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182

Article: Album Review

Ian Hendrickson-Smith: Up In Smoke!

Read "Up In Smoke!" reviewed by David A. Orthmann

by David A. Orthmann

Ian Hendrickson-Smith’s impressive debut on Sharp Nine possesses qualities that are rare in the inaugural recordings of young leaders. A convincing bebop-oriented player who sustains the hour-long live set without the benefit of a front line partner, the twenty-nine year old alto saxophonist knows when to take the horn out of his mouth. He has a ...

324

Article: Album Review

Jesse Van Ruller: Circles

Read "Circles" reviewed by David A. Orthmann

by David A. Orthmann

Alluding to funk, soul, as well as a number of modern jazz styles, guitarist Jesse Van Ruller’s quartet functions in a space of its own making that is outside of any familiar category. Both difficult to define and hugely enjoyable, the music features a few significant characteristics. Despite the presence of the leader’s electric guitar and ...

253

Article: Album Review

Jim Snidero: Strings

Read "Strings" reviewed by David A. Orthmann

by David A. Orthmann

By staying in touch with his roots as a hard blowing alto saxophonist and leader of razor-sharp small bands, Jim Snidero has successfully married a ten-piece string section and a conventional jazz quartet. His arrangements of six original compositions (including the three-part “River Suite”) and two standards entail a constant shifting between the relative freedom of ...

174

Article: Album Review

Greg Skaff: Blues For Mr. T

Read "Blues For Mr. T" reviewed by David A. Orthmann

by David A. Orthmann

Greg Skaff’s second disc as a leader charts an impressive course between the familiar, agreeable parameters of soul-jazz and a more open ended, blowing-based approach. The guitarist, Hammond B-3 organist Mike LeDonne, and drummer Joe Farnsworth (all of whom frequently play in various bands at Smoke, a club in New York City that serves as a ...

392

Article: Rhythm In Every Guise

Tony Reedus

Read "Tony Reedus" reviewed by David A. Orthmann

by David A. Orthmann

Since he arrived in New York City in 1980 to take over the drum chair in Woody Shaw’s band, Tony Reedus has demonstrated the ability to shape the music of a variety of mainstream ensembles by executing variations in dynamics, touch, and degrees of activity. Treating the drum set as an instrument of kindred components, Reedus ...

124

Article: Album Review

Mike DiRubbo: Human Spirit

Read "Human Spirit" reviewed by David A. Orthmann

by David A. Orthmann

On his second Criss Cross release, alto saxophonist Mike DiRubbo thrives on the challenges posed by a great rhythm section. Pianist David Hazeltine, bassist Peter Washington, and drummer Joe Farnsworth, most notably of the cooperative sextet One For All, have lit a fire under dozens of significant jazz recordings over the past decade. Full of inspired ...

658

Article: Rhythm In Every Guise

Jason Marsalis

Read "Jason Marsalis" reviewed by David A. Orthmann

by David A. Orthmann

At the age of 26, when most players are still absorbing the music's vast lexicon and beginning the lengthy process of finding their own identity, Jason Marsalis is well on his way to becoming an exceptional jazz drummer. Recordings made over the past several years reveal a staggering array of technical skills and resources that are ...

176

Article: Album Review

Matt Wilson Quartet: Humidity

Read "Humidity" reviewed by David A. Orthmann

by David A. Orthmann

An eclectic drummer, thinker, and bandleader, Matt Wilson shuns fixed stylistic boundaries. He’s endlessly curious and adventuresome, but invariably backs up imaginative leaps in conception and execution with solid musicianship and organizational skills. Humidity, Wilson’s fourth outing for Palmetto, finds his working quartet (plus violin, trumpet, and trombone on a few cuts) fully inhabiting every one ...

144

Article: Album Review

Wycliffe Gordon Quintet: United Soul Experience

Read "United Soul Experience" reviewed by David A. Orthmann

by David A. Orthmann

The brainchild of producer Gerry Teekens, United Soul Experience extricates trombonist Wycliffe Gordon from the Lincoln Center Jazz Orchestra orbit and teams him with some of the most interesting young talent in the Criss Cross stable. Tradition-minded but not predictable, the music alludes to several jazz and funk styles without settling into any one of them. ...

666

Article: Rhythm In Every Guise

Louis Hayes

Read "Louis Hayes" reviewed by David A. Orthmann

by David A. Orthmann

Best known for extended stays in the bands of Horace Silver, Cannonball Adderley, and Oscar Peterson during the 50s and 60s, Louis Hayes’ recent recordings serve as a reminder that he’s still one of the hardest swinging drummers in modern jazz. Throughout compact discs released between 1996 and 2002 for the Sharp Nine, TCB, Criss Cross, ...


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