Results for "D'Vonne Lewis"

D'Vonne Lewis

D’Vonne Lewis, 32, is a self-taught musician/drummer/poet with a background in gospel, funk, and rhythm and blues. Lewis is the grandson of the late-great ‘Godfather of rock and roll/soul’, the Pacific Northwest’s Hall of Famer, Hammond B-3 organ legend, Dave Lewis. Because of Dave Lewis, Seattle’s 1950’s entertainment scene started on the path to desegregation. D’Vonne graduated from Seattle’s Roosevelt High School in 2002 under the direction of Scott Brown, where he received numerous high school jazz band awards, including the Jazz at Lincoln Center Outstanding Drum Soloist winner at the Essentially Ellington Jazz Festival for the years of 2000, 2001, and 2002. While still in high school, D’Vonne was first-call drummer to local and world-renowned artists, including Hadley Caliman; Buddy Catlett; Julian Priester; Floyd Standifer; Jay Thomas; Larry Fuller and Marc Seales, to name a few. Lewis has also performed with Wynton Marsalis and the Lincoln Center Jazz Orchestra; pianist Marian McPartland; guitarist Bucky Pizzarelli; clarinetist Eddie Daniels; and out-sax titan Charles Gayle.

Constellation

By MERCEDES NICOLE

Label: Self Produced
Released: 2020
Track listing: I Ain't Got Nothing but the Blues; Stormy Monday; Rich Man Blues; There Is Something on Your Mind; Your Love; Turn Me On; I Can't Make You Love Me; The Thrill Is Gone; This Bitter Earth; Path of the Mystic.

20 Seattle Jazz Musicians You Should Know: Bill Anschell

By PAUL RAUCH

The city of jny: Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and '30s. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in ...

Marina Albero: A Life Soundtrack

By PAUL RAUCH

Attempts to characterize the music of Barcelona-born pianist Marina Albero seem to get lost in the details. She is not an artist who found herself within a passion for a particular form. That her music is the sum of her life experiences would be a factual description that would nonetheless fall short, given the far reaching, ...

Carrie Wicks: Reverie

By PAUL RAUCH

Seattle-based vocalist Carrie Wicks is back with her fourth effort on the Origin label, and while there are many similarities stylistically with her previous efforts, Reverie more draws from the original compositions of Wicks and her partners Ken Nottingham and Nick Allison. One of the commonalities between the recordings is Wicks' insight into putting ...

Johnaye Kendrick: Flying

By TROY DOSTERT

It's been four years since vocalist Johnaye Kendrick released her debut album, but her sophomore outing, Flying, was certainly worth the wait. With finely-honed vocal chops channeled through some compelling compositions of her own and a few distinctively-performed covers, Kendrick is a complete artist, and this record will undoubtedly win her a lot of new listeners. ...

Johnaye Kendrick: Flying

By PAUL RAUCH

Once, maybe twice in a generation, a singer enters the world of jazz and captivates the genre so dominated by jazz instrumentalists. There are qualities in the voice, delivery, the exquisite phrasing, and inexhaustible ability to deliver a narrative in such a way that expresses the jazz and blues tradition in a special and personal way. ...

Bill Anschell: Shifting Standards

By PAUL RAUCH

Seattle based pianist Bill Anschell has created a tremendous body of work over the the past 30 years, as a composer, musical director, and pianist. He returned to Seattle in 2002 after 25 years abroad and formed a relationship with Origin Records, releasing more than a dozen records both as a leader and co-leader. Whether composing ...

Unlimited

By D'VONNE LEWIS

Label: Self Produced
Released: 2017
Track listing: Singularity; Devastator; Queen Bee; Remembrance; Ingathering

Bill Anschell: Curiosity and Invention

By PAUL RAUCH

Bill Anschell strikes me as a man with boundless curiosity. You perceive this in conversation, in his sense of humor, the patient manner in which he listens on and off the bandstand. You sense it in his inventive compositions, the rhythmic complexity, and the musical conception that lyrically imprints an authentic sense of melody. His work ...