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5

Article: Album Review

Champian Fulton: Birdsong

Read "Birdsong" reviewed by Dan McClenaghan


Champian Fulton was introduced to alto saxophonist Charlie Parker during her stay in the womb. The New York-based pianist/vocalist's father, Stephen Fulton held a high opinion ("The most beautiful music that ever was") of Charlie Parker With Strings (Verve, 1950), so he made a cassette tape of the recording and played it during his wife Susan's ...

5

Article: We Travel the Spaceways

Heavy Rotation For A Pandemic Summer

Read "Heavy Rotation For A Pandemic Summer" reviewed by Mark Corroto


In the summer of 2020 one result of the COVID-19 isolation, and artists inability to tour and perform is that they have time to deal with projects halted by this pandemic. Musicians, producers, and engineers have mixed, mastered and released an abundance of music. Many of the titles have been, and will be covered by our ...

9

Article: Album Review

Bob James: Once Upon A Time: The Lost 1965 New York Studio Sessions

Read "Once Upon A Time: The Lost 1965 New York Studio Sessions" reviewed by Dan McClenaghan


Most people have heard the music of Bob James. He wrote “Angela," the theme song for the popular television comedy Taxi. The show ran from 1978 to 1983, and reruns are ongoing. The Bob James became one of the fathers and most successful purveyors of the smooth/fusion jazz sound, in recordings under his own name, with ...

3

Article: Album Review

Tom Ranier: This Way

Read "This Way" reviewed by Dan McClenaghan


The versatile multi-instrumentalist Tom Ranier has enjoyed a busy career, playing pop styles, electronic music and jazz. Prolific as a collaborator—Terry Gibbs, George Coleman, Placido Domingo—he also boasts a grounding in classical music. This Way features Rainier playing mostly his own compositions on piano, synthesizers, saxophones and clarinets, with some help from his friends, guitarist Thom ...

3

Article: Album Review

Charlotte Greve / Vinnie Sperrazza / Chris Tordini: The Choir Invisible

Read "The Choir Invisible" reviewed by Dan McClenaghan


The music on The Choir Invisible, presented by the musical equilateral triangle of saxophonist Charlotte Greve, drummer Vinnie Sperrazza and bassist Chris Tordini, presents the ear with a simple yet often intense beauty. Three strong sonic personalities exploring uncluttered territory. The trio, all of whom are busy members of the New York City jazz scene, formed ...

9

Article: Album Review

Matt Wilson Quartet: Hug!

Read "Hug!" reviewed by Dan McClenaghan


Drummer Matt Wilson's quartet opens Hug! with Gene Ammons' “The One Before This." Saxophonist Ammons often used the tune as a showcase for tenor battles with fellow sax man Sonny Stitt. Wilson and company--featuring cornetist Kirk Knuffke, sax man Jeff Lederer and bassist Chris Lightcap--lay the sound down like a party. And this quartet parties hard. ...

16

Article: Album Review

Denny Zeitlin: Live at Mezzrow

Read "Live at Mezzrow" reviewed by Dan McClenaghan


Pianist Denny Zeitlin appeared on his first recording in 1963, flautist Jeremy Steigs' Flute Fever (Columbia Records). He was in his third year at Johns Hopkins Medical School at the time, on a path to dual careers in psychiatry and eventually the teaching of that profession—vocations he continues with to this day. Add a ...

6

Article: Album Review

Dave Bryant: Night Visitors

Read "Night Visitors" reviewed by Dan McClenaghan


Free jazz pioneer Ornette Coleman didn't record much with piano players. Exceptions were Geri Allen on Sound Museum: Three Women and Sound Museum: Hidden Man, released simultaneously in 1996 on Harmolodic / Verve, and Dave Bryant on Tone Dialing (Harmolodic / Verve, 1995), during Coleman's Prime Time days.Bryant's immersion in Coleman's sound—he has conducted ...

9

Article: Album Review

Frank Macchia / Brock Avery: Rhythm Abstraction: Ruby

Read "Rhythm Abstraction: Ruby" reviewed by Dan McClenaghan


Multi-instrumentalist Frank Macchia released his full length CD Rhythm Kaleidoscope (Cacophany Records) in 2018. The compositions were created over a foundation of Brock Avery's multi-layered improvised drum and percussion solos, with Macchia orchestrating a sea of woodwinds and synthesizer sounds, some brass and some prepared piano samples, resulting in a lush and feisty twenty-first century jazz-classical-fusion ...

8

Article: Album Review

Rudresh Mahanthappa: Hero Trio

Read "Hero Trio" reviewed by Dan McClenaghan


In the chordless trio tradition of tenor saxophonist Sonny Rollins on A Night At The Village Vanguard (Blue Note, 1957) and alto saxophonist Lee Konitz with his Motion (Verve, 1961), alto saxophonist Rudresh Mahanthappa offers up his Hero Trio, a saxophone, bass and drums outing nodding to his influential musical heros. Mahanthappa began his ...


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