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Lafayette Gilchrist: Undaunted
by Pat Youngspiel
On Undaunted Washington D.C.-raised and Baltimore-educated pianist Lafayette Gilchrist continues his idiosyncratically swinging trajectory with deep grooves, memorable lines and the gritty, unapologetic type of interplay that first brought him international acclaim on the 2004 recording The Music According To Lafayette Gilchrist. Few will have forgotten the catchy track “Assume The Position" off that album, used ...
Jazz Suites: Hancock, Ellington, Hazama, Coltrane, Kirk
by David Brown
This week, jazz suites. Extended works made up of movements held together by a theme be it musical or conceptual. We will hear suites form Herbie Hancock, Duke Ellington, Miho Hazama, John Coltrane, and Rahsaan Roland Kirk. Then some sweet stuff to top off the show. Welcome friends and neighbors to The Jazz Continuum. Old, new, ...
Respect the Rabbit! (Owen Broder Interview)
by Patrick Burnette
For some fans, the story of jazz saxophone begins with John Coltrane. This episode, the boys interview Owen Broder, who gives propers to Coltrane's old boss, Johnny Hodges. Mainstay of the Duke Ellington band and lover of lettuce and tomato sandwiches, the Rabbit (as he was known) possessed the most sumptuous sound ever heard from an ...
Bergamo Jazz Festival 2024
by Vincenzo Roggero
Bergamo Jazz Festival Bergamo Varie sedi 21-24.3.2024 La quarantacinquesima edizione di Bergamo Jazz coincide con il passaggio di testimone nella direzione artistica da Maria Pia De Vito allo statunitense Joe Lovano, più volte ospite come musicista della rassegna orobica. La formula è quella consolidata da anni: tre serate con doppio concerto ...
Julieta Eugenio: Stay
by Dan McClenaghan
Argentina-born saxophonist Julieta Eugenio takes four breaths ("Breaths" I through IV), that she calls “short, intimate moments," in her ongoing endeavors in this (mostly) trio-format album. The saxophone, bass and drums setup is one of the most intimate. Think Sonny Rollins in Way Out West (Contemporary, 1957) and A Night At The Village Vanguard (Blue Note, ...
Ian Shaw & Tony Kofi: An Adventurous Dream (At PizzaExpress Live In London)
by Chris May
The trouble with live albums recorded in venues that are, essentially, eateries, is that the musicians may have to go large to grab the audience's attention, sometimes too large for the material which they are performing. This is abundantly the case with An Adventurous Dream (At PizzaExpress Live In London): The Music Of Billy Strayhorn And ...
Brilliant Corners 2024
by Ian Patterson
Brilliant Corners 2024 Black Box/Accidental Theatre Belfast, N. Ireland March 1-9, 2024 At a time when veteran rock acts on their last legs are asking cash-strapped punters to part with hundreds of pounds to stand in a stadium to hear the same hits as the last tour, and the tour ...
Ism: Maua
by John Sharpe
What would a free jazz group sound like if it stayed within conventional rhythmic and melodic parameters? One possible answer was given by pianist Lennie Tristano's pioneering sides such as “Intuition" and “Digression," extemporized by a sextet including Lee Konitz and Warne Marsh. Ism, the cosmopolitan threesome of British pianist Pat Thomas, Swedish bassist Joel Grip ...
Charles Lloyd: Defiant Warrior Still On Song
by Chris May
As fool's errands go, few compare with selecting a Top Ten Albums collection from Charles Lloyd's extensive top-drawer output. But here goes. Lloyd newbies could consider the list a launch pad, and seasoned fans can compare the choices with their own... Anyone going to jazz festivals in summer 1966, and lucky enough to ...
Bobby Wellins Quartet: What Was Happening
by Chris May
In 1965 tenor saxophonist Bobby Wellins made an indelible mark on jazz history with his contribution to pianist Stan Tracey's Jazz Suite Inspired By Dylan Thomas's Under Milk Wood (Columbia). The exquisite “Starless And Bible Black" is the most frequently cited track (check the YouTube below) and is indicative of the album's overall beauty. For a ...
