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Seeing More Jazz

by Luciano Rossetti
My interview (Seeing Jazz: The Photography of Luciano Rossetti) with Karl Ackermann was published earlier this week. Here are some additional photos of mine that I wanted to share. Over the course of my career I have had the pleasure of photographing some of the greatest jazz musicians in the world including Anthony Braxton, ...
Kenny Barron - Dave Holland Trio feat. Johnathan Blake: Without Deception

by Angelo Leonardi
A distanza di sei anni dal celebrato The Art f Conversation, Kenny Barron e Dave Holland introducono nel loro sodalizio il batterista Johnathan Blake per realizzare un nuovo pregevole lavoro che non ricalcacom'è giusto che siaquello precedente. In questa modifica di formazione pesa il fantasioso apporto ritmico del batterista ma non è l'unico fattore. In quel ...
Take Five with Marcio Resende

by AAJ Staff
Meet Marcio Resende Recognized as one of Brazil's leading woodwind players, Marcio Resende studied at two prestigious U.S. music institutions early in his career, Berklee College of Music and The New England Conservatory, before pursuing doctoral studies at New York University. He has studied with Jimmy Giuffre, George Russell, Joe Allard, Dr. William Thomas McKinley, John ...
Tino Tracanna: L'arte della sintesi

by Angelo Leonardi
La pubblicazione dell'ultimo album di Tino Tracanna, Distilled, che è anche il debutto discografico del nuovo trio, ci ha dato l'occasione per parlare con uno dei protagonisti del jazz in Italia. Alla presentazione del nuovo lavoro segue un'ampia discussione sugli elementi costitutivi della sua musica, sugli artisti a lui più cari, sulla didattica nei ...
Zakir Hussain: The Best Jazz / Crossover Albums

by Ian Patterson
Zakir Hussain turned 70 on March 9th. In an unparalleled career, which began in earnest aged 7, the man widely acclaimed as the world's greatest tabla player has played with the giants of both Indian classical music and jazz. It is hard to think of another musician who has straddled both worlds to such a prominent ...
Dan McCarthy: A Place Where We Once Lived

by Friedrich Kunzmann
In light of Dan McCarthy's stunning new effort, the vibraphonist's last two outings, Abstract City (Origin Records, 2019) and Epoch (Origin Records, 2019), can be regarded as statements of intent. Both more than noteworthy musical offerings at opposite ends of the jazz spectrum (discussed on All About Jazz here ), the two albums give followers a ...
Benoit Delbecq: The Weight of Light

by Karl Ackermann
Parisian pianist & composer Benoît Delbecq has not recorded a solo album in more than a decade. His collaborations are with impressive company including Tim Berne, Tom Rainey, Lotte Anker, Mark Turner, Steve Argüelles, Gerald Cleaver, Marc Ducret, Gerry Hemingway, Mary Halvorson, Taylor Ho Bynum, and Kris Davis. It is Davis' Pyroclastic Records that Delbecq calls ...
Dave Liebman: Placing Free Jazz and the Avant Garde in Musical and Historical Perspective

by Victor L. Schermer
Like free jazz, this interview arose spontaneously from an informal how are you doin'" telephone conversation between saxophonist Dave Liebman and All About Jazz contributor Vic Schermer. Schermer phoned Liebman to compliment him on his new e-book The Art of Skill: Establishing the Mindset for Unleashing the Music Inside You published by Michael Lake, and how ...
Bill Evans: Bill Evans Live at Ronnie Scott's

by Stefano Merighi
Dobbiamo ringraziare la determinazione e la perseveranza di Zev Feldman, inesausto ricercatore di perle musicali dei grandi del jazz, pubblicate con fierezza dalla Resonance Records. Lo scavo assiduo riguarda in particolare Bill Evans, del quale sono già comparsi alcuni dischi con concerti inediti, cui si aggiunge questo Live at Ronnie Scott's che documenta esibizioni nel celebre ...
My Conversation with Chick Corea

by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in August 1999. It would be silly for me to even attempt to pontificate on the ramifications Chick Corea has had on this music. But it should be universal that his impact has been substantial at worst. So I will let him ...