Jazz Paradise—or—Why the Japanese Feel at Home in Jazz?

Read "Why Is Japan a Jazz Paradise—or—Why the Japanese Feel at Home in Jazz?" reviewed by Atzko Kohashi


Part 1 | Part 2Why is Japan such a jazz-loving nation? No other country has reissued so many classic jazz albums as Japan. From Blue Note to Riverside to Prestige, masterpieces are constantly being revived--remastered with pristine sound, released in exclusive paper sleeves, or in ultra-high-quality formats like SHM-CD or SACD. Some albums long ...

Video

Impressions

Featuring the music of Eric Dolphy
Duration: 05:51

Eric Dolphy was a multi-woodwind giant, performing on alto sax, flute , clarinet, bass clarinet and baritone sax. His sound in the 1950s and 1960s was energetic and adventurous, featuring flurries and squawks, overtones and voice-like patterns, which helped to define free/avant-garde jazz. In this video of John Coltrane's "Impressions," Coltrane first displays his signature modal improvisation on tenor, starting at 00:18. Then, at 02:44. Dolphy simply takes off on alto sax. Suffice to say, they come across at least as equals. Dolphy was born June 20, 1928 and passed away on June 29, 1964, due to complications of diabetes.
1

Article: Radio & Podcasts

Dayna Stephens, Allen Lowe, and the Millennial Territory Orchestra

Read "Dayna Stephens, Allen Lowe, and the Millennial Territory Orchestra" reviewed by Jerome Wilson


This episode features music from Dayna Stephens, Allen Lowe, and Bob Dorough. It also includes the Millennial Territory Orchestra paying tribute to Sly Stone. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Ethan Iverson “Technically Acceptable" from ...

7

Article: Album Review

Shuffle Demons: Are You Really Real

Read "Are You Really Real" reviewed by Anastasia Bogomolets


Celebrating four decades of genre-blending jazz, the Shuffle Demons return with Are You Really Real, a studio album that fuses funk, post-bop, theatrical satire and spiritual jazz. Influences ranging from Eric Dolphy and Alice Coltrane to the Red Hot Chili Peppers shape the band's eclectic high-energy aesthetic. The opening track, “X Marks the Spot," ...

Article: Album Review

Jason Stein: Anchors

Read "Anchors" reviewed by Giuseppe Segala


Il clarinetto basso vanta nel jazz contemporaneo una rosa di solisti eccellenti, a partire da Eric Dolphy, che ha letteralmente inventato un modo di interpretare lo strumento, di valorizzarne colori e incisività espressiva. Però la sua frequentazione, con lo stesso Dolphy e con personalità quali Michel Portal, John Surman, Vinny Golia, Marty Ehrlich, Don Byron, si ...

22

Article: Multiple Reviews

OJC Odds & Ends: From Cal Tjader to Mal Waldron

Read "OJC Odds & Ends: From Cal Tjader to Mal Waldron" reviewed by C. Andrew Hovan


Once the vinyl renaissance confirmed that record labels could bring in a steady income just by tapping their holdings, they began combing their archives to fuel a steady stream of reissues. With a catalog of more than 1.2 million songs, Concord Records was uniquely positioned to capitalize on this resurgence. Its Craft Recordings subsidiary has emerged ...

7

Article: Album Review

Silke Eberhard Trio with Jan Roder and Kay Lübke: Being-A-Ning

Read "Being-A-Ning" reviewed by Mark Corroto


It is rare to describe an audio recording as brave, but that is precisely what the latest release by the Silke Eberhard Trio is--bold, fearless, and unflinchingly original. Being-A-Ning, the group's fifth album, borrows its title from Thelonious Monk's “Rhythm-A-Ning," nodding to the jazz giant while continuing the trio's thematic naming convention. Previous albums--Being (2008) and ...

Article: Live Review

Torino Jazz Festival 2025

Read "Torino Jazz Festival 2025" reviewed by Libero Farnè


Torino Jazz Festival 2025 Torino, varie sedi 23--30 aprile 2025 “71 concerti, 8 produzioni originali, 289 musicisti, 58 sedi," così sul retro del programma cartaceo viene sintetizzata e pubblicizzata la tredicesima edizione del Torino Jazz Festival, diretta da Stefano Zenni. Non solo concerti, ma anche conferenze e film sono stati distribuiti in ...

10

Article: Album Review

Jaki Byard: Blues For Smoke

Read "Blues For Smoke" reviewed by Fran Kursztejn


If Jaki Byard is most commonly categorized as a proud progenitor of the 'new jazz,' as his seminal work with Eric Dolphy on Outward Bound and Charles Mingus on Black Saint and the Sinner Lady would suggest, then a record like Blues for Smoke may throw listeners for a loop. Byard's notoriously difficult to pin down--a ...


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