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Gary Bartz Is Nobody's Jazz Musician
by Bridget A. Arnwine
Gary Bartz is nobody's jazz musician. What he has built and created as an artist with a career that spans six decades defies labels, especially ones that have storied racist connotations and otherwise derogatory origins like the word jazz. He is a composer of the finest order and as gifted as the most revered names in ...
Paul Bley Trio: Floater & Syndrome The Upright Piano Sessions Revisited
by Giuseppe Segala
Il catalogo Revisited Series dell'etichetta ezz-thetics si va facendo sempre più nutrito, attingendo a storiche registrazioni prese da cataloghi internazionali e focalizzandosi spesso su caposaldi a cavallo tra gli anni Cinquanta e Sessanta. Si potrà dire che il cultore navigato già conosce bene tali opere e magari le possiede in multipla versione, nei supporti più graditi. ...
Giovanni Maier: 5 album tra contrabbasso e violoncello, improvvisazione e standard
by Neri Pollastri
Fortemente impegnato nella didattica, coinvolto in alcune formazioni importanti e di lungo periodo --Enten Eller, Eternal Love --e in vari progetti più ristretti, il contrabbassista Giovanni Maier conserva tuttavia un'autonoma vena produttiva che gli permette di registrare ogni anno diversi album in formazioni estemporanee, editi da varie label e dalla sua stessa etichetta indipendente, Palomar Records. ...
Hayley Kavanagh Quartet At Scott's Jazz Club
by Ian Patterson
Hayley Kavanagh Quartet Scott's Jazz Club Belfast, N. Ireland August 29, 2025 “Welcome to the Upper East Side." Variations on this phrase--delivered by Scott's Jazz Club co-founder Cormac O'Kane--have greeted visitors to Belfast's award-winning jazz venue every Friday night since 2020. Hard to believe that half a decade has whizzed ...
Silke Eberhard Trio: Being-A-Ning
by John Sharpe
Adventurous German saxophonist Silke Eberhard has long favored the trio format as a proving ground, even as she splits her time with her larger Potsa Lotsa ensemble, and other projects. With bassist Jan Roder and drummer Kay Lübke, she has cultivated a rapport that feels both intuitive and restless. Being-A-Ning, the group's fifth release--each one bearing ...
Potsa Lotsa XL: Amoeba's Dance
by Ian Patterson
Like an amoeba, whose shape-shifting properties enable it to adapt to its surroundings, Silke Eberhard's Potsa Lotsa expands and contracts according to its needs. Originating as a four-horn ensemble inspired by the music of multi-instrumentalist/composer Eric Dolphy, Potsa Lotsa blasted off with Potsa Lotsa: The Complete Works Of Eric Dolphy (Jazzwerkstatt, 2010). An auspicious debut, Eberhard's ...
New Vinyl: Golson and McIntyre
Two Prestige albums recorded nearly one year apart have just been re-issued by Craft Recordings on 180-gram vinyl. Both were cut from the original stereo masters by Kevin Gray. Benny Golson's Gone With Golson was recorded in June 1959, and Ken McIntyre's Looking Ahead, with Eric Dolphy, was recording in June 1960. Both albums are superb ...
Larry Stabbins & Mark Sanders: Cup & Ring
by John Sharpe
Inspired by the 5000 year old Neolithic rock carvings pictured on the sleeve, Cup & Ring opens and closes with brooding, ritualistic pieces in which Larry Stabbins' breathy flute drifts like mist over Mark Sanders' deliberate, processional percussion. These atmospheric bookends, along with similarly spare interludes throughout, frame a set grounded more deeply in the language ...
Why Is Japan a Jazz Paradise—or—Why the Japanese Feel at Home in Jazz?
by Atzko Kohashi
Part 1 | Part 2Why is Japan such a jazz-loving nation? No other country has reissued so many classic jazz albums as Japan. From Blue Note to Riverside to Prestige, masterpieces are constantly being revived--remastered with pristine sound, released in exclusive paper sleeves, or in ultra-high-quality formats like SHM-CD or SACD. Some albums long ...
Impressions
Featuring the music of Eric Dolphy
Duration: 05:51
