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Louis Hayes Quintet
by David A. Orthmann
William Paterson University November 2000 Throughout his legendary, forty-year career, Louis Hayes has lit a percussive fire under some of the most distinguished ensembles in jazz, including extended stays with Horace Silver, Oscar Peterson, Cannonball Adderley, and McCoy Tyner. Although not as celebrated as his activities as a sideman, the groups led ...
Andy Fusco Sextet
by David A. Orthmann
The concert featuring the Andy Fusco Sextet at Kean University’s (Union, NJ) Wilkins Theatre might have just as easily been billed as the Criss Cross Jazz All Stars. Four members of the band, Fusco on alto saxophone, tenor saxophonist Walt Weiskopf, pianist Joel Weiskopf, and drummer Billy Drummond, have all recorded under their own names for ...
The Eric Alexander Quintet Featuring Harold Mabern
by David A. Orthmann
Eric Alexander’s concert at William Paterson University was something of a homecoming for the thirty-two year old tenor saxophonist. In 1990, Alexander and his drummer of choice, Joe Farnsworth, graduated from the University’s highly regarded jazz studies program. To continue the William Paterson connection, Harold Mabern, one of Alexander’s teachers at the University, was the band’s ...
Gene Ludwig: Hands On
by David A. Orthmann
Hands On is the fourth Gene Ludwig release on the Blues Leaf imprint since the former Sonny Stitt and Pat Martino confederate was rediscovered by producer Jack Kreisberg in the mid-1990s. Amidst an ever-growing number of recordings featuring capable Hammond B-3 organists, Ludwig’s discs always stand out. This time he leads an able band of musicians ...
Shelly Manne & His Men: Yesterdays
by David A. Orthmann
Shelly Manne & His Men Yesterdays Pablo 2003 Shelly Manne, who died suddenly of a heart attack on September 26, 1984, left behind an impressive body of recorded work as a leader and sideman. Like Dave Tough, one of his formative influences, Manne was a musician first and ...
Leroy Williams
by David A. Orthmann
A journeyman who is well regarded by his peers but seldom acknowledged by critics or the listening public, Leroy Williams has played in the bands of many of the jazz giants who came to prominence during the mid-to-late twentieth century. Despite high profile work with Sonny Rollins, Thelonious Monk, and Stan Getz, over thirty years in ...
Vince Ector: Rhythm Master
by David A. Orthmann
Energized by a core trio with bassist Dwayne Burno and pianist John di Martino, drummer Vince Ector's debut displays the loose, enjoyable feeling of a hard bop blowing session, yet the scope of the material and arrangements indicate a great deal of thought and preparation. Inventively utilizing a number of combinations of trombone, tenor and soprano ...
Ian Hendrickson-Smith: Up In Smoke!
by David A. Orthmann
Ian Hendrickson-Smith’s impressive debut on Sharp Nine possesses qualities that are rare in the inaugural recordings of young leaders. A convincing bebop-oriented player who sustains the hour-long live set without the benefit of a front line partner, the twenty-nine year old alto saxophonist knows when to take the horn out of his mouth. He has a ...
Jesse Van Ruller: Circles
by David A. Orthmann
Alluding to funk, soul, as well as a number of modern jazz styles, guitarist Jesse Van Ruller’s quartet functions in a space of its own making that is outside of any familiar category. Both difficult to define and hugely enjoyable, the music features a few significant characteristics. Despite the presence of the leader’s electric guitar and ...
Jim Snidero: Strings
by David A. Orthmann
By staying in touch with his roots as a hard blowing alto saxophonist and leader of razor-sharp small bands, Jim Snidero has successfully married a ten-piece string section and a conventional jazz quartet. His arrangements of six original compositions (including the three-part “River Suite”) and two standards entail a constant shifting between the relative freedom of ...
