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145

Article: Live Review

The Eric Alexander Quintet Featuring Harold Mabern

Read "The Eric Alexander Quintet Featuring Harold Mabern" reviewed by David A. Orthmann


Eric Alexander’s concert at William Paterson University was something of a homecoming for the thirty-two year old tenor saxophonist. In 1990, Alexander and his drummer of choice, Joe Farnsworth, graduated from the University’s highly regarded jazz studies program. To continue the William Paterson connection, Harold Mabern, one of Alexander’s teachers at the University, was the band’s ...

227

Article: Album Review

Gene Ludwig: Hands On

Read "Hands On" reviewed by David A. Orthmann


Hands On is the fourth Gene Ludwig release on the Blues Leaf imprint since the former Sonny Stitt and Pat Martino confederate was rediscovered by producer Jack Kreisberg in the mid-1990s. Amidst an ever-growing number of recordings featuring capable Hammond B-3 organists, Ludwig’s discs always stand out. This time he leads an able band of musicians ...

487

Article: Extended Analysis

Shelly Manne & His Men: Yesterdays

Read "Shelly Manne & His Men: Yesterdays" reviewed by David A. Orthmann


Shelly Manne & His Men Yesterdays Pablo 2003 Shelly Manne, who died suddenly of a heart attack on September 26, 1984, left behind an impressive body of recorded work as a leader and sideman. Like Dave Tough, one of his formative influences, Manne was a musician first and ...

813

Article: Rhythm In Every Guise

Leroy Williams

Read "Leroy Williams" reviewed by David A. Orthmann


A journeyman who is well regarded by his peers but seldom acknowledged by critics or the listening public, Leroy Williams has played in the bands of many of the jazz giants who came to prominence during the mid-to-late twentieth century. Despite high profile work with Sonny Rollins, Thelonious Monk, and Stan Getz, over thirty years in ...

272

Article: Album Review

Vince Ector: Rhythm Master

Read "Rhythm Master" reviewed by David A. Orthmann


Energized by a core trio with bassist Dwayne Burno and pianist John di Martino, drummer Vince Ector's debut displays the loose, enjoyable feeling of a hard bop blowing session, yet the scope of the material and arrangements indicate a great deal of thought and preparation. Inventively utilizing a number of combinations of trombone, tenor and soprano ...

182

Article: Album Review

Ian Hendrickson-Smith: Up In Smoke!

Read "Up In Smoke!" reviewed by David A. Orthmann


Ian Hendrickson-Smith’s impressive debut on Sharp Nine possesses qualities that are rare in the inaugural recordings of young leaders. A convincing bebop-oriented player who sustains the hour-long live set without the benefit of a front line partner, the twenty-nine year old alto saxophonist knows when to take the horn out of his mouth. He has a ...

324

Article: Album Review

Jesse Van Ruller: Circles

Read "Circles" reviewed by David A. Orthmann


Alluding to funk, soul, as well as a number of modern jazz styles, guitarist Jesse Van Ruller’s quartet functions in a space of its own making that is outside of any familiar category. Both difficult to define and hugely enjoyable, the music features a few significant characteristics. Despite the presence of the leader’s electric guitar and ...

253

Article: Album Review

Jim Snidero: Strings

Read "Strings" reviewed by David A. Orthmann


By staying in touch with his roots as a hard blowing alto saxophonist and leader of razor-sharp small bands, Jim Snidero has successfully married a ten-piece string section and a conventional jazz quartet. His arrangements of six original compositions (including the three-part “River Suite”) and two standards entail a constant shifting between the relative freedom of ...

174

Article: Album Review

Greg Skaff: Blues For Mr. T

Read "Blues For Mr. T" reviewed by David A. Orthmann


Greg Skaff’s second disc as a leader charts an impressive course between the familiar, agreeable parameters of soul-jazz and a more open ended, blowing-based approach. The guitarist, Hammond B-3 organist Mike LeDonne, and drummer Joe Farnsworth (all of whom frequently play in various bands at Smoke, a club in New York City that serves as a ...

392

Article: Rhythm In Every Guise

Tony Reedus

Read "Tony Reedus" reviewed by David A. Orthmann


Since he arrived in New York City in 1980 to take over the drum chair in Woody Shaw’s band, Tony Reedus has demonstrated the ability to shape the music of a variety of mainstream ensembles by executing variations in dynamics, touch, and degrees of activity. Treating the drum set as an instrument of kindred components, Reedus ...


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