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4

Article: Album Review

Futari: Underground

Read "Underground" reviewed by Dan McClenaghan


Pianist Satoko Fujii found another perfect musical partner in 2017, in the Berlin-based mallet maven Taiko Saito, resulting, eventually, in their duo outing Beyond (Libra Records, 2021). The pair dubbed themselves “Futari" ('two people' in Japanese). Underground surfaces as their second 2021 release ("prolific" is a word usually included in a description of Fujii's output).

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Article: Album Review

Oddgeir Berg Trio: Christmas Came Early

Read "Christmas Came Early" reviewed by Dan McClenaghan


The late Paul Bley (1932-2016) once said of his ECM Records release Open, To Love (1972), that the sound he created there was his attempt to prove he was the slowest pianist in the world. He was a man with a sense of humor, and his tongue had surely wormed its way into his cheek with ...

5

Article: Album Review

David Friesen: Day Of Rest

Read "Day Of Rest" reviewed by Dan McClenaghan


Boasting a forty-year career in music, bassist & composer David Friesen found a home at Origin Records in 2014, with his Where The Light Falls, featuring his Circle 3 Trio and guest guitarist Larry Koonse. He has, in the ensuing years, created his finest art for the label, mostly in small groups--duos and trios, and also ...

4

Article: Album Review

Jo Berger Myhre: Unheimlich Manoeuvre

Read "Unheimlich Manoeuvre" reviewed by Dan McClenaghan


Norwegian bassist Jo Berger Myhre is not new to the music scene—he has worked extensively with Nils Petter Molvaer's quartet, contributing to the trumpeter's Buoyancy (Okeh, 2016) and Stitches (Modern Recordings, 2021). But Unheimlich Manoeuvre is Myhre's first recording under his own name. In experiencing the artistry of a new (to a particular listener) ...

7

Article: Album Review

Beth McKenna: Beyond Here

Read "Beyond Here" reviewed by Dan McClenaghan


Montreal-based multi-reedist Beth McKenna's Beyond Here proves a few things. One, she is a fine arranger of her original compositions for her jazz quintet. Two: she writes. complex-yet-engaging tunes that often go after the groove. And three: there is an expansiveness--compositionally and production-wise--in her music that could probably transfer nicely to larger ensemble work. She studied ...

6

Article: Album Review

Matthew Shipp: Codebreaker

Read "Codebreaker" reviewed by Dan McClenaghan


Pianist Matthew Shipp has a habit of putting out piano solo and piano trio CDs in quick succession. In 2020, it was the solo set Piano Equation (Tao Forms) and the trio outing The Unidentifiable (ESP Disk). In 2021 he offers up Village Mothership (Tao Forms), a trio offering, and the solo set—and the subject of ...

13

Article: Album Review

Montreal Jazz Trio: Montreal Jazz Trio

Read "Montreal Jazz Trio" reviewed by Dan McClenaghan


We had the Modern Jazz Quartet, sometimes tagged MJQ, from 1952 until--after a stop and start or two--the early 90's. They were a class act, playing in formal attire, playing classically-influenced jazz with a dollop (sometimes more than a dollop) of the blues. Restraint and laid back complexity was the name of the game.

9

Article: Album Review

Kate McGarry + Keith Ganz Ensemble: What to Wear in the Dark

Read "What to Wear in the Dark" reviewed by Dan McClenaghan


Let us start with a nod to Steely Dan, the rock/jazz group headed up by Walter Becker and Donald Fagen, a pair of tunesmiths who hit a career zenith in the early 1970s with albums like Can't Buy A Thrill (1972), Countdown To Ecstasy (1973), Pretzel Logic (1974) and Aja (1974), all on ABC Records. The ...

7

Article: Album Review

David Janeway: Distant Voices

Read "Distant Voices" reviewed by Dan McClenaghan


In 2017 pianist David Janeway offered his Secret Passages, a trio outing featuring bassist Frank Tate and drummer Chuck Zeuren. He proves, in 2021, that he can change partners without losing an ounce of swing or even a shot glass of verve. It is Cameron Brown on bass this time out, with Billy Hart sitting in ...

25

Article: Album Review

Adrianne Duncan: Gemini

Read "Gemini" reviewed by Dan McClenaghan


It started out for Adrianne Duncan with classical piano. Then—as it happens so often—she fell in with a jazz crowd. On her Gemini, the vocalist/pianist/composer proves herself an adept and compelling artist in the jazz genre, one who isn't afraid to take some chances. And she has a way with words, penning lyrics in an off-the-beaten-path ...


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