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The Michael O'Neill Quartet: And Then It Rained
by Dan McClenaghan
San Francisco area-based reedman Michael O'Neill, noted most prominently for his work with vocalist Kenny Washington, takes his artistry on a new tangent with And Then It Rained. The set features a top-tier Bay Area quartet which digs deep into a set of O'Neill originals. Recording-wise, this is new territory for O'Neill, who, in addition to ...
What Happens In A Year: Ceremonie / Musique
by Dan McClenaghan
New York-based reedist (bass clarinet, baritone saxophone) Josh Sinton says: “Every day when I wake up, I try to make some stuff." An admirable goal. One of the things he made, in cahoots with his band What Happens In A Year, is a recording called ceremonie / musique. The set has been described, accurately, as “daringly ...
James Brandon Lewis: Molecular
by Dan McClenaghan
Saxophonist James Brandon Lewis offers up an introductory statement in the album packaging as a preface to the liner notes of Molecular. His train of thought is difficult to follow. He leaves an impression of not being a “normal" person, in the best possible sense of that assessment. It is the impression of a deep-thinking artist ...
Alexander von Schlippenbach: Slow Pieces For Aki: Piano Solo
by Dan McClenaghan
Pianist Alexander von Schlippenbach began recording in the 1950s. Twenty years into the new millennium, he continues to do so prolifically, with twenty-five albums under his own name listed on Wikipedia--a seeming short shrift; his three solo albums on the Intakt Records label from 2005 and 2012 somehow didn't make the list, suggesting there are more. ...
Tim Berne's Snakeoil: The Deceptive 4—Live
by Dan McClenaghan
Alto saxophonist Tim Berne has given his various ensembles some cool names over the years. There was Big Satan, Bloodcount, Science Friction, Hard Cell. Then, in 2012, on his first recording for ECM Records, he introduced his group (and the album) Snakeoil. The band has become, since then, his main--though certainly not his only--means of artistic ...
Noah Haidu: Doctone
by Dan McClenaghan
Pianist Kenny Kirkland never seemed particularly interested in attaining the high level of fame enjoyed by two of his early employers, trumpeter Wynton Marsalis and saxophonist Branford Marsalis. He worked first for Wynton, playing on four of the trumpeter's albums between 1981 and 1985, before moving into Branford's orbit, for eight albums between 1983 to 1998. ...
Edward Simon: 25 Years
by Dan McClenaghan
Pianist Edward Simon immigrated to the United States from his native Venezuela while still in his teens. He stayed, and carved out a successful career in music. His fiftieth birthday rolled around, and the artist decided it was time to take a look and listen back. In a musical journey that spans the titular 25 Years, ...
Matthew Shipp: The Unidentifiable
by Dan McClenaghan
We can talk about a Bud Powell school of the piano trio, or a Bill Evans school of the piano trio, but maybe it is time to start talking about Mathew Shipp's trio school, with bassist Michael Bisio and drummer Newman Taylor Baker. Shipp has been around the jazz scene for three decades. He has developed ...
Angelica Sanchez & Marilyn Crispell: How To turn the Moon
by Dan McClenaghan
Fans of piano jazz might have a preference for the trio format—piano/bass/drums. Or they might like their piano straight, no chaser, with solo piano sets. There is no shortage of trio and solo recordings floating around for our listening enjoyment. But two pianos? Rare, though not unheard of. Brad Mehldau and Kevin Hays offered up the ...
Modasaurus: 4K
by Dan McClenaghan
Modasaurus? It sounds like some pre-historic reptilian herbivore that spent a good deal of its day staying out of the clutches of the Tyrannosaurus Rex of its time, employing, we can guess, modes of avoidance, guile and deception to keep from being eaten. But our guess would be wrong. Our Modasaurus is an Ottawa-based jazz-fusion quartet, ...
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