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Luís Lopes Lisbon Berlin Trio: The Line
by Mark Corroto
Guitarist Luís Lopes posted the following quote on his Facebook page, “art should comfort the disturbed and disturb the comfortable." With that as his mission statement, the question arises: can one listen to his music with a sympathetic ear? Or more importantly, is discomfort the motivation and ultimately the goal? Lopes' ...
Kenny Barron & Dave Holland at Queen Elizabeth Hall
by Ian Patterson
Kenny Barron & Dave Holland/The Jeremy Monteiro Trio Queen Elizabeth Hall EFG London Jazz Festival 21 November, 2014 The prospect of Kenny Barron and Dave Holland performing as a duo was a mouthwatering one. Both are well versed in the format. In 1971 Holland combined with Derek Bailey and then ...
John Butcher: So Far
by Sammy Stein
Saxophonist John Butcher's career could have taken an academic path. He completed a Ph.D in theoretical physics--Charmed Quarks to be precise--but left the academic world behind shortly thereafter. As a saxophonist, Butcher has played with and collaborated with many musicians. He is not afraid to try completely off the wall musical experimentation.
Ideal Bread: Beating The Teens - Songs of Steve Lacy
by Alberto Bazzurro
Nuovo tributo, stavolta doppio (e quindi ancor più meritorio), all'arte di Steve Lacy da parte del quartetto capitanato da Josh Sinton (suoi tutti gli arrangiamenti), in questo caso attingendo a un repertorio molto specifico, visto che vi sono interamente riproposti i cinque LP incisi dal grande sopranista fra il 1969 e il 1977 per la Saravah: ...
Jazz & Wine of Peace 2014
by Angelo Leonardi
Jazz & Wine of Peace 2014 Cormons: 18-26.10.2014 Giunto alla 17ma edizione, il Jazz & Wine of Peace di Cormons si colloca tra i migliori festival nazionali, coniugando ricercate scelte musicali con la valorizzazione del territorio: in primis la rinomata produzione enologica del Collio. Organizzato dal Comune e dal ...
Bimhuis at 40: Older, Better, Business as Usual
by Joan Gannij
The Bimhuis is turning 40 and is still very much in its prime. Beginning October 1, Amsterdam's venerable jazz club will celebrate this milestone with a variety of concerts, activities and special events. The Bimhuis opened in 1974 after a lengthy search for a suitable venue for improvising musicians. Over the next decades it would become ...
Gato Libre: DuDu
by John Sharpe
The fifth album by Gato Libre, trumpeter Natsuki Tamura's acoustic quartet, is the first since the sudden death of bassist Norikatsu Koreyasu in 2011. Having thought long and hard about whether to continue, Tamura recruited trombonist Yasuko Kaneko as a replacement. While the European folk music inspiration of previous outings like Shiro (Libra Records, 2009) and ...
Gavin Bryars Ensemble At Happy Days Enniskillen International Beckett Festival 2014
by Ian Patterson
Gavin Bryars Ensemble St. Michael's Church Enniskillen N. Ireland August 1, 2014 That an anonymous homeless man, singing quietly to himself on a London street in 1971, should inspire a standing ovation and a well of emotions among the audience in St. Michael's Church forty three years later says much ...
Steve Swell: Unlimited Musical Possibilities
by Victor L. Schermer
"Free Jazz" and “Avant-Garde Jazz" are catch phrases often associated with musical pioneers such as Ornette Coleman and Cecil Taylor but more broadly refer to music that goes outside of the mainstream of melody, harmony, rhythm, and structure. When that happens, opinions and emotions abound. Reactions vary from disgust to excitement and enthusiasm, and it is ...
Alan Wilkinson/Steve Noble/John Coxon/Pat Thomas: The Founder Effect I
by Mark Corroto
You cannot judge a book by its cover. Maybe, but music fans somehow know that expression doesn't lend itself to album covers (in this case, CD covers). Look at the Blue Note Records covers from the 1960 sixties, Miles Davis' On The Corner (Columbia, 1972), or The Clash's London Calling (Columbia, 1979), and tell me you ...
