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Reckon
By Jim Black
Label: Intakt Records
Released: 2020
Track listing: Astrono Said So; Tripped Overture; Tighter Whined; Spooty And Snofer; Very Query; Focus On Tomorrow; Next Razor World; Neural Holiday; Dancy Clear Ends; What You Are Made From; This One And This Too.
Jim Black Trio alla Sala Vanni di Firenze
by Neri Pollastri
Jim Black Trio Firenze Musicus ConcentusA Jazz Supreme Sala Vanni 16.10.2020 Dopo il recente minifestival di piano solo, I Poeti del Piano Solo, alla Sala anni di Firenze è ripresa la rassegna A Jazz Supreme, giunta alla quarta edizione e apertasi con una formazione di primissimo piano: il ...
2 Quartets on We Jazz Records
by Friedrich Kunzmann
Finnish label We Jazz Records is back with two quartet recordings. Both are intriguing in their respective ways, which differ from each other in almost every aspect. Let's have a closer look... Otis Sandsjö Y-Otis 2 We Jazz Records 2020 Berlin-based, Swedish-native saxophonist Otis Sandsjö's sophomore album and ...
Jim Black Trio: Reckon
by John Sharpe
The piano trio field is a big one, even that corner reserved for the evenly poised triumvirate heirs to Bill Evans. But drummer Jim Black's unit carves out its own distinctive acre. On the fourth album since its inception in 2011 the threesome, completed by NYC-based, Austrian-born pianist Elias Stemeseder and bassist Thomas Morgan, has reached ...
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Elias Stemeseder
Born:
Born in Salzburg, Austria in 1990, Elias lived in Berlin from 2010 and moved to New York in 2015. Besides his main instrument, the acoustic piano, he also plays synthesizers. He performs in a variety of musical idioms ranging from the song-oriented music of Jim Black's trio to contemporary classical pieces by John Zorn to the electric music of Eyebone.
Current projects include collaborations with John Zorn (John Zorn's Bagatelles), the Greg Cohen Quintet, Philipp Gropper's "Philm", Jim Black's "Malamute" Anna Webber's "Percussive Mechanics", Robert Landfermann Quintet and "OTIS+WEDDING".
2019: Striking A Balance In Review, Part 2
by Henning Bolte
Part 1 | Part 2This is the second part of an article that looks back and reflects on experiences with live music in 2019. This part deals with a musician's legacy (Ornette Coleman) and continues with an examination of artistic developments and dynamics in the jazz field in a festival (Jazzfest Berlin) and related ...
Jim Black, Mario Santos, William Parker, Dave Sewelson and More
by Maurice Hogue
Is it too early to choose a best-of" for 2020. I know it's only January, but drummer Jim Black has released an absolute killer of an album with pianist Elias Stemeseder and bassist Thomas Morgan that is an outstanding piece of work. Reckon came out on the Intakt label from Switzerland in January, so be on ...
Philipp Gropper's Philm: Consequences
by Jerome Wilson
According to the press release for this CD, saxophonist and bandleader Philipp Gropper's concerns in this music are the place of the individual in society and the responsibilities Western societies bear in their dealings with the rest of the world. It's not easy to discern all that from listening to the disc but what you can ...
Iro Haarla, Ulf Krokfors, Eric Dolphy and More
by Maurice Hogue
Some very important saxophonists are featured in this episode: Frenchman Emile Parisien is back with almost all of his original quartet, Gebhard Ullman shows why he's considered one of the best contemporary multi-reedists with his Basement Research band, Dave Rempis's new trio debuts The Early Bird Gets, and the great Eric Dolphy with previously-unissued music in ...
Trios, Trios, Trios and Vlek
by Maurice Hogue
This final show of 2018 is highlighted by trios of the usual piano-bass-drums (Simon Nabatov-Barry Guy-Gerry Hemingway and Elias Stemeseder-James Banner-Ugo Alunni), bass-saxophone-drums (Gonçalo Almeida-Yedo Gibson-Vasco Furtado), and trumpet/saxophone/drums (Flavio Zanuttini-Piero Bittolo Bon-Marco D'Orlando). Pianist Yuko Yamaoka performs the music of Satoko Fujii from Fujii's eleventh release in 2018, and the eclectic Dutch Ensemble, Vlek, makes ...


