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174

Article: Album Review

Greg Skaff: Blues For Mr. T

Read "Blues For Mr. T" reviewed by David A. Orthmann


Greg Skaff’s second disc as a leader charts an impressive course between the familiar, agreeable parameters of soul-jazz and a more open ended, blowing-based approach. The guitarist, Hammond B-3 organist Mike LeDonne, and drummer Joe Farnsworth (all of whom frequently play in various bands at Smoke, a club in New York City that serves as a ...

392

Article: Rhythm In Every Guise

Tony Reedus

Read "Tony Reedus" reviewed by David A. Orthmann


Since he arrived in New York City in 1980 to take over the drum chair in Woody Shaw’s band, Tony Reedus has demonstrated the ability to shape the music of a variety of mainstream ensembles by executing variations in dynamics, touch, and degrees of activity. Treating the drum set as an instrument of kindred components, Reedus ...

123

Article: Album Review

Mike DiRubbo: Human Spirit

Read "Human Spirit" reviewed by David A. Orthmann


On his second Criss Cross release, alto saxophonist Mike DiRubbo thrives on the challenges posed by a great rhythm section. Pianist David Hazeltine, bassist Peter Washington, and drummer Joe Farnsworth, most notably of the cooperative sextet One For All, have lit a fire under dozens of significant jazz recordings over the past decade. Full of inspired ...

658

Article: Rhythm In Every Guise

Jason Marsalis

Read "Jason Marsalis" reviewed by David A. Orthmann


At the age of 26, when most players are still absorbing the music's vast lexicon and beginning the lengthy process of finding their own identity, Jason Marsalis is well on his way to becoming an exceptional jazz drummer. Recordings made over the past several years reveal a staggering array of technical skills and resources that are ...

176

Article: Album Review

Matt Wilson Quartet: Humidity

Read "Humidity" reviewed by David A. Orthmann


An eclectic drummer, thinker, and bandleader, Matt Wilson shuns fixed stylistic boundaries. He’s endlessly curious and adventuresome, but invariably backs up imaginative leaps in conception and execution with solid musicianship and organizational skills. Humidity, Wilson’s fourth outing for Palmetto, finds his working quartet (plus violin, trumpet, and trombone on a few cuts) fully inhabiting every one ...

144

Article: Album Review

Wycliffe Gordon Quintet: United Soul Experience

Read "United Soul Experience" reviewed by David A. Orthmann


The brainchild of producer Gerry Teekens, United Soul Experience extricates trombonist Wycliffe Gordon from the Lincoln Center Jazz Orchestra orbit and teams him with some of the most interesting young talent in the Criss Cross stable. Tradition-minded but not predictable, the music alludes to several jazz and funk styles without settling into any one of them. ...

666

Article: Rhythm In Every Guise

Louis Hayes

Read "Louis Hayes" reviewed by David A. Orthmann


Best known for extended stays in the bands of Horace Silver, Cannonball Adderley, and Oscar Peterson during the 50s and 60s, Louis Hayes’ recent recordings serve as a reminder that he’s still one of the hardest swinging drummers in modern jazz. Throughout compact discs released between 1996 and 2002 for the Sharp Nine, TCB, Criss Cross, ...

173

Article: Album Review

Gene Ammons & Sonny Stitt: Left Bank Encores

Read "Left Bank Encores" reviewed by David A. Orthmann


The antithesis of studio-bred perfection, Left Bank Encores is another interesting artifact of Ammons and Stitt’s long-term partnership. The presence of a large, vocal crowd at the Famous Ballroom doesn’t spur the expected tenor battle; rather, something looser and less dramatic occurs. During a brisk rendition of “Just In Time,” the set’s opener, Ammons states the ...

350

Article: Album Review

Mulgrew Miller: The Sequel

Read "The Sequel" reviewed by David A. Orthmann


Mulgrew Miller's first session under his own name in seven years is a welcome reminder of the breadth of his talent. Miller's skills as a composer, bandleader, producer, and pianist converge to make The Sequel a unique and accessible recording. Although different in mood and texture, each of his eight compositions contains a melodic core that ...

153

Article: Album Review

Eric Alexander: Summit Meeting

Read "Summit Meeting" reviewed by David A. Orthmann


A direct descendent of competitive, no nonsense titans such as Sonny Stitt and George Coleman, Eric Alexander plays the horn with a decidedly assertive temperament, as if he always has something to prove. Summit Meeting, his fourth release for Milestone, is arguably the tenor saxophonist’s finest recording as a leader in a prolific, decade-long career. No ...


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