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Article: Radio & Podcasts

Dayna Stephens, Allen Lowe, and the Millennial Territory Orchestra

Read "Dayna Stephens, Allen Lowe, and the Millennial Territory Orchestra" reviewed by Jerome Wilson


This episode features music from Dayna Stephens, Allen Lowe, and Bob Dorough. It also includes the Millennial Territory Orchestra paying tribute to Sly Stone. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Ethan Iverson “Technically Acceptable" from ...

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Article: Album Review

Shuffle Demons: Are You Really Real

Read "Are You Really Real" reviewed by Anastasia Bogomolets


Celebrating four decades of genre-blending jazz, the Shuffle Demons return with Are You Really Real, a studio album that fuses funk, post-bop, theatrical satire and spiritual jazz. Influences ranging from Eric Dolphy and Alice Coltrane to the Red Hot Chili Peppers shape the band's eclectic high-energy aesthetic. The opening track, “X Marks the Spot," ...

Article: Album Review

Jason Stein: Anchors

Read "Anchors" reviewed by Giuseppe Segala


Il clarinetto basso vanta nel jazz contemporaneo una rosa di solisti eccellenti, a partire da Eric Dolphy, che ha letteralmente inventato un modo di interpretare lo strumento, di valorizzarne colori e incisività espressiva. Però la sua frequentazione, con lo stesso Dolphy e con personalità quali Michel Portal, John Surman, Vinny Golia, Marty Ehrlich, Don Byron, si ...

22

Article: Multiple Reviews

OJC Odds & Ends: From Cal Tjader to Mal Waldron

Read "OJC Odds & Ends: From Cal Tjader to Mal Waldron" reviewed by C. Andrew Hovan


Once the vinyl renaissance confirmed that record labels could bring in a steady income just by tapping their holdings, they began combing their archives to fuel a steady stream of reissues. With a catalog of more than 1.2 million songs, Concord Records was uniquely positioned to capitalize on this resurgence. Its Craft Recordings subsidiary has emerged ...

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Article: Album Review

Silke Eberhard Trio with Jan Roder and Kay Lübke: Being-A-Ning

Read "Being-A-Ning" reviewed by Mark Corroto


It is rare to describe an audio recording as brave, but that is precisely what the latest release by the Silke Eberhard Trio is--bold, fearless, and unflinchingly original. Being-A-Ning, the group's fifth album, borrows its title from Thelonious Monk's “Rhythm-A-Ning," nodding to the jazz giant while continuing the trio's thematic naming convention. Previous albums--Being (2008) and ...

Article: Live Review

Torino Jazz Festival 2025

Read "Torino Jazz Festival 2025" reviewed by Libero Farnè


Torino Jazz Festival 2025 Torino, varie sedi 23--30 aprile 2025 “71 concerti, 8 produzioni originali, 289 musicisti, 58 sedi," così sul retro del programma cartaceo viene sintetizzata e pubblicizzata la tredicesima edizione del Torino Jazz Festival, diretta da Stefano Zenni. Non solo concerti, ma anche conferenze e film sono stati distribuiti in ...

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Article: Album Review

Jaki Byard: Blues For Smoke

Read "Blues For Smoke" reviewed by Fran Kursztejn


If Jaki Byard is most commonly categorized as a proud progenitor of the 'new jazz,' as his seminal work with Eric Dolphy on Outward Bound and Charles Mingus on Black Saint and the Sinner Lady would suggest, then a record like Blues for Smoke may throw listeners for a loop. Byard's notoriously difficult to pin down--a ...

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Article: Album Review

Freddie Hubbard: On Fire--Live From The Blue Morocco

Read "On Fire--Live From The Blue Morocco" reviewed by Jack Kenny


Freddie Hubbard is a conundrum. His style has varied significantly over the years, as though he were unsure of himself at a deep level. There were the Blue Note years, then the funk years, where he gained money and lost credibility. The all-encompassing technique was displayed in so many contexts, with Art Blakey, Ornette Coleman, John ...

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Article: Liner Notes

Altin Sencalar: Unleashed

Read "Altin Sencalar: Unleashed" reviewed by C. Andrew Hovan


Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the “tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn ...

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Article: Album Review

Rob Brown: Walkabout

Read "Walkabout" reviewed by Fran Kursztejn


Despite spending the majority of his career as a side man for William Parker and Matthew Shipp, Rob Brown is perhaps the most recognizable alto saxophonist on the East Coast. Recognizable not because he is famous (far from it), but simply because he is rather difficult to mistake. His sound is abrasive, bellowing and free, oozing ...


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