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7

Article: Album Review

Conference Call: Prism

Read "Prism" reviewed by Dan McClenaghan


Prism, by the band Conference Call, sounds, on the set's opening tune, “F.J.D.," like a bunch of guys who might mug you: a brash, turbulent, confrontational crowd with a “we-don't-take-no-mess-from-nobody" approach to making music. Credit reedman Gebhard Ullmann with his grouchy, working-man-roused-from-his-afternoon-nap tenor sax sound, and the powerful bass (which you can feel in your bones) ...

7

Article: Album Review

Markus Reuter: Sun Trance

Read "Sun Trance" reviewed by Dan McClenaghan


Markus Reuter has a reputation as a guitar shredding animal. He has been called a power trio kingpin, his artistry referred to as “fearless and ferocious." The cliche “not for the faint of heart" comes to mind on sets like Truce (Moonjune Records, 2020) and Shapeshifter (Moonjune Records, (2020). But he has a softer side, one ...

4

Article: Album Review

Lawrence Sieberth Quartet: An Evening In Paris

Read "An Evening In Paris" reviewed by Dan McClenaghan


New Orleans-based pianist Lawrence Sieberth is a versatile music man--a bandleader, keyboard accompanist, composer, producer. A trip to Paris and a teaming with Parisian players resulted in An Evening In Paris, an atmospherically cohesive set that covers a wide range of styles. The set of eight Sieberth originals opens with “August," a tune that ...

5

Article: Album Review

Dan Pitt: Monochrome

Read "Monochrome" reviewed by Dan McClenaghan


Toronto-based guitarist Dan Pitt debuted as a recording artist in 2019 with his trio outing, Fundamentally Flawed (Self Produced). A versatile gutarist who plays in a variety of styles, he has performed with cellist Andrew Downing, saxophonists Tim Berne and Michael Attias, and bassist Michael Formanek. Monochrome, Pitt's offering for 2020, is a solo ...

9

Article: Multiple Reviews

Dave Storrs' Sound Shack: Part 1

Read "Dave Storrs' Sound Shack: Part 1" reviewed by Dan McClenaghan


At one time it was a place to park a car. A detached garage in Corvallis, Oregon, surrounded by trees. Percussionist Dave Storrs transformed it into a recording studio around about 1992. And Louie Records was born. If Louie Records can be said to have enjoyed a heyday as a proper record company (whatever ...

5

Article: Album Review

Champian Fulton: Birdsong

Read "Birdsong" reviewed by Dan McClenaghan


Champian Fulton was introduced to alto saxophonist Charlie Parker during her stay in the womb. The New York-based pianist/vocalist's father, Stephen Fulton held a high opinion ("The most beautiful music that ever was") of Charlie Parker With Strings (Verve, 1950), so he made a cassette tape of the recording and played it during his wife Susan's ...

5

Article: We Travel the Spaceways

Heavy Rotation For A Pandemic Summer

Read "Heavy Rotation For A Pandemic Summer" reviewed by Mark Corroto


In the summer of 2020 one result of the COVID-19 isolation, and artists inability to tour and perform is that they have time to deal with projects halted by this pandemic. Musicians, producers, and engineers have mixed, mastered and released an abundance of music. Many of the titles have been, and will be covered by our ...

9

Article: Album Review

Bob James: Once Upon A Time: The Lost 1965 New York Studio Sessions

Read "Once Upon A Time: The Lost 1965 New York Studio Sessions" reviewed by Dan McClenaghan


Most people have heard the music of Bob James. He wrote “Angela," the theme song for the popular television comedy Taxi. The show ran from 1978 to 1983, and reruns are ongoing. The Bob James became one of the fathers and most successful purveyors of the smooth/fusion jazz sound, in recordings under his own name, with ...

3

Article: Album Review

Tom Ranier: This Way

Read "This Way" reviewed by Dan McClenaghan


The versatile multi-instrumentalist Tom Ranier has enjoyed a busy career, playing pop styles, electronic music and jazz. Prolific as a collaborator—Terry Gibbs, George Coleman, Placido Domingo—he also boasts a grounding in classical music. This Way features Rainier playing mostly his own compositions on piano, synthesizers, saxophones and clarinets, with some help from his friends, guitarist Thom ...

3

Article: Album Review

Charlotte Greve / Vinnie Sperrazza / Chris Tordini: The Choir Invisible

Read "The Choir Invisible" reviewed by Dan McClenaghan


The music on The Choir Invisible, presented by the musical equilateral triangle of saxophonist Charlotte Greve, drummer Vinnie Sperrazza and bassist Chris Tordini, presents the ear with a simple yet often intense beauty. Three strong sonic personalities exploring uncluttered territory. The trio, all of whom are busy members of the New York City jazz scene, formed ...


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